|
|
|
The Who: The Ultimate Collection
: :\N :The Who's mighty catalog of beautiful, poignant, and often silly pop songs bashed out with Cassius Clay finesse has suffered in the past at the hands of multiple, butcher-shop best-ofs and horrible packaging. But this thrilling band--undeniably one of ye classicke rocke's greatest--gets the career-spanning entry-point compilation it deserves with the double-disc Ultimate Collection. The songs included here are no-brainers, for the most part--if they aren't huge hits like 'My Generation,' 'I Can See for Miles,' or 'Baba ...
|
|
|
Who's Next
: :\N essential recording:A mix of old favorites and buried treasures makes this edition of Who's Next a definite must. One of the defining albums of 70s hard rock from one of the 60s most successful bands, the original album includes some of The Who's best-known work, such as the anthemic 'Baba O'Riley' and 'Won't Get Fooled Again', the by turns sorrowful and angry 'Behind Blue Eyes', and perennial favorite 'My Wife'. The new tracks on this album are ...
|
|
|
Quadrophenia
:Album Details:Same as USA Version. essential recording:An excellent and frequently astonishing album, Quadrophenia is both more ambitious and less accessible than Tommy, the first and most well known rock opera. At its simplest level, Quadrophenia is a coming-of-age story with an awesome soundtrack. The album features some of the Who's finest material, in songs like the enraged 'Real Me,' the cynical 'Punk Meets the Godfather,' the wistful '5:15' and 'Sea and Sand,' and the powerful 'Love, Reign O'er Me.' ...
|
|
|
Tommy (1969 Original Concept Album)
: :\N essential recording:Tommy had the dubious distinction of being the first-ever rock opera; however, it's none the worse for that, Ken Russell's adaptation notwithstanding. Due largely to Pete Townshend's skill as a songwriter and composer, Tommy tells a coherent story and includes quality rock and roll at the same time, an impressive feat by itself. While surprisingly more linear than the later Quadrophenia, Tommy boasts several songs that stand up well on their own, including the classic 'Pinball ...
|
|
|
Live at Leeds
: :\N essential recording:Anyone who owned the vinyl copy of Live at Leeds will barely recognize its digitized namesake. While the 1970 record offered a mere six selections, the 1995 CD reissue is fleshed out with a full 14 tracks. Reveling in the augmented Leeds prompts one to wonder why in the name of 'Heaven and Hell' they didn't put out a double record in the first place. No matter. This Live at Leeds is actually superior to its ...
|
|
|
The Guess Who - Greatest Hits
: :\N essential recording:Anyone who owned the vinyl copy of Live at Leeds will barely recognize its digitized namesake. While the 1970 record offered a mere six selections, the 1995 CD reissue is fleshed out with a full 14 tracks. Reveling in the augmented Leeds prompts one to wonder why in the name of 'Heaven and Hell' they didn't put out a double record in the first place. No matter. This Live at Leeds is actually superior to its ...
|
|
|
The Who Sell Out
:Album Details:Japanese Limited Edition Issue of the Album Classic in a Deluxe, Miniaturized LP Sleeve Replica of the Original Vinyl Album Artwork. Different Cover essential recording:The Who Sell Out's pirate-radio concept goes south in the album's second half--the Who ran out of time before they could write enough faux commercials--but it still remains in many ways their best and most entertaining album. Pete Townshend and John Entwistle supply song after great song, and along with Keith Moon play them ...
|
|
|
Live At Leeds [Deluxe Edition]
: :\N essential recording:Anyone who owned the vinyl copy of Live at Leeds will barely recognize its digitized namesake. While the 1970 record offered a mere six selections, the 1995 CD reissue is fleshed out with a full 14 tracks. Reveling in the augmented Leeds prompts one to wonder why in the name of 'Heaven and Hell' they didn't put out a double record in the first place. No matter. This Live at Leeds is actually superior to its ...
|
|
|
The Who by Numbers
: :This 1975 collection excels in large part due to its modest goal. It's the Who's singer-songwriter record. Without the ostensible shield his 'rock operas' provided, Pete Townshend's personal demons strut about nakedly. Not a pretty sight, but an involving spectacle nevertheless. 'They Are All in Love' and 'How Many Friends' are forgotten Who songs, but they've aged beautifully. John Entwistle's 'Success Story' sequences nicely with the rest of the album. And 'However Much I Booze,' 'Dreaming from the Waist,' and ...
|
|
|
Who Are You
: :\N :Posited between punk (Pete Townshend's instinctive ethos) and progressive (much of the music), Who Are You is ultimately a failed attempt to conciliate two camps that thrived on their opposition to one another. Neither the insurgent punks of Johnny Rotton's generation nor Townshend's comfortably numb peer group had the least need for one another. Townshend, on the other hand, seemed to want one thing from both forces: their contempt. It was something he could share with them. All ...
|
|
