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Puccini - Turandot / Sutherland · Pavarotti · Caballé · Ghiaurov · Krause · Pears · LPO · Mehta


from: Decca


: essential recording:Joan Sutherland is not usually considered a Puccini singer, and in fact she sang the role of Turandot only in the recording studio. But for that assignment she had exactly what was needed: a voice that seemed to have no upper limits and a personality that concealed vulnerability under an air of icy detachment. She also had an ideal set of colleagues, notably Luciano Pavarotti, whose 'Nessun dorma' has become practically his signature tune. --Joe McLellan

The 'Pearl Fishers' Duet


from: RCA


: :This disc is essential for Jussi Bjoerling fans--doesn't that include almost everyone?--and for anyone who wants a distinctive sampling from recorded opera's most eloquent age. Best are Bjoerling's duets with baritone Robert Merrill--especially the classic 'Au fond du temple saint' from The Pearl Fishers--and the scene with Renata Tebaldi, 'Signore, ascolta; non piangere, Liu,' from Turandot. Although the sound is variable--and sometimes disappointingly, annoyingly glitch-ridden in these recordings made between 1950 and 1959--the voice, the style, and the passion of the inimitable Bjoerling more than ...

Bellini - Norma / Maria Callas, Ludwig, Corelli, Zaccaria, Teatro alla Scala, Serafin


by: Vincenzo Bellini, Tullio Serafin, Maria Callas, Christa Ludwig, Franco Corelli, Nicola Zaccaria, Piero de Palma


: :This disc is essential for Jussi Bjoerling fans--doesn't that include almost everyone?--and for anyone who wants a distinctive sampling from recorded opera's most eloquent age. Best are Bjoerling's duets with baritone Robert Merrill--especially the classic 'Au fond du temple saint' from The Pearl Fishers--and the scene with Renata Tebaldi, 'Signore, ascolta; non piangere, Liu,' from Turandot. Although the sound is variable--and sometimes disappointingly, annoyingly glitch-ridden in these recordings made between 1950 and 1959--the voice, the style, and the passion of the inimitable Bjoerling more than ...

La Boheme


by: Puccini, Tebaldi, Bergonzi, Scrc, Serafin


: :This disc is essential for Jussi Bjoerling fans--doesn't that include almost everyone?--and for anyone who wants a distinctive sampling from recorded opera's most eloquent age. Best are Bjoerling's duets with baritone Robert Merrill--especially the classic 'Au fond du temple saint' from The Pearl Fishers--and the scene with Renata Tebaldi, 'Signore, ascolta; non piangere, Liu,' from Turandot. Although the sound is variable--and sometimes disappointingly, annoyingly glitch-ridden in these recordings made between 1950 and 1959--the voice, the style, and the passion of the inimitable Bjoerling more than ...

The Very Best of Franco Corelli


from: EMI Classics


: :This disc is essential for Jussi Bjoerling fans--doesn't that include almost everyone?--and for anyone who wants a distinctive sampling from recorded opera's most eloquent age. Best are Bjoerling's duets with baritone Robert Merrill--especially the classic 'Au fond du temple saint' from The Pearl Fishers--and the scene with Renata Tebaldi, 'Signore, ascolta; non piangere, Liu,' from Turandot. Although the sound is variable--and sometimes disappointingly, annoyingly glitch-ridden in these recordings made between 1950 and 1959--the voice, the style, and the passion of the inimitable Bjoerling more than ...

Opera's Greatest Love Songs


from: RCA


: :This disc is essential for Jussi Bjoerling fans--doesn't that include almost everyone?--and for anyone who wants a distinctive sampling from recorded opera's most eloquent age. Best are Bjoerling's duets with baritone Robert Merrill--especially the classic 'Au fond du temple saint' from The Pearl Fishers--and the scene with Renata Tebaldi, 'Signore, ascolta; non piangere, Liu,' from Turandot. Although the sound is variable--and sometimes disappointingly, annoyingly glitch-ridden in these recordings made between 1950 and 1959--the voice, the style, and the passion of the inimitable Bjoerling more than ...

Artists Of The Century - Jussi Bjorling, The Ultimate Collection


from: RCA


: :Surely Björling was one of the greatest tenors of his or any other time, not only for the clarion ring, the purity, and the melting lyricism of his voice, but for his effortless lightness, impeccable intonation, endless breath control, and natural phrasing and line, enhanced by old-fashioned but wonderfully expressive scoops and slides. On this generous two-disc set, he is heard in a huge selection of arias and some duets with distinguished colleagues; most of them were recorded separately, and a few are excerpted from ...

Verdi: Aida


from: EMI Classics


: :Surely Björling was one of the greatest tenors of his or any other time, not only for the clarion ring, the purity, and the melting lyricism of his voice, but for his effortless lightness, impeccable intonation, endless breath control, and natural phrasing and line, enhanced by old-fashioned but wonderfully expressive scoops and slides. On this generous two-disc set, he is heard in a huge selection of arias and some duets with distinguished colleagues; most of them were recorded separately, and a few are excerpted from ...

Essential Opera


from: Decca


: :Surely Björling was one of the greatest tenors of his or any other time, not only for the clarion ring, the purity, and the melting lyricism of his voice, but for his effortless lightness, impeccable intonation, endless breath control, and natural phrasing and line, enhanced by old-fashioned but wonderfully expressive scoops and slides. On this generous two-disc set, he is heard in a huge selection of arias and some duets with distinguished colleagues; most of them were recorded separately, and a few are excerpted from ...

Bellini - La Sonnambula / Sutherland · Pavarotti · Ghiaurov · NPO · Bonynge


by: Vincenzo Bellini, Richard Bonynge, Joan Sutherland, Luciano Pavarotti, National Philharmonic Orchestra, Nicolai Ghiaurov, Piero de Palma, Della Jones


: essential recording:Joan Sutherland, never noted for dramatic intensity, seemed more at home in roles that appealed to sentimentality rather than the tragic emotions of pity and fear. She still had that appeal and a voice in prime condition when this, her second Sonnambula, was recorded. Her appealing, uncomplicated musical personality is just right for this simple, innocent little story of a peasant girl who sleepwalks into--and later out of--a compromising situation that temporarily endangers her impending marriage. She has been given a supporting cast ...



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