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Puccini: Tosca (1953) with Callas, di Stefano, Gobbi, cond. by de Sabata


from: EMI Classics


: : Little can be added to what's been written about this landmark recording, except that Walter Legge's 1953 mono production yields nothing to modern Tosca recordings for vivacity and theatrical impact--especially Maria Callas's. The miraculous Victor de Sabata conjures up a vibrant, inspiring orchestral canvas that enables Callas and her stellar cohorts to work their magic. Tito Gobbi and Callas spur each other on to heights in which the characters take over from the singers in the listener's mind. Giuseppe Di Stefano is on his best behavior, and in fresher voice ...

Puccini: Tosca (complete opera) with Maria Callas, Giuseppe di Stefano, Tito Gobbi, Victor de Sabata, Chorus & Orchestra of La Scala, Milan


by: Giacomo Puccini, Victor De Sabata, Maria Callas, Giuseppe di Stefano, Tito Gobbi, Orchestra e Coro del Teatro alla Scala


: essential recording:Little can be added to what's been written about this landmark recording, except that Walter Legge's 1953 mono production yields nothing to modern Tosca recordings for vivacity and theatrical impact--especially Maria Callas's. The miraculous Victor de Sabata conjures up a vibrant, inspiring orchestral canvas that enables Callas and her stellar cohorts to work their magic. Tito Gobbi and Callas spur each other on to heights in which the characters take over from the singers in the listener's mind. Giuseppe Di Stefano is on his best behavior, and in fresher ...

The Very Best of Franco Corelli


from: EMI Classics


: essential recording:Little can be added to what's been written about this landmark recording, except that Walter Legge's 1953 mono production yields nothing to modern Tosca recordings for vivacity and theatrical impact--especially Maria Callas's. The miraculous Victor de Sabata conjures up a vibrant, inspiring orchestral canvas that enables Callas and her stellar cohorts to work their magic. Tito Gobbi and Callas spur each other on to heights in which the characters take over from the singers in the listener's mind. Giuseppe Di Stefano is on his best behavior, and in fresher ...

Rossini: The Barber Of Seville with Maria Callas, Tito Gobbi, Alceo Galliera, Philharmonia Orchestra & Chorus


by: Gioachino Rossini, Alceo Galliera, Maria Callas, Luigi Alva, Philharmonia Orchestra and Chorus, Gabriella Carturan, Tito Gobbi, Fritz Ollendorf, Mario Carlin


: essential recording:Maria Callas surprised some fans when this recording appeared in 1958 by singing some of Rosina's music in the mezzo-soprano range. Originally used by Rossini, the mezzo range helped Callas in characterizing Rosina not as a bird-brained, twittering, helpless ingenue but as a crafty, intelligent woman, smarter than any of the men around her (even the resourceful Figaro). Callas's Rosina knew exactly what she wanted and how she would get it. It is a brilliant performance, made even more enjoyable by the first-class contributions of Tito Gobbi, Luigi Alva, ...

Maria Callas 100 Best Classics


from: EMI Classics


:Album Description:Best Callas 100 (part of the Best Classics 100 series) features 6 CDs of the best and most popular operatic arias and duets sung by legendary soprano Maria Callas from her EMI catalog of complete operas and recital albums. Each CD contains approx. 16-17 tracks. CD 1 The Operas of Bellini CD 2 The Operas of Donizetti and Rossini CD 3 The Operas of Verdi CD 4 The Operas of Puccini CD 5 French Operatic Heroines CD 6 Dramatic Heroines

Donizetti: Lucia di Lammermoor (complete opera) with Maria Callas, Tito Gobbi, Giuseppe di Stefano, Tullio Serafin


from: EMI Classics


:Album Description:Best Callas 100 (part of the Best Classics 100 series) features 6 CDs of the best and most popular operatic arias and duets sung by legendary soprano Maria Callas from her EMI catalog of complete operas and recital albums. Each CD contains approx. 16-17 tracks. CD 1 The Operas of Bellini CD 2 The Operas of Donizetti and Rossini CD 3 The Operas of Verdi CD 4 The Operas of Puccini CD 5 French Operatic Heroines CD 6 Dramatic Heroines

Verdi: Rigoletto (Complete Opera); Maria Callas; Tito Gobbi; Giuseppe di Stefano


by: Giuseppe di Stefano, Nicola Zaccaria, Adriana Lazzarini, Giuse Gerbino, Tullio Serafin, Chorus & Orchestra of the La Scala Theatre - Milan


: :Nobody steals the spotlight when Maria Callas is onstage, but Tito Gobbi never lets us forget that this show is called Rigoletto, not Gilda. Neither singer has one of the century's prettiest voices; both have dramatic presence, impact, and subtlety--based as much on their control of verbal nuance as on musicianship--that make their characters three-dimensional, the story meaningful, the emotions real, varied, and intense. His role is bigger and more complex than hers is. He is almost constantly onstage, and his music runs the whole gamut from fatherly tenderness, to regret ...

Mascagni: Cavalleria Rusticana & Leoncavallo: Pagliacci (complete operas) with Maria Callas, Giuseppe di Stefano, Tito Gobbi, Tullio Serafin, Chorus & Orchestra of La Scala, Milan


from: EMI Classics


: :Nobody steals the spotlight when Maria Callas is onstage, but Tito Gobbi never lets us forget that this show is called Rigoletto, not Gilda. Neither singer has one of the century's prettiest voices; both have dramatic presence, impact, and subtlety--based as much on their control of verbal nuance as on musicianship--that make their characters three-dimensional, the story meaningful, the emotions real, varied, and intense. His role is bigger and more complex than hers is. He is almost constantly onstage, and his music runs the whole gamut from fatherly tenderness, to regret ...

100 Best Opera Classics


from: Emd Int'l


: :Nobody steals the spotlight when Maria Callas is onstage, but Tito Gobbi never lets us forget that this show is called Rigoletto, not Gilda. Neither singer has one of the century's prettiest voices; both have dramatic presence, impact, and subtlety--based as much on their control of verbal nuance as on musicianship--that make their characters three-dimensional, the story meaningful, the emotions real, varied, and intense. His role is bigger and more complex than hers is. He is almost constantly onstage, and his music runs the whole gamut from fatherly tenderness, to regret ...

Aria: A Passion for Opera


from: EMI Classics


: :If you've ever heard an opera excerpt in a film or TV commercial and wondered from whence it came, this compilation will probably provide your answer. The disk is an extensive superstar sampling of opera's greatest arias, featuring beloved stars from 1958-1987. Newbies will delight in hearing the young Freni's developing, but not yet perfected, artistry; Corelli's soaring tenor emoting in 'Vesti la guibba' and 'Nessun Dorma'; and Callas being Callas in 'Habanera' and 'Casta Diva.' Megatalents Caballé, Gobbi, Di Stefano, and Domingo round out the mix. It even includes the ...



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We've covered in too much detail how it's some sort of "open season" on Vonage when it comes to VoIP patents. After dealing with ridiculous and expensive patent lawsuits from companies who failed to actually innovate in the same way Vonage did, the company was pressured by Wall Street to quickly settle the various patent lawsuits filed against the company. Of course, rather than settle matters, that simply opened the door for other companies to go searching through their patent portfolios to see if there was anything they could sue Vonage over. Indeed, following those settlements it didn't take long for AT&T to dig up a patent and sue -- which was quickly settled as well. Thought things were over? No such luck. Nortel just showed up last month to sue and it took all of about a week and a half for Vonage to settle that case as well.

The Nortel case is slightly different because Vonage actually already had a patent infringement lawsuit going against Nortel, but it wasn't really initiated by Vonage. Instead, it had been initiated by a patent holding firm that Vonage bought in 2006. The end result of the settlement doesn't involve money changing hands, but just a cross licensing agreement for the patents. So what's the big lesson that Vonage and others have learned from this? It's certainly got nothing to do with innovating. It's to hoard as many patents as possible so that you have your own nuclear stockpile for when someone else sues you. Want to know why the USPTO is overwhelmed? It's not because there aren't enough examiners (as some will claim) or that there aren't enough funds. It's because the way the system now works is that you are supposed to file patents on every tiny little advancement so you can use it to protect yourself against lawsuits from everyone else. That's not about innovation. It's about waste. In the meantime, since it's still open season at Vonage, who's going to be next? There are a ton of other patents in the VoIP space that can surely be used in a lawsuit, right?

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Small and light enough for a shirt pocket, Samsung's Helix YX-M1 is a one-stop audio entertainment center with an XM radio, a digital music player, and room for 50 hours of tunes, but it comes up short on battery life.

This raw work-flow application isn't the Holy Grail many hoped it would be, but Apple Aperture 1.5 could make life easier for photographers who need to cull, retouch, and output large numbers of photographs quickly and efficiently.






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