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The Most Soothing Lullabies In The Universe


from: Denon Records




The Most Relaxing Classical Music in the Universe


by: Tomaso Giovanni Albinoni, Johann Sebastian Bach, Ralph Vaughan Williams, George Frideric Handel, Gustav Holst, Samuel Barber, Edvard Grieg, Jean Sibelius, Antonin Dvorak, Franz Liszt, Charles Gounod, Fryderyk Chopin, Alexander Borodin, Maurice Ravel, Antonio Vivaldi, Erik Satie, Various Artists




The Most Relaxing Classical Album in the World...Ever!


by: Johann Sebastian Bach, Léo Delibes, Gabriel Fauré, Erik Satie, Wolfgang Amadeus Mozart, Edvard Grieg, Johann Pachelbel, Claude Debussy, Felix Mendelssohn, Camille Saint-Saens, Henryk Gorecki, Antonio Vivaldi, Edward Elgar, Jocelyn Pook, Sergey Rachmaninov, Tomaso Giovanni Albinoni, Luigi Boccherini, Jules Massenet, Ludwig van Beethoven, Jacques Offenbach, Pietro Mascagni, Antonin Dvorak, Giacomo Puccini, Ralph Vaughan Williams, Alexander Borodin, Joaquin Rodrigo, Samuel Barber


: :You want relaxing classical music that'll soothe your soul but won't lull you into sleep? Here's a double CD for you. The Most Relaxing Classical Album in the World ... Ever! does its best to cover both well-worn classical favorites (Bach's 'Air on the G String,' Pachelbel's 'Cannon,' Debussy's 'Clair de Lune') and some eclectic left-field choices (an excerpt from Górecki's Symphony No. 3, Jocelyn Pook's 'Blow the Wind,' and Samuel Barber's Adagio for Strings. The performances of most of these excerpts are top-notch--artists include ...

Amparo


from: Decca


:Album Description:AMPARO: Lee Ritenour and Dave Grusin with special guest stars; Joshua Bell, Chris Botti, Renee Fleming and James Taylor. Lee Ritenour and Dave Grusin are two legendary musicians primarily known for their work in jazz but also known by a broader musical community in classical crossover, film scores, instrumental and adult music. Recognized both as composers and players, they are artists with strong name recognition. AMPARO has them together again after eight years for a sequel to their Two Worlds album. Like Two Worlds; ...

Vaughan Williams: Serenade to Music; The Lark Ascending; Fantasia on Greensleeves; English Folk Song Suite; In the Fen Country; Norfolk Rhapsody No. 1


from: EMI Classics


:Album Description:AMPARO: Lee Ritenour and Dave Grusin with special guest stars; Joshua Bell, Chris Botti, Renee Fleming and James Taylor. Lee Ritenour and Dave Grusin are two legendary musicians primarily known for their work in jazz but also known by a broader musical community in classical crossover, film scores, instrumental and adult music. Recognized both as composers and players, they are artists with strong name recognition. AMPARO has them together again after eight years for a sequel to their Two Worlds album. Like Two Worlds; ...

Master and Commander: The Far Side of the World


by: Christopher Gordon, Richard Tognetti


: :A trio of noted Australian musicians--Iva Davies, Richard Tognetti and Christopher Gordon--composed the film's score. They previously collaborated on 'The Ghost of Time,' a piece commissioned for the Millennium celebrations in Sydney, which came to the attention of Peter Weir. The director was so impressed, he played the piece on the Master And Commander set throughout production, and he asked its creators to write the music for his movie. The score interweaves 'Old World' and 'New World' music, reflecting the talents and backgrounds of ...

The Most Relaxing Classical Album In the World Ever, Volume II


by: Gabriel Faure, Frederic Chopin, Antonio Vivaldi, Gustav Mahler, Claude Debussy, Sir Neville Marriner, Maris Jansons, Lorin Maazel, Sir Adrian Boult, Miklos Rozsa, Riccardo Muti, Stephen Cleobury, Sir John Barbirolli, New Philharmonia Orchestra, Philharmonia Orchestra & Chorus, Academy of St. Martin in the Fields, Berlin Philharmonic


: :A trio of noted Australian musicians--Iva Davies, Richard Tognetti and Christopher Gordon--composed the film's score. They previously collaborated on 'The Ghost of Time,' a piece commissioned for the Millennium celebrations in Sydney, which came to the attention of Peter Weir. The director was so impressed, he played the piece on the Master And Commander set throughout production, and he asked its creators to write the music for his movie. The score interweaves 'Old World' and 'New World' music, reflecting the talents and backgrounds of ...

Vaughan Williams: Fantasies; The Lark Ascending; Five Variants


from: Decca


: :Marriner's evergreen 1972 recording of favorite shorter works by Vaughan Williams has yet to be surpassed for warmth of conception and smoothness of execution. The soloists in these accounts (among them William Bennett in the Greensleeves Fantasia and Iona Brown in the Lark Ascending) are all first-rate, and the Academy's strings play with polish and great beauty of sound. The analog recording is excellent, and Marriner's remarkable empathy for the music comes across effortlessly. Some listeners may prefer the richer sonority and arrestingly mystical manner ...

Vaughan Williams: The Nine Symphonies


from: RCA


: :Marriner's evergreen 1972 recording of favorite shorter works by Vaughan Williams has yet to be surpassed for warmth of conception and smoothness of execution. The soloists in these accounts (among them William Bennett in the Greensleeves Fantasia and Iona Brown in the Lark Ascending) are all first-rate, and the Academy's strings play with polish and great beauty of sound. The analog recording is excellent, and Marriner's remarkable empathy for the music comes across effortlessly. Some listeners may prefer the richer sonority and arrestingly mystical manner ...

Vaughan Williams: Fantasia on a Theme by Thomas Tallis; Fantasia on


from: EMI Classics


: :Marriner's evergreen 1972 recording of favorite shorter works by Vaughan Williams has yet to be surpassed for warmth of conception and smoothness of execution. The soloists in these accounts (among them William Bennett in the Greensleeves Fantasia and Iona Brown in the Lark Ascending) are all first-rate, and the Academy's strings play with polish and great beauty of sound. The analog recording is excellent, and Marriner's remarkable empathy for the music comes across effortlessly. Some listeners may prefer the richer sonority and arrestingly mystical manner ...



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