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One Chance


by: Paul Potts


:Album Description: Former cell phone salesman and now Britians Got Talent winner Paul Potts has spent most of his life feeling insignificant and bullied, but says that his voice was always his one true friend, a voice that Simon Cowell calls simply magical. :Britain's Got Talent winner Paul Potts has spent most of his life feeling 'insignificant'. Bullied at school for being 'different', he realized growing up that he had one true friend and that was his voice. Singing was his escape. He was able ...

All Shook Up (2005 Original Broadway Cast) (Featuring the Songs of Elvis Presley)


by: Cheyenne Jackson, Jenn Gambatese, Alix Korey


: : One more in Broadway's series of 'jukebox musicals' (Mamma Mia, Movin' Out, Jersey Boys, etc.), All Shook Up features the songs of Elvis Presley. Cheyenne Jackson stars as Chad, the guitar-playing, pelvis-swiveling, blue-suede-shoe-wearing roustabout who arrives to shake up a mid-America town that's so buttoned up it forbids public necking, interracial dating, and loud music. Various romantic entanglements arise among Chad, grease-monkey/tomboy Natalie (Jenn Gambatese), her father (Jonathan Hadary), her friend Lorraine (Nikki M. James) and her mother (Sharon Wilkins), her best buddy (Mark ...

Paul Potts [United Kingdom]: One Chance


from: Sony/Bmg Int'l


:Album Description:2007 debut album from the winner of the first season of Britain’s Got Talent. Potts' winning performance of Puccini's 'Nessun Dorma' is now one of the most watched clips in You Tube's history (10 million+). The album includes that track as well as the equally captivating 'Time To Say Goodbye', a Spanish version of 'My Way' and Italian version of REM's 'Everybody Hurts'. 12 tracks. RCA.

Christmas Wish (Sba2)


by: Paul Potts


:Album Description:2007 debut album from the winner of the first season of Britain’s Got Talent. Potts' winning performance of Puccini's 'Nessun Dorma' is now one of the most watched clips in You Tube's history (10 million+). The album includes that track as well as the equally captivating 'Time To Say Goodbye', a Spanish version of 'My Way' and Italian version of REM's 'Everybody Hurts'. 12 tracks. RCA.

Giovanni Gabrieli: Music For San Rocco


from: Archiv Produktion


: essential recording:The polychoral and antiphonal works of Giovanni Gabrieli sound best performed in the acoustics for which they were conceived, such as the Scuola Grande di San Rocco in Venice, where this splendid collection was recorded. Whether in extroverted pieces like the Sonatas 18 and 20, or the introspective and harmonically rich Domine, Deus meus, the sounds that resonate between the notes are crucial to this composer's expression. Time and again one's ears perk up at Gabrieli's genius for blending the most unlikely sonorities ...

Nessun Dorma



: essential recording:The polychoral and antiphonal works of Giovanni Gabrieli sound best performed in the acoustics for which they were conceived, such as the Scuola Grande di San Rocco in Venice, where this splendid collection was recorded. Whether in extroverted pieces like the Sonatas 18 and 20, or the introspective and harmonically rich Domine, Deus meus, the sounds that resonate between the notes are crucial to this composer's expression. Time and again one's ears perk up at Gabrieli's genius for blending the most unlikely sonorities ...

A Venetian Coronation 1595


from: Angel Records


: essential recording:The polychoral and antiphonal works of Giovanni Gabrieli sound best performed in the acoustics for which they were conceived, such as the Scuola Grande di San Rocco in Venice, where this splendid collection was recorded. Whether in extroverted pieces like the Sonatas 18 and 20, or the introspective and harmonically rich Domine, Deus meus, the sounds that resonate between the notes are crucial to this composer's expression. Time and again one's ears perk up at Gabrieli's genius for blending the most unlikely sonorities ...

Venetian Vespers (Monteverdi * Rigatti * Grandi * Cavalli) /Gabrieli Consort & Players * McCreesh


by: Research Composer, Giovanni Antonio Rigatti, Alessandro Grandi, Claudio Monteverdi, Adriano Banchieri, Giacomo Finetti, Pietro Francesco Cavalli, Anonymous, Gregorian Chant, Biagio Marini, Gabrieli Consort, Charles Daniels, Paul McCreesh, Alison Wray, Jonathan Best, Tessa Bonner, Angus Smith, Peter Harvey, Robert Horn, Paula Chateauneuf, Timothy Roberts, Susan Hemington Jones, Fred Jacobs, Celia Harper, Charles Pott, Florian Deuter, Gabrieli Players


: essential recording:Paul McCreesh's second major recording (and second Gramophone Award winner) reconstructs Vespers for the Feast of the Annunciation at San Marco circa 1643, using music by Monteverdi and contemporaries including Cavalli, Grandi, and Rigatti. The music is less dense and lavishly scored than on A Venetian Coronation, but more virtuosic and varied--ranging from Finetti's sweet, languid 'O Maria, quæ rapis' for two falsettists and Monteverdi's lively 'Laudate Dominum' for solo tenor, to Marini's sensuous sonata for three violins and Monteverdi's spectacular 'Lætatus sum' ...

Schütz: Christmas Vespers / McCreesh, Gabrieli Consort and Players


by: Gregorian Chant, Heinrich Schutz, Gabrieli Consort and Players, Paul McCreesh, Charles Daniels, Neal Davies, Andrew Carwood, Susan Hemington Jones, Charles Pott, Simon Grant, Robert Horn, James Johnstone, Kristian Olesen, Choir of Roskilde Cathedral


: :Heinrich Schütz's Christmas Story, besides being a historical milestone, has always been one of 17th-century music's crowd-pleasers--the former because it's the ancestor of Christmas oratorios by Bach, Charpentier, and even Berlioz; the latter because it presents engaging depictions of the characters in the Nativity story with a cornucopia of colorful instruments (piping recorders for the shepherds, a galumphing bassoon (representing the gait of the camels?) for the three wise men, regally blaring cornets for King Herod, and pompous trombones for his priests). As you might ...

Purcell: Hail, Bright Cecilia!


from: Polygram Records


: :Purcell wrote several odes in honor of St. Cecilia, the patron saint of music, for annual concerts in London on St. Cecilia's Day. Hail, Bright Cecilia is the largest of them, with chorus, orchestra, and a larger-than-usual group of soloists depicting a competition between various musical instruments for supremacy. (Naturally, the organ, which legend held Cecilia to have invented, wins.) Paul McCreesh's performance here and Philippe Herreweghe's account on Harmonia Mundi are equally fine: Herreweghe is mellower and a touch more elegant, while McCreesh has ...



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