|
|
|
Fast Walking
:Description:Frank Miniver is a prison gaurd. James woods in Miniver, a conniving rascal a lot like the guys on the inside...except he goes home each night. Unable to scrape together extra needed money by running a seedy whorehouse, Miniver reaches for the big time when a reknown activist (Robert Hooks) is jailed and makes clear his willingness to buy his way out. Year: 1982 Director: James B. Harris Starring: James Woods, Tim McIntire, Kay Lenz
|
|
|
Bond: License to Kill
: :Timothy Dalton's second and last shot at playing James Bond isn't nearly as much fun as his debut, two years earlier, in the 1987 The Living Daylights. This time Bond gets mad after a close friend (David Hedison) from the intelligence sector is assassinated on his wedding day, and 007 goes undercover to link the murder to an international drug cartel. Robert Davi makes an interesting adversary, but as with most of the Bond films in the '70s, '80s, and '90s--and especially since the end of the cold war--one has to ...
|
|
|
Waterhole # 3
: :Timothy Dalton's second and last shot at playing James Bond isn't nearly as much fun as his debut, two years earlier, in the 1987 The Living Daylights. This time Bond gets mad after a close friend (David Hedison) from the intelligence sector is assassinated on his wedding day, and 007 goes undercover to link the murder to an international drug cartel. Robert Davi makes an interesting adversary, but as with most of the Bond films in the '70s, '80s, and '90s--and especially since the end of the cold war--one has to ...
|
|
|
The Outfit
: :Timothy Dalton's second and last shot at playing James Bond isn't nearly as much fun as his debut, two years earlier, in the 1987 The Living Daylights. This time Bond gets mad after a close friend (David Hedison) from the intelligence sector is assassinated on his wedding day, and 007 goes undercover to link the murder to an international drug cartel. Robert Davi makes an interesting adversary, but as with most of the Bond films in the '70s, '80s, and '90s--and especially since the end of the cold war--one has to ...
|
|
|
Minnie & Moskowitz
: :'Before I met you, I thought I was in trouble,' says moneyed museum worker Minnie (Gena Rowlands) to longhaired car park attendant Seymour (Seymour Cassel) over a hot dog and a coffee. Such is the basis of true love in Minnie and Moskowitz, a shaggy, unusually romantic comedy that is nonetheless pure John Cassavetes. After a long introductory sequence in which each character fills the screen with the rhythm of their respective lives, they meet when Seymour rescues Minnie from a blind date gone hopelessly bad. Minnie and Seymour have almost ...
|
|
|
Killing
: essential video:Stanley Kubrick's third feature, and first screen classic, is one of the great crime films of the 1950s. The Killing was written in collaboration with Jim Thompson, who penned pulp novels like The Grifters, The Killer Inside Me, and Pop. 1280, all of which were made into classic films. This time writing directly for the screen, Thompson joined with Kubrick to concoct a story about a desperate gang of lowlifes led by a grim, determined Sterling Hayden. Together they devise and execute a complex racetrack robbery, but inner tensions ...
|
|
|
Francis in the Haunted House
: essential video:Stanley Kubrick's third feature, and first screen classic, is one of the great crime films of the 1950s. The Killing was written in collaboration with Jim Thompson, who penned pulp novels like The Grifters, The Killer Inside Me, and Pop. 1280, all of which were made into classic films. This time writing directly for the screen, Thompson joined with Kubrick to concoct a story about a desperate gang of lowlifes led by a grim, determined Sterling Hayden. Together they devise and execute a complex racetrack robbery, but inner tensions ...
|
|
|
The Monkees - Head
: essential video:Stanley Kubrick's third feature, and first screen classic, is one of the great crime films of the 1950s. The Killing was written in collaboration with Jim Thompson, who penned pulp novels like The Grifters, The Killer Inside Me, and Pop. 1280, all of which were made into classic films. This time writing directly for the screen, Thompson joined with Kubrick to concoct a story about a desperate gang of lowlifes led by a grim, determined Sterling Hayden. Together they devise and execute a complex racetrack robbery, but inner tensions ...
|
|
|
Columbo Collector's Edition: Ransom For A Dead Man
: :Airdate March 1, 1971.. Lee Grant won an Emmy Nomination for her role in this episode
|
|
|
Licence To Kill
: :Timothy Dalton's second and last shot at playing James Bond isn't nearly as much fun as his debut, two years earlier, in the 1987 The Living Daylights. This time Bond gets mad after a close friend (David Hedison) from the intelligence sector is assassinated on his wedding day, and 007 goes undercover to link the murder to an international drug cartel. Robert Davi makes an interesting adversary, but as with most of the Bond films in the '70s, '80s, and '90s--and especially since the end of the cold war--one has to ...
|
|