|
|
|
Stevie Ray Vaughan: Pride and Joy
|
|
|
Fight for Your Mind
: : Ben Harper Photos More from Ben Harper Diamonds on the Inside Both Sides of the Gun Welcome to the Cruel World Live From Mars The Will to Live Live at the Hollywood Bowl
|
|
|
Northern Exposure: Music From The Television Series (1990-95 Television Series)
: : Ben Harper Photos More from Ben Harper Diamonds on the Inside Both Sides of the Gun Welcome to the Cruel World Live From Mars The Will to Live Live at the Hollywood Bowl
|
|
|
Not Too Late
: : Album Details 1. 'Wish I Could' (Norah Jones-Lee Alexander): Norah Jones: vocals; Jesse Harris: acoustic guitars; Julia Kent: pizzicato cello; Jeffery Ziegler: bowed cello 2. 'Sinkin' Soon' (Lee Alexander-Norah Jones): Norah Jones: vocals, piano; Daru Oda: vocals; M. Ward: vocals; Jesse Harris: guitjo; Kevin Breit: mandolin; J. Walter Hawkes: trombone; Lee Alexander: bass; Andy Borger: drums, slit drum, pots and pans 3. 'The Sun Doesn't Like You' (Norah Jones-Lee Alexander): Norah Jones: vocals, piano; Jesse Harris: acoustic guitar; Adam Levy: electric guitar; Lee Alexander: ...
|
|
|
Can't Quit the Blues
: :Robert Cray says that Buddy Guy's guitar solos sound like laughter from space, but they can also peal like the cries of lost souls attempting to cross the River Styx. If these 47 songs on three CDs plus a DVD boasting a new 75-minute documentary and six performances from the Montreux Jazz Festival prove anything, it's that Guy is one of the most dynamic, diverse, expressionistic, and emotional guitarists--in any genre. The set neatly examines the 70-year-old Chicago blues legend's half-century career, starting with a ...
|
|
|
Avalon Sunset
: :Robert Cray says that Buddy Guy's guitar solos sound like laughter from space, but they can also peal like the cries of lost souls attempting to cross the River Styx. If these 47 songs on three CDs plus a DVD boasting a new 75-minute documentary and six performances from the Montreux Jazz Festival prove anything, it's that Guy is one of the most dynamic, diverse, expressionistic, and emotional guitarists--in any genre. The set neatly examines the 70-year-old Chicago blues legend's half-century career, starting with a ...
|
|
|
Ledbetter Heights
: :Robert Cray says that Buddy Guy's guitar solos sound like laughter from space, but they can also peal like the cries of lost souls attempting to cross the River Styx. If these 47 songs on three CDs plus a DVD boasting a new 75-minute documentary and six performances from the Montreux Jazz Festival prove anything, it's that Guy is one of the most dynamic, diverse, expressionistic, and emotional guitarists--in any genre. The set neatly examines the 70-year-old Chicago blues legend's half-century career, starting with a ...
|
|
|
Iron Man
:Album Description:Produced by Burks and Alligator president Bruce Iglauer and fueled by Burks' hard-driving road band, IRON MAN (featuring seven of twelve songs written or co-written by Burks) is an electrifying slice of emotional, rocked-out blues. His fiery fretwork, gruff, fervent vocals and overwhelming intensity are captured here live in the studio. The album features some of the hottest guitar playing and most soulful singing Burks has ever recorded. Burks wields his axe like a man possessed, breathing fire into every track, whether it's the ...
|
|
|
Slowhand
: essential recording:Clapton had already established himself as a guitar legend by the time he released Slowhand. His heroin habit long behind him, Clapton's songwriting mastery was fully evident on the album, particularly in the stunning ballad 'Wonderful Tonight.' It fully actualized all of the potential hinted at in his earlier 'Promises,' and Clapton trusted himself enough to slow things down. Some of his most expressive guitar work can be found throughout this album, not just within 'Wonderful.' Ironically enough, Slowhand is probably best known ...
|
|
|
The Phenomenal Ruthie Foster
: :Ruthie Foster's the newest voice in old-school soul. Her fifth album is a remarkable flashback to the genre's '60s and '70s heyday, framing her warm butter-and-cayenne-pepper singing with organ, electric piano, shimmering guitar textures, and strong backbeats. That sound, along with her strength as a song interpreter--rippling with beauty on Lucinda Williams's 'Fruits of My Labor,' stunningly emotional on Son House's cautionary Delta spiritual 'People Grinnin' in Your Face'--and her fine-tuned social politics, makes Aretha Franklin, Roberta Flack, and Nina Simone reasonable artistic references. For ...
|
|
