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Verdi: Requiem & Operatic Choruses
from: Telarc
: :Robert Shaw learned from Arturo Toscanini, and in his stupendous 1987 recording for Telarc he managed to surpass the master on some points. He is unerring in his pacing and staging of climaxes, and draws phrasing and dynamics from the chorus that other conductors can only dream of. Points are made with exhilarating effect throughout the account: never has the bass drum in the Dies irae been as splendidly hammered as here, and the whooping brass in the Tuba mirum is breathtaking. The all-American solo quartet sounds a bit driven, especially the light-voiced ...
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The Ave Maria Album
from: RCA
: :Robert Shaw learned from Arturo Toscanini, and in his stupendous 1987 recording for Telarc he managed to surpass the master on some points. He is unerring in his pacing and staging of climaxes, and draws phrasing and dynamics from the chorus that other conductors can only dream of. Points are made with exhilarating effect throughout the account: never has the bass drum in the Dies irae been as splendidly hammered as here, and the whooping brass in the Tuba mirum is breathtaking. The all-American solo quartet sounds a bit driven, especially the light-voiced ...
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The Power & The Majesty: Essential Choral Classics
: :Robert Shaw learned from Arturo Toscanini, and in his stupendous 1987 recording for Telarc he managed to surpass the master on some points. He is unerring in his pacing and staging of climaxes, and draws phrasing and dynamics from the chorus that other conductors can only dream of. Points are made with exhilarating effect throughout the account: never has the bass drum in the Dies irae been as splendidly hammered as here, and the whooping brass in the Tuba mirum is breathtaking. The all-American solo quartet sounds a bit driven, especially the light-voiced ...
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Mendelssohn: Elijah / Shaw, Bonney, Quivar, Hadley, Hampson, Atlanta Symphony (Sung in English)
from: Telarc
: :Robert Shaw learned from Arturo Toscanini, and in his stupendous 1987 recording for Telarc he managed to surpass the master on some points. He is unerring in his pacing and staging of climaxes, and draws phrasing and dynamics from the chorus that other conductors can only dream of. Points are made with exhilarating effect throughout the account: never has the bass drum in the Dies irae been as splendidly hammered as here, and the whooping brass in the Tuba mirum is breathtaking. The all-American solo quartet sounds a bit driven, especially the light-voiced ...
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Bernstein Conducts Candide
from: Deutsche Grammophon
:Album Description:Additional lyrics by John LaTouche, Lillian Hellman, Dorothy Parker, Leonard Bernstein and Stephen Sondheim.
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Symphonic Music of the Rolling Stones
:Album Description:Additional lyrics by John LaTouche, Lillian Hellman, Dorothy Parker, Leonard Bernstein and Stephen Sondheim.
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Floyd: Susannah (complete opera)
:Album Description:Additional lyrics by John LaTouche, Lillian Hellman, Dorothy Parker, Leonard Bernstein and Stephen Sondheim.
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Ten Tenors in Prayer
from: RCA
:Album Description:Additional lyrics by John LaTouche, Lillian Hellman, Dorothy Parker, Leonard Bernstein and Stephen Sondheim.
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Essential Leonard Bernstein
from: Deutsche Grammophon
:Album Description:Additional lyrics by John LaTouche, Lillian Hellman, Dorothy Parker, Leonard Bernstein and Stephen Sondheim.
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Send in the Clowns: The Ballads of Stephen Sondheim
from: RCA Victor
:Album Description:Additional lyrics by John LaTouche, Lillian Hellman, Dorothy Parker, Leonard Bernstein and Stephen Sondheim.
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