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Organ Favorites from King's College, Cambridge


from: Angel Records




Recordings 1930-1951


from: Angel Records


: :The drawback to this comprehensive feast of prime Vladimir Horowitz is EMI's overzealous noise reduction, which smoothes the edges off of the great pianist's unique sonority. This is less bothersome in the 1951 sessions, which produced two delicious Scarlatti Sonatas not reissued elsewhere. The high-voltage Horowitz of the thirties was a more direct, less mannered artist than his older self. But his classic Liszt Sonata, Chopin Fourth Scherzo, and other solo EMI jewels are best heard via APR's superior (albeit more expensive) transfers. This erratic but exciting Rach 3 (with cuts, ...

Uncommon Encores


from: Cedille


:Album Description: Russian-born Paperno delivers deep, powerful performances of 16 lesser-recorded piano miniatures. He magnifies and reveals these rich musical microcosms with a three-dimensional pianism that takes advantage of the instrument's full sonorities. A rarity is the Cancion y Danza No. 5 by Federico Mompou, the Spanish (Catalan) composer who specialized in small-scale piano pieces. 'Many of his pastels are of an extraordinary haunting . . . elegance,' wrote Lionel Salter in the New Grove Dictionary (1980). Mompou's 'fondness of ostinato figures and bell sound often lends an incantatory quality to ...

Horowitz: Legendary RCA Recordings


from: RCA


: :This seems to be RCA's attempt to create the perfect Horowitz sampler. It's a pretty good try. The Tchaikovsky First Concerto, considered definitive in its day, seems more of a technical than musical accomplishment today, but there's no denying the hyper-excitement generated by Horowitz and Toscanini. The Rachmaninov Third is one of Horowitz's great accomplishments, stunningly played and superbly accompanied by Reiner. The solo disc generally plays to Horowitz's strengths, with marvellous playing of such specialties as Schumann, Scriabin, Scarlatti, Rachmaninov, Prokofiev, and Clementi. (Horowitz was the only major pianist to ...

Russian Piano Recital


from: Centaur


: :This seems to be RCA's attempt to create the perfect Horowitz sampler. It's a pretty good try. The Tchaikovsky First Concerto, considered definitive in its day, seems more of a technical than musical accomplishment today, but there's no denying the hyper-excitement generated by Horowitz and Toscanini. The Rachmaninov Third is one of Horowitz's great accomplishments, stunningly played and superbly accompanied by Reiner. The solo disc generally plays to Horowitz's strengths, with marvellous playing of such specialties as Schumann, Scriabin, Scarlatti, Rachmaninov, Prokofiev, and Clementi. (Horowitz was the only major pianist to ...

In Stilo Moderno: Frescobaldi à Vivaldi


from: Atma Classique


: :This seems to be RCA's attempt to create the perfect Horowitz sampler. It's a pretty good try. The Tchaikovsky First Concerto, considered definitive in its day, seems more of a technical than musical accomplishment today, but there's no denying the hyper-excitement generated by Horowitz and Toscanini. The Rachmaninov Third is one of Horowitz's great accomplishments, stunningly played and superbly accompanied by Reiner. The solo disc generally plays to Horowitz's strengths, with marvellous playing of such specialties as Schumann, Scriabin, Scarlatti, Rachmaninov, Prokofiev, and Clementi. (Horowitz was the only major pianist to ...

Bach: Chromatic Fantasy & Fugue, etc / Schnabel, Boult, et al


from: EMI Classics Imports


: :This seems to be RCA's attempt to create the perfect Horowitz sampler. It's a pretty good try. The Tchaikovsky First Concerto, considered definitive in its day, seems more of a technical than musical accomplishment today, but there's no denying the hyper-excitement generated by Horowitz and Toscanini. The Rachmaninov Third is one of Horowitz's great accomplishments, stunningly played and superbly accompanied by Reiner. The solo disc generally plays to Horowitz's strengths, with marvellous playing of such specialties as Schumann, Scriabin, Scarlatti, Rachmaninov, Prokofiev, and Clementi. (Horowitz was the only major pianist to ...

Girolamo Frescobaldi: Harpsichord Works


from: Alba


: :This seems to be RCA's attempt to create the perfect Horowitz sampler. It's a pretty good try. The Tchaikovsky First Concerto, considered definitive in its day, seems more of a technical than musical accomplishment today, but there's no denying the hyper-excitement generated by Horowitz and Toscanini. The Rachmaninov Third is one of Horowitz's great accomplishments, stunningly played and superbly accompanied by Reiner. The solo disc generally plays to Horowitz's strengths, with marvellous playing of such specialties as Schumann, Scriabin, Scarlatti, Rachmaninov, Prokofiev, and Clementi. (Horowitz was the only major pianist to ...

Bach Recital: Italian Concerto, Partita No. 4, Concerto in F Major, Toccata in E Minor


from: Sony


: :This seems to be RCA's attempt to create the perfect Horowitz sampler. It's a pretty good try. The Tchaikovsky First Concerto, considered definitive in its day, seems more of a technical than musical accomplishment today, but there's no denying the hyper-excitement generated by Horowitz and Toscanini. The Rachmaninov Third is one of Horowitz's great accomplishments, stunningly played and superbly accompanied by Reiner. The solo disc generally plays to Horowitz's strengths, with marvellous playing of such specialties as Schumann, Scriabin, Scarlatti, Rachmaninov, Prokofiev, and Clementi. (Horowitz was the only major pianist to ...

Cleveland in Columbus


from: Loft Recordings


:Album Description:'In Douglas Cleveland's hands the organ seemed to squeeze the air into towering sculptures.' -- Chicago Tribune 'Cleveland is a stunning organist. He plays with precision, technical facility, great musical instincts, and best of all, a bold sense of drama.' -- Milwaukee Journal Sentinel 'One of the finest young artists in the United States.' -- Minnesota Public Radio This is the first recording of the Fritts organ at St. Joseph Cathedral in Columbus, Ohio, the largest organ yet from the Fritts organ company.



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We've covered in too much detail how it's some sort of "open season" on Vonage when it comes to VoIP patents. After dealing with ridiculous and expensive patent lawsuits from companies who failed to actually innovate in the same way Vonage did, the company was pressured by Wall Street to quickly settle the various patent lawsuits filed against the company. Of course, rather than settle matters, that simply opened the door for other companies to go searching through their patent portfolios to see if there was anything they could sue Vonage over. Indeed, following those settlements it didn't take long for AT&T to dig up a patent and sue -- which was quickly settled as well. Thought things were over? No such luck. Nortel just showed up last month to sue and it took all of about a week and a half for Vonage to settle that case as well.

The Nortel case is slightly different because Vonage actually already had a patent infringement lawsuit going against Nortel, but it wasn't really initiated by Vonage. Instead, it had been initiated by a patent holding firm that Vonage bought in 2006. The end result of the settlement doesn't involve money changing hands, but just a cross licensing agreement for the patents. So what's the big lesson that Vonage and others have learned from this? It's certainly got nothing to do with innovating. It's to hoard as many patents as possible so that you have your own nuclear stockpile for when someone else sues you. Want to know why the USPTO is overwhelmed? It's not because there aren't enough examiners (as some will claim) or that there aren't enough funds. It's because the way the system now works is that you are supposed to file patents on every tiny little advancement so you can use it to protect yourself against lawsuits from everyone else. That's not about innovation. It's about waste. In the meantime, since it's still open season at Vonage, who's going to be next? There are a ton of other patents in the VoIP space that can surely be used in a lawsuit, right?

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