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Hawaii
: :George Roy Hill (Butch Cassidy and the Sundance Kid) directed this adaptation of James Michener's novel about the history of the 50th state. Max von Sydow plays a zealous missionary with a Calvinist bent, intent on enlightening the natives even as his wife (Julie Andrews) is romanced by the dashing Richard Harris. The film is both a glossy vision of Hawaii in the early 19th century and a sometimes-brutal drama full of death, a rough childbirth, stormy weather, etc. Hill's blunt editing, meant to emphasize the more terrifying aspects of the natural order ...
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Castaway Cowboy
: :Texas cowpoke Lincoln Costain (James Garner) washes ashore on the Hawaiian island of Kauai and helps the widowed owner of a potato plantation (Vera Miles) turn her ailing farm into a thriving cattle ranch, despite the machinations of a sneaky local merchant (Robert Culp). The Castaway Cowboy has all the qualities of Disney's other live-action movies from the 1970s: a clear, straightforward story; serviceable, unfussy acting; a dose of ethnic stereotypes (in this case, the simple, happy-go-lucky islanders); a mixture of sentiment, slapstick, and modest adventure; and a cute, spunky kid, for whom ...
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Man Called Horse
: :American Indians were a 'cool' factor in 1970 cinema, the year A Man Called Horse made its vigorous, feverishly real, and occasionally shocking debut alongside Little Big Man and Soldier Blue. Unlike the latter two films, however, Horse is less an allegory for Vietnam-era America and more of a vision quest for historical identity. In one of his defining roles, Richard Harris plays an English aristocrat captured by Dakota Sioux in 1825. Over time, he adopts their way of life and eventually becomes tribal leader--but not before undergoing savage initiation rituals, the most ...
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Bare Essentials
: :American Indians were a 'cool' factor in 1970 cinema, the year A Man Called Horse made its vigorous, feverishly real, and occasionally shocking debut alongside Little Big Man and Soldier Blue. Unlike the latter two films, however, Horse is less an allegory for Vietnam-era America and more of a vision quest for historical identity. In one of his defining roles, Richard Harris plays an English aristocrat captured by Dakota Sioux in 1825. Over time, he adopts their way of life and eventually becomes tribal leader--but not before undergoing savage initiation rituals, the most ...
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Hawaii
: :George Roy Hill (Butch Cassidy and the Sundance Kid) directed this adaptation of James Michener's novel about the history of the 50th state. Max von Sydow plays a zealous missionary with a Calvinist bent, intent on enlightening the natives even as his wife (Julie Andrews) is romanced by the dashing Richard Harris. The film is both a glossy vision of Hawaii in the early 19th century and a sometimes-brutal drama full of death, a rough childbirth, stormy weather, etc. Hill's blunt editing, meant to emphasize the more terrifying aspects of the natural order ...
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A Man Called Horse
: :American Indians were a 'cool' factor in 1970 cinema, the year A Man Called Horse made its vigorous, feverishly real, and occasionally shocking debut alongside Little Big Man and Soldier Blue. Unlike the latter two films, however, Horse is less an allegory for Vietnam-era America and more of a vision quest for historical identity. In one of his defining roles, Richard Harris plays an English aristocrat captured by Dakota Sioux in 1825. Over time, he adopts their way of life and eventually becomes tribal leader--but not before undergoing savage initiation rituals, the most ...
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A Man Called Horse
: :American Indians were a 'cool' factor in 1970 cinema, the year A Man Called Horse made its vigorous, feverishly real, and occasionally shocking debut alongside Little Big Man and Soldier Blue. Unlike the latter two films, however, Horse is less an allegory for Vietnam-era America and more of a vision quest for historical identity. In one of his defining roles, Richard Harris plays an English aristocrat captured by Dakota Sioux in 1825. Over time, he adopts their way of life and eventually becomes tribal leader--but not before undergoing savage initiation rituals, the most ...
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The Takeover
: :American Indians were a 'cool' factor in 1970 cinema, the year A Man Called Horse made its vigorous, feverishly real, and occasionally shocking debut alongside Little Big Man and Soldier Blue. Unlike the latter two films, however, Horse is less an allegory for Vietnam-era America and more of a vision quest for historical identity. In one of his defining roles, Richard Harris plays an English aristocrat captured by Dakota Sioux in 1825. Over time, he adopts their way of life and eventually becomes tribal leader--but not before undergoing savage initiation rituals, the most ...
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A Man Called Horse
: :American Indians were a 'cool' factor in 1970 cinema, the year A Man Called Horse made its vigorous, feverishly real, and occasionally shocking debut alongside Little Big Man and Soldier Blue. Unlike the latter two films, however, Horse is less an allegory for Vietnam-era America and more of a vision quest for historical identity. In one of his defining roles, Richard Harris plays an English aristocrat captured by Dakota Sioux in 1825. Over time, he adopts their way of life and eventually becomes tribal leader--but not before undergoing savage initiation rituals, the most ...
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Into the Homeland
: :American Indians were a 'cool' factor in 1970 cinema, the year A Man Called Horse made its vigorous, feverishly real, and occasionally shocking debut alongside Little Big Man and Soldier Blue. Unlike the latter two films, however, Horse is less an allegory for Vietnam-era America and more of a vision quest for historical identity. In one of his defining roles, Richard Harris plays an English aristocrat captured by Dakota Sioux in 1825. Over time, he adopts their way of life and eventually becomes tribal leader--but not before undergoing savage initiation rituals, the most ...
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