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The Rescue
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10
: essential video:One of the best comedies of the 1970s, Blake Edwards's ode to midlife crisis and the hazards of infidelity now plays like a valentine to that self-indulgent decade, and it's still as funny as it ever was. In the signature role of his career (along with 'Arthur'), Dudley Moore plays a songwriter with a severe case of marital restlessness, and all it takes is a chance encounter with Bo Derek (in her screen debut) to jump-start his ...
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Intruders
: essential video:One of the best comedies of the 1970s, Blake Edwards's ode to midlife crisis and the hazards of infidelity now plays like a valentine to that self-indulgent decade, and it's still as funny as it ever was. In the signature role of his career (along with 'Arthur'), Dudley Moore plays a songwriter with a severe case of marital restlessness, and all it takes is a chance encounter with Bo Derek (in her screen debut) to jump-start his ...
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Godzilla (1998)
: :As 'gigantic monster reptile attacks New York' movies go, you've got to admit that Godzilla delivers the goods, although its critical drubbing and box-office disappointment were arguably deserved. It's a shameless, uninspired crowd pleaser that's content to serve up familiar action with the advantage of really fantastic special effects, and if you expect nothing more you'll be one among millions of satisfied customers. There's really no other way to approach it--you just have to accept the fact that Independence ...
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Torch Song Trilogy
: :Harvey Fierstein had a smash hit on Broadway with the stage version of this story about a drag queen, but whatever the magic there was doesn't show up in this film adaptation. (Fierstein allegedly couldn't line up an A-list or even B-list director in 1988 to tackle the gay story line, so he agreed to work with Paul Bogart, a ubiquitous television director but an undistinguished feature filmmaker.) Fierstein's performance is fine, but likely a shadow of his live ...
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Hero & The Terror
: :Harvey Fierstein had a smash hit on Broadway with the stage version of this story about a drag queen, but whatever the magic there was doesn't show up in this film adaptation. (Fierstein allegedly couldn't line up an A-list or even B-list director in 1988 to tackle the gay story line, so he agreed to work with Paul Bogart, a ubiquitous television director but an undistinguished feature filmmaker.) Fierstein's performance is fine, but likely a shadow of his live ...
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Exorcist II - The Heretic
: :This sequel to the Oscar-winning horror film based on the novel by William Peter Blatty was virtually laughed off the screen when it came out in 1977. It was an unintentionally hilarious mishmash and received such terrible reviews that director John Boorman yanked it out of theaters. He reedited it, cutting eight minutes in hopes of getting the story (written by William Goodhart) to the point of coherency, to no avail. The film remains a kind of reverse gold ...
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Best Defense
: :This sequel to the Oscar-winning horror film based on the novel by William Peter Blatty was virtually laughed off the screen when it came out in 1977. It was an unintentionally hilarious mishmash and received such terrible reviews that director John Boorman yanked it out of theaters. He reedited it, cutting eight minutes in hopes of getting the story (written by William Goodhart) to the point of coherency, to no avail. The film remains a kind of reverse gold ...
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Godzilla - Size Does Matter
: :As 'gigantic monster reptile attacks New York' movies go, you've got to admit that Godzilla delivers the goods, although its critical drubbing and box-office disappointment were arguably deserved. It's a shameless, uninspired crowd pleaser that's content to serve up familiar action with the advantage of really fantastic special effects, and if you expect nothing more you'll be one among millions of satisfied customers. There's really no other way to approach it--you just have to accept the fact that Independence ...
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Godzilla: Earth Creatures
: :As 'gigantic monster reptile attacks New York' movies go, you've got to admit that Godzilla delivers the goods, although its critical drubbing and box-office disappointment were arguably deserved. It's a shameless, uninspired crowd pleaser that's content to serve up familiar action with the advantage of really fantastic special effects, and if you expect nothing more you'll be one among millions of satisfied customers. There's really no other way to approach it--you just have to accept the fact that Independence ...
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