|
|
|
Across the Wide Missouri
|
|
|
Miniver Story
|
|
|
Battleground (1949)
: :Director William Wellman (The Big Heat) offered up this 1949 treatment of the Battle of the Bulge, which won Oscars for best screenplay and best cinematography. The film concentrates on the camaraderie and the divisions between the troops as they ready for the big offensive. Told in a taut narrative, the men of the 101st, led by Van Johnson, wait out the winter in the Ardennes forest to confront the German army in what would be the last major offensive of World War II. The ...
|
|
|
Command Decision
: : Command Decision (1949) takes on the kind of questions that Hollywood could never have raised during the war--questions about the cruel responsibilities of command, including the responsibility to spend a great many lives to save thousands more in the future. In 1943, from an American airbase in the English countryside, a campaign of daylight bombardment is being waged against aircraft factories in Germany. For much of the way to their targets and back, the bombers are bereft of fighter escort and at the mercy ...
|
|
|
Lifeboat (The Hitchcock Collection)
: :Part mystery, part wartime polemic, Lifeboat finds director Alfred Hitchcock tackling a cinematic challenge that foreshadows the self-imposed handicaps of Rope and Rear Window. As with those subsequent features, Hitchcock confines his action and characters to a single set, in this instance the lone surviving lifeboat from an Allied freighter sunk by a German U-boat in the North Atlantic. A less confident, ingenious filmmaker might have opened up John Steinbeck's dialogue-driven character study beyond the battered boat and its cargo of survivors, but Hitchcock instead ...
|
|
|
Homecoming (1948)
: :Part mystery, part wartime polemic, Lifeboat finds director Alfred Hitchcock tackling a cinematic challenge that foreshadows the self-imposed handicaps of Rope and Rear Window. As with those subsequent features, Hitchcock confines his action and characters to a single set, in this instance the lone surviving lifeboat from an Allied freighter sunk by a German U-boat in the North Atlantic. A less confident, ingenious filmmaker might have opened up John Steinbeck's dialogue-driven character study beyond the battered boat and its cargo of survivors, but Hitchcock instead ...
|
|
|
The Harvey Girls
: :Sometimes lively, sometimes pokey, this Technicolor MGM musical inspires mixed feelings in aficionados of the form--except on one point. No viewer will question why 'On the Atchison, Topeka, & the Santa Fe' won the best song Oscar for 1946. This is a brilliant, inventive song given an epic staging. Director George Sidney pulls out all the stops for this wowser--even Marjorie Main sings, an eardrum-testing sound. The real-life Harvey Girls were waitresses imported to the far-flung Fred Harvey Hotels, civilizing oases along the railroad lines ...
|
|
|
Malaya
: :Sometimes lively, sometimes pokey, this Technicolor MGM musical inspires mixed feelings in aficionados of the form--except on one point. No viewer will question why 'On the Atchison, Topeka, & the Santa Fe' won the best song Oscar for 1946. This is a brilliant, inventive song given an epic staging. Director George Sidney pulls out all the stops for this wowser--even Marjorie Main sings, an eardrum-testing sound. The real-life Harvey Girls were waitresses imported to the far-flung Fred Harvey Hotels, civilizing oases along the railroad lines ...
|
|
|
I Dood It
: :Sometimes lively, sometimes pokey, this Technicolor MGM musical inspires mixed feelings in aficionados of the form--except on one point. No viewer will question why 'On the Atchison, Topeka, & the Santa Fe' won the best song Oscar for 1946. This is a brilliant, inventive song given an epic staging. Director George Sidney pulls out all the stops for this wowser--even Marjorie Main sings, an eardrum-testing sound. The real-life Harvey Girls were waitresses imported to the far-flung Fred Harvey Hotels, civilizing oases along the railroad lines ...
|
|
|
Battleground (1949)
: :Director William Wellman (The Big Heat) offered up this 1949 treatment of the Battle of the Bulge, which won Oscars for best screenplay and best cinematography. The film concentrates on the camaraderie and the divisions between the troops as they ready for the big offensive. Told in a taut narrative, the men of the 101st, led by Van Johnson, wait out the winter in the Ardennes forest to confront the German army in what would be the last major offensive of World War II. The ...
|
|