|
|
|
Luciano Pavarotti: The Best (Farewell Tour)
from: Decca
: :Anyone discovering this album who had never heard or heard of Luciano Pavarotti would immediately recognize greatness, a one-of-a-kind, one-per-generation (maybe) talent and personality that commands attention, respect, and yes, even love. These 35 selections are an astonishing achievement: Taken, for the most part from the tenor's prime--the 1970s and '80s (although there are four earlier and three from 2003)--what we hear is golden tone, impeccable diction, an innate sense of style and line and where the music should be going, absolutely natural phrasing, an ...
|
|
|
Four Last Songs
from: Decca
:Album Description:This is the special, deluxe edition! In addition to the Strauss program, a second disc which highlights Fleming's signature roles at the Metropolitan Opera is included. These extended scenes are drawn from her highly-regarded Decca discography. Renée Fleming, the world's preeminent lyric soprano, is joined by Christian Thielemann, internationally acclaimed for his performances of Strauss works, for this recording of the exquisitely beautiful Four Last Songs. These enduringly popular works have become signature pieces for the soprano and she was delighted for the opportunity ...
|
|
|
25 Classical Favorites
from: Vox (Classical)
:Album Description:This is the special, deluxe edition! In addition to the Strauss program, a second disc which highlights Fleming's signature roles at the Metropolitan Opera is included. These extended scenes are drawn from her highly-regarded Decca discography. Renée Fleming, the world's preeminent lyric soprano, is joined by Christian Thielemann, internationally acclaimed for his performances of Strauss works, for this recording of the exquisitely beautiful Four Last Songs. These enduringly popular works have become signature pieces for the soprano and she was delighted for the opportunity ...
|
|
|
25 Mozart Favorites
from: Vox (Classical)
: :This is an astonishing collection of works - or parts of works - by Mozart that covers almost every aspect of his creative output: symphonic, religious music, concerti (for piano, horn, violin, clarinet, flute), chamber music, serenades (for strings; winds), a couple of opera overtures and more. Those who know and love Mozart's music will not need this, but it's a great introduction, a great overview. The selections are well-chosen and interestingly organized, with familiar pieces splrinkled among some not-so well known. A good primer. ...
|
|
|
Time to Say Goodbye
: : Sarah Brightman Photos More from Sarah Brightman Classics Diva: The Singles Collection Eden Diva: The Video Collection Live from Las Vegas La Luna (Live in Concert) Amazon.com essential recording:Fans of small, pretty-voiced soprano Sarah Brightman will not be disappointed by this CD. In addition to some pop songs, Brightman sings high-flying excerpts from Orff's Carmina Burana, Puccini's 'O mio babbino caro' (performed better by almost any other operatic soprano elsewhere), and 'Alleluia' from Mozart's Exsultate Jubilate. One might ...
|
|
|
Braveheart: Original Motion Picture Soundtrack
from: Decca
: :A 1996 Academy Award nominee for Best Dramatic Score, Braveheart is one of composer James (Titanic) Horner's most accomplished works. Utilizing the full range of the London Symphony Orchestra, the Choristers of Westminster Abbey, and a small ensemble of traditional folk instrumentalists, Horner largely eschews the bombast typical of the genre and cuts a more emotionally complex--and satisfying--musical course through this 14th-century tale of betrayal and rebellion. This album presents ample evidence of why Horner is currently at the peak of his profession. --Jerry McCulley
|
|
|
25 Beethoven Favorites
from: Vox (Classical)
: :A 1996 Academy Award nominee for Best Dramatic Score, Braveheart is one of composer James (Titanic) Horner's most accomplished works. Utilizing the full range of the London Symphony Orchestra, the Choristers of Westminster Abbey, and a small ensemble of traditional folk instrumentalists, Horner largely eschews the bombast typical of the genre and cuts a more emotionally complex--and satisfying--musical course through this 14th-century tale of betrayal and rebellion. This album presents ample evidence of why Horner is currently at the peak of his profession. --Jerry McCulley
|
|
|
Tchaikovsky: Violin Concerto Op35; Brahms: Violin Concerto in D Op77
from: EMI Classics
: :A 1996 Academy Award nominee for Best Dramatic Score, Braveheart is one of composer James (Titanic) Horner's most accomplished works. Utilizing the full range of the London Symphony Orchestra, the Choristers of Westminster Abbey, and a small ensemble of traditional folk instrumentalists, Horner largely eschews the bombast typical of the genre and cuts a more emotionally complex--and satisfying--musical course through this 14th-century tale of betrayal and rebellion. This album presents ample evidence of why Horner is currently at the peak of his profession. --Jerry McCulley
|
|
|
Bach Violin Concertos & Gubaidulina ‘In Tempus Praesens'
from: Deutsche Grammophon
:Album Description:Anne-Sophie Mutter's new recording combines the popularity of Bach with the radiance and intensity of the contemporary composer Sophia Gubaidulina. Gubaidulina's In tempus praesens receives its world-premiere recording; the work was commissioned by Ms.Mutter herself. This is also Anne-Sophie Mutter's first Bach recording for Deutsche Grammophon. The Bach Concertos reunites Mutter with the Trondheim Soloists, with whom she recorded the Vivaldi Four Seasons. Also available is a deluxe version of this recording that presents this CD in a hard bound book format that features ...
|
|
|
The Lord of the Rings: The Fellowship of the Ring
from: Reprise / Wea
: :Score composer Howard Shore has informed this first installment of the Lord of the Rings trilogy with his distinctly modern sensibilities. Revolving loosely around a brief, heroic brass theme, this epic is infused with a powerful rhythmic thrust and a musical range that encompasses centuries (from the Renaissance pastoralism of 'Concerning Hobbits' to the fiery, Prokofiev-influenced drama of 'A Knife in the Dark'). Key to the score's sense of mystery and magical place are the rich choral passages that are interspersed throughout, some so ominously ...
|
|