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Hoodoo Lady
: :True to her billing ('plays guitar like a man'), Minnie held her own in a genre dominated by male artists. She had a gutsy voice and a no-nonsense guitar style. These 20 prime cuts were done in Chicago for the Vocalion and ARC labels. Recorded in the late '30s, many contain small band accompaniment that included Charlie McCoy's dynamic mandolin as well as legendary pianists Blind John Davis and Black Bob. Two cuts, 'Please Don't Stop Him' and 'I'm Going Don't You Know,' feature Arnett Nelson's smooth clarinet work. Although Minnie would continue ...
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Complete Recorded Works, Vol. 2 (1930-1931)
: :True to her billing ('plays guitar like a man'), Minnie held her own in a genre dominated by male artists. She had a gutsy voice and a no-nonsense guitar style. These 20 prime cuts were done in Chicago for the Vocalion and ARC labels. Recorded in the late '30s, many contain small band accompaniment that included Charlie McCoy's dynamic mandolin as well as legendary pianists Blind John Davis and Black Bob. Two cuts, 'Please Don't Stop Him' and 'I'm Going Don't You Know,' feature Arnett Nelson's smooth clarinet work. Although Minnie would continue ...
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Queen of Country Blues 1929-1937
:Album Details:Remastered Recordings from 1929 - 1937.
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One in a Hundred
:Album Details:Remastered Recordings from 1929 - 1937.
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Hoodoo Lady (1933-1937)
: :True to her billing ('plays guitar like a man'), Minnie held her own in a genre dominated by male artists. She had a gutsy voice and a no-nonsense guitar style. These 20 prime cuts were done in Chicago for the Vocalion and ARC labels. Recorded in the late '30s, many contain small band accompaniment that included Charlie McCoy's dynamic mandolin as well as legendary pianists Blind John Davis and Black Bob. Two cuts, 'Please Don't Stop Him' and 'I'm Going Don't You Know,' feature Arnett Nelson's smooth clarinet work. Although Minnie would continue ...
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Complete Recorded Works, Vol. 5 (1935-1941)
: :True to her billing ('plays guitar like a man'), Minnie held her own in a genre dominated by male artists. She had a gutsy voice and a no-nonsense guitar style. These 20 prime cuts were done in Chicago for the Vocalion and ARC labels. Recorded in the late '30s, many contain small band accompaniment that included Charlie McCoy's dynamic mandolin as well as legendary pianists Blind John Davis and Black Bob. Two cuts, 'Please Don't Stop Him' and 'I'm Going Don't You Know,' feature Arnett Nelson's smooth clarinet work. Although Minnie would continue ...
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Out Came The Blues Vinyl LP Record
from: DECCA
: :True to her billing ('plays guitar like a man'), Minnie held her own in a genre dominated by male artists. She had a gutsy voice and a no-nonsense guitar style. These 20 prime cuts were done in Chicago for the Vocalion and ARC labels. Recorded in the late '30s, many contain small band accompaniment that included Charlie McCoy's dynamic mandolin as well as legendary pianists Blind John Davis and Black Bob. Two cuts, 'Please Don't Stop Him' and 'I'm Going Don't You Know,' feature Arnett Nelson's smooth clarinet work. Although Minnie would continue ...
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Complete Recorded Works, Vol. 1 (1935-1941)
: :True to her billing ('plays guitar like a man'), Minnie held her own in a genre dominated by male artists. She had a gutsy voice and a no-nonsense guitar style. These 20 prime cuts were done in Chicago for the Vocalion and ARC labels. Recorded in the late '30s, many contain small band accompaniment that included Charlie McCoy's dynamic mandolin as well as legendary pianists Blind John Davis and Black Bob. Two cuts, 'Please Don't Stop Him' and 'I'm Going Don't You Know,' feature Arnett Nelson's smooth clarinet work. Although Minnie would continue ...
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Queen of the Delta Blues, Vol. 2
: :True to her billing ('plays guitar like a man'), Minnie held her own in a genre dominated by male artists. She had a gutsy voice and a no-nonsense guitar style. These 20 prime cuts were done in Chicago for the Vocalion and ARC labels. Recorded in the late '30s, many contain small band accompaniment that included Charlie McCoy's dynamic mandolin as well as legendary pianists Blind John Davis and Black Bob. Two cuts, 'Please Don't Stop Him' and 'I'm Going Don't You Know,' feature Arnett Nelson's smooth clarinet work. Although Minnie would continue ...
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Me and My Chauffeur
:Album Description:Import exclusive compilation for the pioneering blues guitarist features over two hours of music & a substantial booklet with biographical notes & rare photos. 50 tracks with a slipcase. Proper Records. 2003.
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