|
|
|
Baseball - A Film by Ken Burns
: essential video:After the national success of his 11-hour epic, The Civil War--the highest-rated miniseries in public-television history--many wondered if Ken Burns could capture the same energy and passion with smaller subjects. His reply, the 18-hour history of America's greatest sport, Baseball, not only quieted these worries, it also perhaps surpassed his prior achievement. Massive in scope (it covers more than 100 years), exhausting in detail, and filled with celebrities, journalists, politicians, historians, and the men who played the game, Burns's romantic love letter to ...
|
|
|
Abbott & Costello: Meet Dr Jekyll & Mr Hyde / Mov
: essential video:After the national success of his 11-hour epic, The Civil War--the highest-rated miniseries in public-television history--many wondered if Ken Burns could capture the same energy and passion with smaller subjects. His reply, the 18-hour history of America's greatest sport, Baseball, not only quieted these worries, it also perhaps surpassed his prior achievement. Massive in scope (it covers more than 100 years), exhausting in detail, and filled with celebrities, journalists, politicians, historians, and the men who played the game, Burns's romantic love letter to ...
|
|
|
Abbott & Costello: Hold That Ghost
: essential video:After the national success of his 11-hour epic, The Civil War--the highest-rated miniseries in public-television history--many wondered if Ken Burns could capture the same energy and passion with smaller subjects. His reply, the 18-hour history of America's greatest sport, Baseball, not only quieted these worries, it also perhaps surpassed his prior achievement. Massive in scope (it covers more than 100 years), exhausting in detail, and filled with celebrities, journalists, politicians, historians, and the men who played the game, Burns's romantic love letter to ...
|
|
|
Abbott & Costello Meet Frankenstein
: :Universal Pictures made a great deal of money from its monster movies in the 1930s. In the early '40s, the burlesque team of Bud Abbott and Lou Costello kept the studio's coffers full. When the two franchises were combined in 1948, the result was another windfall--despite the apparent oil-and-water mix of subject matter. Abbott and Costello Meet Frankenstein was the first of these summit meetings, although the title is a misnomer. Actually, Bud and Lou bump into most of the Universal heavy-hitters, including Count Dracula ...
|
|
|
Time Of Their Lives
: :Universal Pictures made a great deal of money from its monster movies in the 1930s. In the early '40s, the burlesque team of Bud Abbott and Lou Costello kept the studio's coffers full. When the two franchises were combined in 1948, the result was another windfall--despite the apparent oil-and-water mix of subject matter. Abbott and Costello Meet Frankenstein was the first of these summit meetings, although the title is a misnomer. Actually, Bud and Lou bump into most of the Universal heavy-hitters, including Count Dracula ...
|
|
|
Abbott & Costello: Meet the Killer Boris Karloff
: :Universal Pictures made a great deal of money from its monster movies in the 1930s. In the early '40s, the burlesque team of Bud Abbott and Lou Costello kept the studio's coffers full. When the two franchises were combined in 1948, the result was another windfall--despite the apparent oil-and-water mix of subject matter. Abbott and Costello Meet Frankenstein was the first of these summit meetings, although the title is a misnomer. Actually, Bud and Lou bump into most of the Universal heavy-hitters, including Count Dracula ...
|
|
|
In the Navy
: :After the huge success of Buck Privates (cleverly referenced in a spoofing credits sequence), Abbott and Costello traded army green for navy blue to play landlocked gobs sent to sea after six years in the service. The actual story belongs to Dick Powell, who plays a radio crooner who has ditched fame and fawning fans for the sailor's life, while an ambitious female reporter (Claire Dodd) shadows the singer and stows aboard his battleship to expose his secret. Meanwhile Bud Abbott continues to con the ...
|
|
|
It Ain't Hay
: :After the huge success of Buck Privates (cleverly referenced in a spoofing credits sequence), Abbott and Costello traded army green for navy blue to play landlocked gobs sent to sea after six years in the service. The actual story belongs to Dick Powell, who plays a radio crooner who has ditched fame and fawning fans for the sailor's life, while an ambitious female reporter (Claire Dodd) shadows the singer and stows aboard his battleship to expose his secret. Meanwhile Bud Abbott continues to con the ...
|
|
|
Abbott & Costello: Ride Em Cowboy
: :After the huge success of Buck Privates (cleverly referenced in a spoofing credits sequence), Abbott and Costello traded army green for navy blue to play landlocked gobs sent to sea after six years in the service. The actual story belongs to Dick Powell, who plays a radio crooner who has ditched fame and fawning fans for the sailor's life, while an ambitious female reporter (Claire Dodd) shadows the singer and stows aboard his battleship to expose his secret. Meanwhile Bud Abbott continues to con the ...
|
|
|
Abbott & Costello Meet The Invisible Man
: :After the huge success of Buck Privates (cleverly referenced in a spoofing credits sequence), Abbott and Costello traded army green for navy blue to play landlocked gobs sent to sea after six years in the service. The actual story belongs to Dick Powell, who plays a radio crooner who has ditched fame and fawning fans for the sailor's life, while an ambitious female reporter (Claire Dodd) shadows the singer and stows aboard his battleship to expose his secret. Meanwhile Bud Abbott continues to con the ...
|
|