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A Holly Jolly Christmas For Kids
from: Children's Holiday Records
:Album Description:'A HOLLY JOLLY CHRISTMAS FOR KIDS' is a 3 CD collection of 41 Christmas songs, sung by kids, for kids. The first 2 CDs, named 'SANTA'S FAVORITES' and 'HOLIDAY FUN SONGS', contain the songs that celebrate the fun aspects of Christmas, like: 'Rudolph', Frosty The Snowman', 'I Want A Hippopotamus For Christmas', 'Santa Claus Is Coming To Town', plus 25 more fun songs. The 3rd CD, 'THE SPIRIT OF CHRISTMAS', has the more hymn-like songs, like: 'Silent Night', 'O Holy Night', 'Joy To The World', ...
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Broke, Black and Blue
:Album Description:Budget-priced four disc box focusing on the formative period of the blues at the start of the 20th century. Features plenty of previously unreleased material and includes tracks by Blind Blake, Barbecue Bob, Mississippi John Hurt, Frank Stokes, Tommy Johnson, Victoria Spivey, Son House, Kokomo Arnold, Cripple Clarence Lofton and others. Contains a total of 100 tracks. Comes housed in a sturdy, full color CD-sized slipcase box with each disc in a separate standard jewel case. 1999 release. :A budget-priced box set, Broke, Black & ...
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Gluck: Alceste / Ostman, Ringholz, Lavender, Degerfeldt, et al
: :Gluck's Alceste typifies his no-nonsense, reformed approach to opera. There are no wasted notes, no explosive high passages, no coloratura; in short, other than stark drama and beautiful, expressive, exclamatory music and singing, very little for a voice-loving opera fan to sink his or her teeth into. That said, this new set--the first recording of Gluck's Italian version of the work--will fill the bill somewhat if it's Alceste you're after. Teresa Ringholz is good in the title role, but she seems to understate the part; a ...
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70's Rock
: :Gluck's Alceste typifies his no-nonsense, reformed approach to opera. There are no wasted notes, no explosive high passages, no coloratura; in short, other than stark drama and beautiful, expressive, exclamatory music and singing, very little for a voice-loving opera fan to sink his or her teeth into. That said, this new set--the first recording of Gluck's Italian version of the work--will fill the bill somewhat if it's Alceste you're after. Teresa Ringholz is good in the title role, but she seems to understate the part; a ...
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Beethoven: Complete String Quartets
: :Gluck's Alceste typifies his no-nonsense, reformed approach to opera. There are no wasted notes, no explosive high passages, no coloratura; in short, other than stark drama and beautiful, expressive, exclamatory music and singing, very little for a voice-loving opera fan to sink his or her teeth into. That said, this new set--the first recording of Gluck's Italian version of the work--will fill the bill somewhat if it's Alceste you're after. Teresa Ringholz is good in the title role, but she seems to understate the part; a ...
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Delibes: The 3 Ballets
from: Decca
: :Gluck's Alceste typifies his no-nonsense, reformed approach to opera. There are no wasted notes, no explosive high passages, no coloratura; in short, other than stark drama and beautiful, expressive, exclamatory music and singing, very little for a voice-loving opera fan to sink his or her teeth into. That said, this new set--the first recording of Gluck's Italian version of the work--will fill the bill somewhat if it's Alceste you're after. Teresa Ringholz is good in the title role, but she seems to understate the part; a ...
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Classic Jazz
: :Gluck's Alceste typifies his no-nonsense, reformed approach to opera. There are no wasted notes, no explosive high passages, no coloratura; in short, other than stark drama and beautiful, expressive, exclamatory music and singing, very little for a voice-loving opera fan to sink his or her teeth into. That said, this new set--the first recording of Gluck's Italian version of the work--will fill the bill somewhat if it's Alceste you're after. Teresa Ringholz is good in the title role, but she seems to understate the part; a ...
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Telemann: Concerts & Suites 1734
: :Gluck's Alceste typifies his no-nonsense, reformed approach to opera. There are no wasted notes, no explosive high passages, no coloratura; in short, other than stark drama and beautiful, expressive, exclamatory music and singing, very little for a voice-loving opera fan to sink his or her teeth into. That said, this new set--the first recording of Gluck's Italian version of the work--will fill the bill somewhat if it's Alceste you're after. Teresa Ringholz is good in the title role, but she seems to understate the part; a ...
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The Rodrigo Edition (4 CDs): Concertos & Orchestral Works Conducted by Enrique Batiz
: :Gluck's Alceste typifies his no-nonsense, reformed approach to opera. There are no wasted notes, no explosive high passages, no coloratura; in short, other than stark drama and beautiful, expressive, exclamatory music and singing, very little for a voice-loving opera fan to sink his or her teeth into. That said, this new set--the first recording of Gluck's Italian version of the work--will fill the bill somewhat if it's Alceste you're after. Teresa Ringholz is good in the title role, but she seems to understate the part; a ...
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Warts and All, Vol. 3
: :Gluck's Alceste typifies his no-nonsense, reformed approach to opera. There are no wasted notes, no explosive high passages, no coloratura; in short, other than stark drama and beautiful, expressive, exclamatory music and singing, very little for a voice-loving opera fan to sink his or her teeth into. That said, this new set--the first recording of Gluck's Italian version of the work--will fill the bill somewhat if it's Alceste you're after. Teresa Ringholz is good in the title role, but she seems to understate the part; a ...
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