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Elgar: The Collector's Edition (30 CDs)


from: Emi Classics


:Album Details:Elgar is the Quintessential English Composer. He is Loved as Our Shakespeare of Music, and We Turn to Him at Times of Solemn Remembrance and National Rejoicing. This Edition, Released to Celebrate the 150th Anniversary of the Composer's Birth, Presents all the Major Orchestral, Choral, Chamber and Stage Works, as Well as Many Lesser Pieces and Rarities, in Interpretations by the 20th Century's Finest Elgarians. All Your Favourite Elgar is Here, in Over 32 Hours of Music on 30 Cds.

Janacek: Sinfonietta/Glagolitic Mass - Felicity Palmer, Malcolm King, Sir Simon Rattle, Philharmonia Orchestra


by: Leos Janácek, Simon Rattle, Felicity Palmer, Malcolm King, John Mitchinson, Ameral Gunson, Jane Parker-Smith, City of Birmingham Symphony Chorus & Orchestra, Philharmonia Orchestra


:Album Details:Elgar is the Quintessential English Composer. He is Loved as Our Shakespeare of Music, and We Turn to Him at Times of Solemn Remembrance and National Rejoicing. This Edition, Released to Celebrate the 150th Anniversary of the Composer's Birth, Presents all the Major Orchestral, Choral, Chamber and Stage Works, as Well as Many Lesser Pieces and Rarities, in Interpretations by the 20th Century's Finest Elgarians. All Your Favourite Elgar is Here, in Over 32 Hours of Music on 30 Cds.

The Very Best of Beverly Sills


from: EMI Classics


:Album Description:Details TBA. EMI. 2005. :Beverly Sills hardly needs an introduction. She sang on the radio as a child and on the operatic stage as a teenager; her meteoric international career was launched by appearances in several virtually unknown bel canto operas at the New York City Opera. This compilation of arias and ensembles from some of her signature roles, recorded in the 1970s, with splendid partners like Nicolai Gedda, Alfredo Kraus, and Sherrill Milnes, displays her unique vocal and dramatic artistry at its peak. Her voice, effortlessly produced over an enormous range, ...

Mozart - Don Giovanni / Raimondi, Te Kanawa, Maazel


from: Sony


:Album Description:Details TBA. EMI. 2005. :Beverly Sills hardly needs an introduction. She sang on the radio as a child and on the operatic stage as a teenager; her meteoric international career was launched by appearances in several virtually unknown bel canto operas at the New York City Opera. This compilation of arias and ensembles from some of her signature roles, recorded in the 1970s, with splendid partners like Nicolai Gedda, Alfredo Kraus, and Sherrill Milnes, displays her unique vocal and dramatic artistry at its peak. Her voice, effortlessly produced over an enormous range, ...

Puccini: Madama Butterfly


by: Placido Domingo, Leslie Fyson, Gloria Jennings, Christopher Keyte, Malcolm King, Gillian Knight


:Album Description:Details TBA. EMI. 2005. :Beverly Sills hardly needs an introduction. She sang on the radio as a child and on the operatic stage as a teenager; her meteoric international career was launched by appearances in several virtually unknown bel canto operas at the New York City Opera. This compilation of arias and ensembles from some of her signature roles, recorded in the 1970s, with splendid partners like Nicolai Gedda, Alfredo Kraus, and Sherrill Milnes, displays her unique vocal and dramatic artistry at its peak. Her voice, effortlessly produced over an enormous range, ...

A Portrait of Pavarotti


from: Decca


:Album Description:Details TBA. EMI. 2005. :Beverly Sills hardly needs an introduction. She sang on the radio as a child and on the operatic stage as a teenager; her meteoric international career was launched by appearances in several virtually unknown bel canto operas at the New York City Opera. This compilation of arias and ensembles from some of her signature roles, recorded in the 1970s, with splendid partners like Nicolai Gedda, Alfredo Kraus, and Sherrill Milnes, displays her unique vocal and dramatic artistry at its peak. Her voice, effortlessly produced over an enormous range, ...

Verdi - Otello / Plácido Domingo, Scotto, Milnes, Levine


by: Jean Kraft, Frank Little, Sherrill Milnes, Paul Plishka, Malcolm King, Peter Crook


: :This is Plácido Domingo's first recording of his signature role, and what he can't do with sheer vocal force, he accomplishes somewhat less resourcefully with vocal color, of which he has plenty. The main draw, though, is Renata Scotto's dramatically acute Desdemona, recorded a tad late (1978) in her vocal life but better than not at all. The villainous Iago is the vocally gleaming but unsubtle Sherrill Milnes. James Levine's conducting is a bit green, a bit bombastic, and propulsive in a one-dimensional way, though one must remember he was working with the ...

Verdi: La Forza del Destino


from: RCA


: essential recording:This is the best all-around Forza recording available. Other sets have finer individual performances--Callas is unmatchable under Serafin, even though her singing is occasionally rough, and Price, years earlier under Thomas Schippers, is in more even voice than she is here. Still, this set is the best overall presentation of this complex work. Much credit must go to conductor James Levine, who manages to keep the jumbly drama together. Even the rowdy military scenes seem to matter here, and having the iron-lunged Fiorenza Cossotto as Preziosilla is a plus. Domingo is ...

Donizetti: Maria Padilla


from: Opera D'oro


:Album Description:Maria Padilla was one of the most successful of Donizetti’s mature, later operas, in his own time, but curiously it has not been in the forefront of the Donizetti revival that has flourished over the past few decades. First mounted during Carnival season in Milan in 1841, it remained popular for about 17 years, and then sank out of sight until this London revival in 1973. Every Donizetti fan will want this great budget recording!

The Essential Hyperion (Label Highlight Compilation)


by: Henry Purcell, Charles Villiers Stanford, John Sheppard, Joseph Haydn, Erik Satie, Robert Schumann, Shostakovich, Dmitri


:Album Description:Maria Padilla was one of the most successful of Donizetti’s mature, later operas, in his own time, but curiously it has not been in the forefront of the Donizetti revival that has flourished over the past few decades. First mounted during Carnival season in Milan in 1841, it remained popular for about 17 years, and then sank out of sight until this London revival in 1973. Every Donizetti fan will want this great budget recording!



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We've covered in too much detail how it's some sort of "open season" on Vonage when it comes to VoIP patents. After dealing with ridiculous and expensive patent lawsuits from companies who failed to actually innovate in the same way Vonage did, the company was pressured by Wall Street to quickly settle the various patent lawsuits filed against the company. Of course, rather than settle matters, that simply opened the door for other companies to go searching through their patent portfolios to see if there was anything they could sue Vonage over. Indeed, following those settlements it didn't take long for AT&T to dig up a patent and sue -- which was quickly settled as well. Thought things were over? No such luck. Nortel just showed up last month to sue and it took all of about a week and a half for Vonage to settle that case as well.

The Nortel case is slightly different because Vonage actually already had a patent infringement lawsuit going against Nortel, but it wasn't really initiated by Vonage. Instead, it had been initiated by a patent holding firm that Vonage bought in 2006. The end result of the settlement doesn't involve money changing hands, but just a cross licensing agreement for the patents. So what's the big lesson that Vonage and others have learned from this? It's certainly got nothing to do with innovating. It's to hoard as many patents as possible so that you have your own nuclear stockpile for when someone else sues you. Want to know why the USPTO is overwhelmed? It's not because there aren't enough examiners (as some will claim) or that there aren't enough funds. It's because the way the system now works is that you are supposed to file patents on every tiny little advancement so you can use it to protect yourself against lawsuits from everyone else. That's not about innovation. It's about waste. In the meantime, since it's still open season at Vonage, who's going to be next? There are a ton of other patents in the VoIP space that can surely be used in a lawsuit, right?

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Small and light enough for a shirt pocket, Samsung's Helix YX-M1 is a one-stop audio entertainment center with an XM radio, a digital music player, and room for 50 hours of tunes, but it comes up short on battery life.

This raw work-flow application isn't the Holy Grail many hoped it would be, but Apple Aperture 1.5 could make life easier for photographers who need to cull, retouch, and output large numbers of photographs quickly and efficiently.






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