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Händel: Messiah


from: Philips


: :John Eliot Gardiner's is a highly musical and inspired account of Messiah, featuring an excellent group of soloists and an outstanding period-instrument band. With dance rhythms athletically sprung and da capo arias tastefully ornamented, the performance generates consistent interest and is lively in spite of its length. There is splendid choral singing from the Monteverdi Choir--the ending of 'All We Like Sheep' is quite potent--and much wonderful work from the soloists. The recording, made in 1982, is impeccable. --Ted Libbey

A Copland Celebration Vol. 3


from: Sony


: :John Eliot Gardiner's is a highly musical and inspired account of Messiah, featuring an excellent group of soloists and an outstanding period-instrument band. With dance rhythms athletically sprung and da capo arias tastefully ornamented, the performance generates consistent interest and is lively in spite of its length. There is splendid choral singing from the Monteverdi Choir--the ending of 'All We Like Sheep' is quite potent--and much wonderful work from the soloists. The recording, made in 1982, is impeccable. --Ted Libbey

Wagner - Der Ring des Nibelungen (Ring Cycle) / Sawallisch, Bayerischer Staatsoper


by: Richard Wagner, Julia Varady, René Kollo, Wolfgang Sawallisch, Bayerischer Staatsoper, Marjana Lipovsek, Hildegard Behrens, Helmut Pampuch, Jan-Hendrik Rootering, Hanna Schwartz, Angela Maria Blasi, Christel Borchers, Robert Schunk, Birgit Calm, Hanna Schwarz, Waltraud Meier, Matti Salminen, Nancy Gustafson, Robert Hale, Kurt Moll


: :Those without access to video disc players can now enjoy this 1989 Ring production, although stage noises and singers husbanding their resources come off less forgivingly in an audio-only context. But the recording is surprisingly crisp and vibrant, save for distortion in loud tuttis. Wolfgang Sawallisch has a sixth sense for pacing, proportion, and keeping singers secure. A bargain worth considering, but no texts are included. --Jed Distler

Strauss - Salome / Inge Nielsen · Hale · Goldberg · Silja · Schønwandt


by: Richard Strauss, Michael Schønwandt, Inga Nielsen, Anja Silja, Danish Radio Symphony Orchestra, Reiner Goldberg, Robert Hale, Deon van der Walt, Henriette Bonde-Hansen, Sten Byriel, Marianne Rørholm Ole Hedegaard, Gert Henning-Jensen Anders Jakobsson


: :With so many fine recordings of Salome already available, the question must be asked if this new recording was really necessary. The answer is an emphatic 'Yes!' The reason: Inga Nielsen is an extraordinary, magnificent singing actress in the title role. Her voice has something of the legendary Ljuba Welitsch's girlish innocence, and her way with the text reveals an artist totally attuned to every dramatic nuance that Strauss offers. From its innocent beginnings, her portrayal reaches a positively terrifying apotheosis of decadent savagery in one of the most disturbing final ...

Dreamer: A Portrait of Langston Hughes


by: Darryl Taylor, William Warfield, Maria Corley, Erik Santos, Patricia Terry-Ross


: :With so many fine recordings of Salome already available, the question must be asked if this new recording was really necessary. The answer is an emphatic 'Yes!' The reason: Inga Nielsen is an extraordinary, magnificent singing actress in the title role. Her voice has something of the legendary Ljuba Welitsch's girlish innocence, and her way with the text reveals an artist totally attuned to every dramatic nuance that Strauss offers. From its innocent beginnings, her portrayal reaches a positively terrifying apotheosis of decadent savagery in one of the most disturbing final ...

America


from: Fortress


:Album Description:Opera singers Hale and Wilder, with arrangements by arranger-orchestrater-conductor Ovid Young and vocal accompaniments by The Singing Men of Texas, bring passion, excitement, and nostalgia to some of the favorite songs about America. Their deep feeling for this country and its people is strongly evidenced in this stirring collection of musical Americana.

Ultimate Irving Berlin, Vol. 1


by: Irving Berlin


:Album Description:Opera singers Hale and Wilder, with arrangements by arranger-orchestrater-conductor Ovid Young and vocal accompaniments by The Singing Men of Texas, bring passion, excitement, and nostalgia to some of the favorite songs about America. Their deep feeling for this country and its people is strongly evidenced in this stirring collection of musical Americana.

Dowland - The Collected Works / The Consort of Musicke, Rooley


by: John Dowland, Anthony Rooley, Emma Kirkby, Christopher Wilson, The Consort of Musicke, Colin Tilney, Anthony Bailes, Jakob Lindberg, Nigel North, Glenda Simpson, Peter Holman, John Donne


:Album Description:Opera singers Hale and Wilder, with arrangements by arranger-orchestrater-conductor Ovid Young and vocal accompaniments by The Singing Men of Texas, bring passion, excitement, and nostalgia to some of the favorite songs about America. Their deep feeling for this country and its people is strongly evidenced in this stirring collection of musical Americana.

Messiah: The Dream Cast


from: Decca


:Album Description:Opera singers Hale and Wilder, with arrangements by arranger-orchestrater-conductor Ovid Young and vocal accompaniments by The Singing Men of Texas, bring passion, excitement, and nostalgia to some of the favorite songs about America. Their deep feeling for this country and its people is strongly evidenced in this stirring collection of musical Americana.

Handel - Messiah / M. Marshall · Quirke · Robbin · Brett · Rolfe Johnson · Hale · The Monteverdi Choir · The English Baroque Soloists · Gardiner


by: George Frideric Handel, John Eliot Gardiner, Margaret Marshall, Anthony Rolfe Johnson, The Monteverdi Choir, The English Baroque Soloists, Saul Quirke, Catherine Robbin, Charles Brett, Robert Hale


: :John Eliot Gardiner's is a highly musical and inspired account of Messiah, featuring an excellent group of soloists and an outstanding period-instrument band. With dance rhythms athletically sprung and da capo arias tastefully ornamented, the performance generates consistent interest and is lively in spite of its length. There is splendid choral singing from the Monteverdi Choir--the ending of 'All We Like Sheep' is quite potent--and much wonderful work from the soloists. The recording, made in 1982, is impeccable. --Ted Libbey



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