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House of the Seven Gables (B&W)

starring: George Sanders, Margaret Lindsay, Vincent Price, Dick Foran, Nan Grey
directed by: Joe May

Invisible Man Returns

starring: Cedric Hardwicke, Vincent Price, Nan Grey, John Sutton, Cecil Kellaway
directed by: Joe May


: :This belated and semi-inspired sequel to 1933's The Invisible Man finds the earlier film's Claude Rains replaced in the title role by Vincent Price, appearing in his first starring role just two years after making his Hollywood debut in the now-forgotten 1938 comedy Service De Luxe. Rather than repeat the scenario of the Invisible Man going mad from the effects of his own invisibility serum, this engaging mystery begins when a murderer (Cedric Hardwicke) plots to frame his brother (Price), who then uses the invisibility serum to escape from jail and clear his ...

Asphalt

starring: Albert Steinrück, Else Heller, Gustav Fröhlich, Betty Amann, Hans Adalbert Schlettow
directed by: Joe May


: :From its amazing opening sequence of human and vehicular traffic sweeping through a nighttime cityscape entirely created inside the Ufa film factory, Asphalt marks a late addition to the eye-catching, mind-bending artistry of the German Expressionist cinema of the '20s. Released in March 1929, when silents were on the way out, until recently it was just a title, and the source of a few grabby stills, in the film history books. In this most complete restoration yet, it stands as the ultimate 'street film,' a genre prized for bravura artifice and potent allegory. ...

Asphalt

starring: Albert Steinrück, Else Heller, Gustav Fröhlich, Betty Amann, Hans Adalbert Schlettow
directed by: Joe May


: :From its amazing opening sequence of human and vehicular traffic sweeping through a nighttime cityscape entirely created inside the Ufa film factory, Asphalt marks a late addition to the eye-catching, mind-bending artistry of the German Expressionist cinema of the '20s. Released in March 1929, when silents were on the way out, until recently it was just a title, and the source of a few grabby stills, in the film history books. In this most complete restoration yet, it stands as the ultimate 'street film,' a genre prized for bravura artifice and potent allegory. ...



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