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Puccini - La Bohème / Freni, Pavarotti, Harwood, Ghiaurov, Karajan


by: Giacomo Puccini, Mirella Freni, Luciano Pavarotti, Berlin Philharmonic Orchestra, Herbert von Karajan, Elizabeth Harwood, Rolando Panerai, Nicolai Ghiaurov


: essential recording:The score for La Bohème comes to glowing life under Herbert von Karajan's baton, and Mirella Freni and Luciano Pavarotti make beautiful music together as the ill-fated lovers. The smaller parts are wonderfully sung, the comedy sharply profiled, and the pathos contained in such a way that the opera's ending proves remarkably gripping. London's sound is excellent. --Ted Libbey

Puccini - Turandot / Sutherland · Pavarotti · Caballé · Ghiaurov · Krause · Pears · LPO · Mehta


from: Decca


: essential recording:Joan Sutherland is not usually considered a Puccini singer, and in fact she sang the role of Turandot only in the recording studio. But for that assignment she had exactly what was needed: a voice that seemed to have no upper limits and a personality that concealed vulnerability under an air of icy detachment. She also had an ideal set of colleagues, notably Luciano Pavarotti, whose 'Nessun dorma' has become practically his signature tune. --Joe McLellan

Verdi - Simon Boccanegra / Freni, Cappuccilli, Carreras, Ghiaurov, van Dam, Foiani, Teatro alla Scala, Abbado


by: Giuseppe Verdi, Claudio Abbado, Mirella Freni, José Carreras, Orchestra e Coro del Teatro alla Scala, Piero Cappuccilli, Nicolai Ghiaurov, José van Dam, Giovanni Foiani, Maria Fausta Gallamini


: essential recording:Joan Sutherland is not usually considered a Puccini singer, and in fact she sang the role of Turandot only in the recording studio. But for that assignment she had exactly what was needed: a voice that seemed to have no upper limits and a personality that concealed vulnerability under an air of icy detachment. She also had an ideal set of colleagues, notably Luciano Pavarotti, whose 'Nessun dorma' has become practically his signature tune. --Joe McLellan

Puccini - La Bohème / Freni, Pavarotti, Harwood, Berlin Phil., Karajan [Highlights]


by: Giacomo Puccini, Elizabeth Harwood, Nicolai Ghiaurov, Rolando Panerai


: essential recording:These excerpts were taken from the recording that has established itself as the standard by which all others should be measured. Herbert von Karajan's orchestra is no less than perfect, as much a virtuosic performer as the singers, evoking each moment's unique mood. Can there be any doubt that Luciano Pavarotti and Mirella Freni were born to sing Puccini? Their sweet, creamy voices splendidly blend, creating a complete aural portrait of the bohemians' souls. Elizabeth Harwood is ...

Donizetti - Lucia di Lammermoor / Sutherland · Pavarotti · Milnes · Ghiaurov · ROH Covent Garden · Bonynge


by: Richard Bonynge, Joan Sutherland, Luciano Pavarotti, Covent Garden Chorus and Orchestra of the Royal Opera House, Sherrill Milnes, Nicolai Ghiaurov, Ryland Davies, Pier Francesco Poli, composer: Gaetano Donizetti, conductor: Richard Bonynge


: essential recording:This was Joan Sutherland's second recording of Lucia, made with an all-star cast in prime vocal condition, and it is a must for those who believe that bel canto opera should live up to its descriptive title: 'beautiful singing.' In the 10 years since her first Lucia recording, she had settled more comfortably into the character and become even more expert in the music. Her costars are among the greatest singers of our time, a point that ...

Gounod: Faust (Complete Opera); Domingo, Freni, Ghiaurov, Allen, Pretre


by: Placido Domingo, Georges Pretre, Mirella Freni, Charles Gounod, Orchestre de l'Opera de Paris, Nicolai Ghiaurov


: essential recording:This was Joan Sutherland's second recording of Lucia, made with an all-star cast in prime vocal condition, and it is a must for those who believe that bel canto opera should live up to its descriptive title: 'beautiful singing.' In the 10 years since her first Lucia recording, she had settled more comfortably into the character and become even more expert in the music. Her costars are among the greatest singers of our time, a point that ...

Verdi: Messa da Requiem /Quattro Pezzi Sacri


from: EMI Classics


: essential recording:This was Joan Sutherland's second recording of Lucia, made with an all-star cast in prime vocal condition, and it is a must for those who believe that bel canto opera should live up to its descriptive title: 'beautiful singing.' In the 10 years since her first Lucia recording, she had settled more comfortably into the character and become even more expert in the music. Her costars are among the greatest singers of our time, a point that ...

The Essential Borodin


from: Universal Int'l


: essential recording:This was Joan Sutherland's second recording of Lucia, made with an all-star cast in prime vocal condition, and it is a must for those who believe that bel canto opera should live up to its descriptive title: 'beautiful singing.' In the 10 years since her first Lucia recording, she had settled more comfortably into the character and become even more expert in the music. Her costars are among the greatest singers of our time, a point that ...

Bellini - La Sonnambula / Sutherland · Pavarotti · Ghiaurov · NPO · Bonynge


by: Vincenzo Bellini, Richard Bonynge, Joan Sutherland, Luciano Pavarotti, National Philharmonic Orchestra, Nicolai Ghiaurov, Piero de Palma, Della Jones


: essential recording:Joan Sutherland, never noted for dramatic intensity, seemed more at home in roles that appealed to sentimentality rather than the tragic emotions of pity and fear. She still had that appeal and a voice in prime condition when this, her second Sonnambula, was recorded. Her appealing, uncomplicated musical personality is just right for this simple, innocent little story of a peasant girl who sleepwalks into--and later out of--a compromising situation that temporarily endangers her impending marriage. She ...

Verdi: Requiem


from: Deutsche Grammophon


: essential recording:Joan Sutherland, never noted for dramatic intensity, seemed more at home in roles that appealed to sentimentality rather than the tragic emotions of pity and fear. She still had that appeal and a voice in prime condition when this, her second Sonnambula, was recorded. Her appealing, uncomplicated musical personality is just right for this simple, innocent little story of a peasant girl who sleepwalks into--and later out of--a compromising situation that temporarily endangers her impending marriage. She ...



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