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25 Vivaldi Favorites


from: Vox (Classical)




Bach - Brandenburg Concertos / Il Giardino armonico


by: Johann Sebastian Bach, Giovanni Antonini, Il Giardino armonico, Stefano Barneschi, Paolo Beschi, Marco Bianchi, Marco Cera, Duilio Galfetti, Alberto Grazzi, Paolo Grazzi, Michele Barchi


: essential recording:Il Giardino Armonico is an original instruments group made up of skilled young Italian specialists in Baroque music. They bring a light, airy touch to the Brandenburg Concertos, with deeply felt slow movements, sprightly Allegros, and blistering Prestos. Unlike some of their ilk, they play with vitality while avoiding interpretive extremes; the finale of No.3, for example, is taken at a blistering pace but never feels too fast for the music. Solos are highly accomplished, with scintillating violin and wind contributions, along with charmingly blatty period horns in No. 1. The ...

Vivaldi - Concerti per Liuto e Mandolino / Il Giardino Armonico


by: Antonio Vivaldi, Giovanni Antonini, Il Giardino Armonico, Marco Bianchi, Duilio Galfetti, Joachim Held, Eric Hoeprich, Lisa Klewitt, Giorgio Merati, Leonardo Muzii, Enrico Onofri, Luca Pianca, Massimo Lonardi, Elena Russo, Lorenzo Ghielmi, Paolo Rizzi, Wolfgang Paul, Paolo Beschi


: essential recording:Il Giardino Armonico is an original instruments group made up of skilled young Italian specialists in Baroque music. They bring a light, airy touch to the Brandenburg Concertos, with deeply felt slow movements, sprightly Allegros, and blistering Prestos. Unlike some of their ilk, they play with vitality while avoiding interpretive extremes; the finale of No.3, for example, is taken at a blistering pace but never feels too fast for the music. Solos are highly accomplished, with scintillating violin and wind contributions, along with charmingly blatty period horns in No. 1. The ...

Vivaldi: Violin Concertos


from: Onyx Classics UK


: essential recording:Il Giardino Armonico is an original instruments group made up of skilled young Italian specialists in Baroque music. They bring a light, airy touch to the Brandenburg Concertos, with deeply felt slow movements, sprightly Allegros, and blistering Prestos. Unlike some of their ilk, they play with vitality while avoiding interpretive extremes; the finale of No.3, for example, is taken at a blistering pace but never feels too fast for the music. Solos are highly accomplished, with scintillating violin and wind contributions, along with charmingly blatty period horns in No. 1. The ...

Il Giardino Armonico ~ Musica Barocca


by: Il Giardino Armonico, Giovanni Antonini


: :Founded in 1985 in Milan, Il Giardino Armonico was one of Italy's earliest period instrument groups. Directed by Giovanni Antonini, who also acts as solo flutist, it consists of about 30 players, all highly accomplished and, to judge from their photograph, appropriately taken in what looks like the garden of a country house, all young. Many of them take solo turns, most prominently the concertmaster, the wind players, and the lutist. Their style is very 'baroque,' with lower pitch, speedy tempos, especially in fast movements, clipped articulation, lots of swells as well as ...

Christmas Concertos


from: Teldec


: :Founded in 1985 in Milan, Il Giardino Armonico was one of Italy's earliest period instrument groups. Directed by Giovanni Antonini, who also acts as solo flutist, it consists of about 30 players, all highly accomplished and, to judge from their photograph, appropriately taken in what looks like the garden of a country house, all young. Many of them take solo turns, most prominently the concertmaster, the wind players, and the lutist. Their style is very 'baroque,' with lower pitch, speedy tempos, especially in fast movements, clipped articulation, lots of swells as well as ...

Several Additional Waves


by: Paolo Fedreghini, Marco Bianchi


: :Founded in 1985 in Milan, Il Giardino Armonico was one of Italy's earliest period instrument groups. Directed by Giovanni Antonini, who also acts as solo flutist, it consists of about 30 players, all highly accomplished and, to judge from their photograph, appropriately taken in what looks like the garden of a country house, all young. Many of them take solo turns, most prominently the concertmaster, the wind players, and the lutist. Their style is very 'baroque,' with lower pitch, speedy tempos, especially in fast movements, clipped articulation, lots of swells as well as ...

Giovanni Paolo Colonna: Nisi Dominus/Mottetti e Sacre Lamentazioni


from: Tactus Records


: :Founded in 1985 in Milan, Il Giardino Armonico was one of Italy's earliest period instrument groups. Directed by Giovanni Antonini, who also acts as solo flutist, it consists of about 30 players, all highly accomplished and, to judge from their photograph, appropriately taken in what looks like the garden of a country house, all young. Many of them take solo turns, most prominently the concertmaster, the wind players, and the lutist. Their style is very 'baroque,' with lower pitch, speedy tempos, especially in fast movements, clipped articulation, lots of swells as well as ...

Vivaldi: La Tepesta di mare, La Notte, La Follia ed altri famosi Concerti da Camera


from: Teldec


: :Founded in 1985 in Milan, Il Giardino Armonico was one of Italy's earliest period instrument groups. Directed by Giovanni Antonini, who also acts as solo flutist, it consists of about 30 players, all highly accomplished and, to judge from their photograph, appropriately taken in what looks like the garden of a country house, all young. Many of them take solo turns, most prominently the concertmaster, the wind players, and the lutist. Their style is very 'baroque,' with lower pitch, speedy tempos, especially in fast movements, clipped articulation, lots of swells as well as ...

Several People


by: Paolo Fedreghini, Marco Bianchi


:Album Description:Paolo Fedreghini and Marco Bianchi give birth together to projects as musicians, composers and producers. Since this album features many guests, Paolo and Marco decided to title it 'Several People'. This album hides a strong dualism: it's easy to notice that to songs like 'You Are A Star', 'Another Face', 'Oriental Smile', 'Stay' and 'Nothing Has To Change' are opposed to instrumental compositions or numbers sung with a more marked rhythm, such as 'Please Don't leave', 'Spread Your Love'/'Blue Night In Africa' feat. Claudia Bernath, and 'Circus In C Minor' 'Urban Savage'.



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