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Puccini: Tosca (1953) with Callas, di Stefano, Gobbi, cond. by de Sabata
from: EMI Classics
: : Little can be added to what's been written about this landmark recording, except that Walter Legge's 1953 mono production yields nothing to modern Tosca recordings for vivacity and theatrical impact--especially Maria Callas's. The miraculous Victor de Sabata conjures up a vibrant, inspiring orchestral canvas that enables Callas and her stellar cohorts to work their magic. Tito Gobbi and Callas spur each other on to heights in which the characters take over from the singers in the listener's mind. Giuseppe Di Stefano is on his best behavior, and in fresher voice ...
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Puccini: Tosca (complete opera) with Maria Callas, Giuseppe di Stefano, Tito Gobbi, Victor de Sabata, Chorus & Orchestra of La Scala, Milan
: essential recording:Little can be added to what's been written about this landmark recording, except that Walter Legge's 1953 mono production yields nothing to modern Tosca recordings for vivacity and theatrical impact--especially Maria Callas's. The miraculous Victor de Sabata conjures up a vibrant, inspiring orchestral canvas that enables Callas and her stellar cohorts to work their magic. Tito Gobbi and Callas spur each other on to heights in which the characters take over from the singers in the listener's mind. Giuseppe Di Stefano is on his best behavior, and in fresher ...
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The Very Best of Franco Corelli
from: EMI Classics
: essential recording:Little can be added to what's been written about this landmark recording, except that Walter Legge's 1953 mono production yields nothing to modern Tosca recordings for vivacity and theatrical impact--especially Maria Callas's. The miraculous Victor de Sabata conjures up a vibrant, inspiring orchestral canvas that enables Callas and her stellar cohorts to work their magic. Tito Gobbi and Callas spur each other on to heights in which the characters take over from the singers in the listener's mind. Giuseppe Di Stefano is on his best behavior, and in fresher ...
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Rossini: The Barber Of Seville with Maria Callas, Tito Gobbi, Alceo Galliera, Philharmonia Orchestra & Chorus
: essential recording:Maria Callas surprised some fans when this recording appeared in 1958 by singing some of Rosina's music in the mezzo-soprano range. Originally used by Rossini, the mezzo range helped Callas in characterizing Rosina not as a bird-brained, twittering, helpless ingenue but as a crafty, intelligent woman, smarter than any of the men around her (even the resourceful Figaro). Callas's Rosina knew exactly what she wanted and how she would get it. It is a brilliant performance, made even more enjoyable by the first-class contributions of Tito Gobbi, Luigi Alva, ...
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Maria Callas 100 Best Classics
from: EMI Classics
:Album Description:Best Callas 100 (part of the Best Classics 100 series) features 6 CDs of the best and most popular operatic arias and duets sung by legendary soprano Maria Callas from her EMI catalog of complete operas and recital albums. Each CD contains approx. 16-17 tracks. CD 1 The Operas of Bellini CD 2 The Operas of Donizetti and Rossini CD 3 The Operas of Verdi CD 4 The Operas of Puccini CD 5 French Operatic Heroines CD 6 Dramatic Heroines
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Donizetti: Lucia di Lammermoor (complete opera) with Maria Callas, Tito Gobbi, Giuseppe di Stefano, Tullio Serafin
from: EMI Classics
:Album Description:Best Callas 100 (part of the Best Classics 100 series) features 6 CDs of the best and most popular operatic arias and duets sung by legendary soprano Maria Callas from her EMI catalog of complete operas and recital albums. Each CD contains approx. 16-17 tracks. CD 1 The Operas of Bellini CD 2 The Operas of Donizetti and Rossini CD 3 The Operas of Verdi CD 4 The Operas of Puccini CD 5 French Operatic Heroines CD 6 Dramatic Heroines
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Verdi: Rigoletto (Complete Opera); Maria Callas; Tito Gobbi; Giuseppe di Stefano
: :Nobody steals the spotlight when Maria Callas is onstage, but Tito Gobbi never lets us forget that this show is called Rigoletto, not Gilda. Neither singer has one of the century's prettiest voices; both have dramatic presence, impact, and subtlety--based as much on their control of verbal nuance as on musicianship--that make their characters three-dimensional, the story meaningful, the emotions real, varied, and intense. His role is bigger and more complex than hers is. He is almost constantly onstage, and his music runs the whole gamut from fatherly tenderness, to regret ...
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Mascagni: Cavalleria Rusticana & Leoncavallo: Pagliacci (complete operas) with Maria Callas, Giuseppe di Stefano, Tito Gobbi, Tullio Serafin, Chorus & Orchestra of La Scala, Milan
from: EMI Classics
: :Nobody steals the spotlight when Maria Callas is onstage, but Tito Gobbi never lets us forget that this show is called Rigoletto, not Gilda. Neither singer has one of the century's prettiest voices; both have dramatic presence, impact, and subtlety--based as much on their control of verbal nuance as on musicianship--that make their characters three-dimensional, the story meaningful, the emotions real, varied, and intense. His role is bigger and more complex than hers is. He is almost constantly onstage, and his music runs the whole gamut from fatherly tenderness, to regret ...
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100 Best Opera Classics
from: Emd Int'l
: :Nobody steals the spotlight when Maria Callas is onstage, but Tito Gobbi never lets us forget that this show is called Rigoletto, not Gilda. Neither singer has one of the century's prettiest voices; both have dramatic presence, impact, and subtlety--based as much on their control of verbal nuance as on musicianship--that make their characters three-dimensional, the story meaningful, the emotions real, varied, and intense. His role is bigger and more complex than hers is. He is almost constantly onstage, and his music runs the whole gamut from fatherly tenderness, to regret ...
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Aria: A Passion for Opera
from: EMI Classics
: :If you've ever heard an opera excerpt in a film or TV commercial and wondered from whence it came, this compilation will probably provide your answer. The disk is an extensive superstar sampling of opera's greatest arias, featuring beloved stars from 1958-1987. Newbies will delight in hearing the young Freni's developing, but not yet perfected, artistry; Corelli's soaring tenor emoting in 'Vesti la guibba' and 'Nessun Dorma'; and Callas being Callas in 'Habanera' and 'Casta Diva.' Megatalents Caballé, Gobbi, Di Stefano, and Domingo round out the mix. It even includes the ...
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