Music : Search

Let Yourself Go


by: Kristin Chenoweth, Jule Styne, George Gershwin, Richard Rodgers, Jeanine Tesori, Kurt Weill, Jerome Kern, Vincent Youmans, Ricky Ian Gordon, Richard Dworsky, Lawrence Ellington Duke / Brown, Harry Warren, Bobby Troup, Jason Alexander, Irving Berlin, Rob Fisher, The Coffee Club Orchestra


: :Kristin Chenoweth won a Tony for the supporting role of Sally Brown in the 1999 revival of You're a Good Man, Charlie Brown, made a memorably vampy Lily in the 1999 television film of Annie, and had an NBC sitcom created for her, Kristin! Now she grabs the spotlight in Let Yourself Go, her first solo recording. She mixes torchy standards ('My Funny Valentine,' 'How Long Has This Been Going On?') with Faith Prince-style sauciness ('If'), gets to show off her operatic and scat chops in the miniplay 'The Girl in 14G,' and ...

Greatest Hits: Broadway


from: Sony


: :Kristin Chenoweth won a Tony for the supporting role of Sally Brown in the 1999 revival of You're a Good Man, Charlie Brown, made a memorably vampy Lily in the 1999 television film of Annie, and had an NBC sitcom created for her, Kristin! Now she grabs the spotlight in Let Yourself Go, her first solo recording. She mixes torchy standards ('My Funny Valentine,' 'How Long Has This Been Going On?') with Faith Prince-style sauciness ('If'), gets to show off her operatic and scat chops in the miniplay 'The Girl in 14G,' and ...

Lanza: Greatest Hits


from: RCA


: :Kristin Chenoweth won a Tony for the supporting role of Sally Brown in the 1999 revival of You're a Good Man, Charlie Brown, made a memorably vampy Lily in the 1999 television film of Annie, and had an NBC sitcom created for her, Kristin! Now she grabs the spotlight in Let Yourself Go, her first solo recording. She mixes torchy standards ('My Funny Valentine,' 'How Long Has This Been Going On?') with Faith Prince-style sauciness ('If'), gets to show off her operatic and scat chops in the miniplay 'The Girl in 14G,' and ...

A Day to Remember - Instrumental Music for Your Wedding Day


by: O'Neill Brothers


:Album Description:After performing at more than 200 weddings, Tim and Ryan O'Neill recorded this beautiful CD of favorite wedding songs. It features a full hour of instrumental piano, string quartet, flute, and guitar music that can be played at your ceremony or reception. It also gives suggestions for music at your wedding, including a special bridal website! *Over 1,000 song titles listed *Listen to samples of songs *More ideas for each part of your ceremony, reception, and dance

Show Boat: Original Motion Picture Soundtrack (1951 Film)


by: Jerome Kern, Oscar Hammerstein II


:Album Description:After performing at more than 200 weddings, Tim and Ryan O'Neill recorded this beautiful CD of favorite wedding songs. It features a full hour of instrumental piano, string quartet, flute, and guitar music that can be played at your ceremony or reception. It also gives suggestions for music at your wedding, including a special bridal website! *Over 1,000 song titles listed *Listen to samples of songs *More ideas for each part of your ceremony, reception, and dance

The Best of Broadway - The American Musical (PBS Series)


from: Decca Broadway


: :A companion to the fabulous PBS series, the 21-song, 77-minute The Best of 'Broadway: The American Musical' provides about as good a single-disc compilation as anyone could hope for. (There's also a five-CD version.) What sets it apart from so many other 'best of Broadway' collections is its breadth--because it had access to a variety of record-label vaults it doesn't have to try to disguise gaps by using revivals or solo recordings. Here you get all the authentic stuff, including: Paul Robeson singing 'Ol' Man River' from the first modern American musical, Show ...

Somewhere over the Rainbow: The Golden Age of Hollywood Musicals


by: Various Artists


: :The 'Golden Age' referred to here spans The Jazz Singer and the advent of the talkies to the death throes of the old studio system in the 1960s. So vast was the era's musical landscape that even this 42-track, double-disc anthology can't encompass all its peaks. Not surprisingly, the bulk of this collection originated with the Tiffany's of the screen musical, M-G-M, a body of work whose riches here encompass both pop-cultural bedrock ('Over the Rainbow,' 'Singin' in the Rain,' 'There's No Business Like Show Business,' etc.) and some less familiar, if equally ...

Mulholland Drive: Original Motion Picture Score


by: Angelo Badalamenti, David Lynch


: :Director David Lynch's affection for kitschy lounge music and emotionally overwrought mid-century pop has long since proven to be more than trend or irony; indeed, it's often the uneasy spiritual axis of his films. The soundtrack of Mulholland Dr. turns on the usual Lynchian motifs (the brooding atmosphere of Angelo Badalamenti's ominous synth-and-orchestra cues tossed with a dash of Lynch's own off-center compositions), yet manages to evoke a sense of foreboding that's distinctly its own. Badalamenti leads off with a curve, the nervous orchestra swing-romp 'Jitterbug,' before descending into a dark soundscape that ...

The Mario Lanza Collection (3CD)


from: RCA Victor


: :Director David Lynch's affection for kitschy lounge music and emotionally overwrought mid-century pop has long since proven to be more than trend or irony; indeed, it's often the uneasy spiritual axis of his films. The soundtrack of Mulholland Dr. turns on the usual Lynchian motifs (the brooding atmosphere of Angelo Badalamenti's ominous synth-and-orchestra cues tossed with a dash of Lynch's own off-center compositions), yet manages to evoke a sense of foreboding that's distinctly its own. Badalamenti leads off with a curve, the nervous orchestra swing-romp 'Jitterbug,' before descending into a dark soundscape that ...

Kiri


by: Kiri Te Kanawa, Giacomo Puccini, Wolfgang Amadeus Mozart, George Frideric Handel, George Gershwin, Giuseppe Verdi, Paul McCartney, Erich Wolfgang Korngold, Marie-Joseph Canteloube, Gustave Charpentier


: :Director David Lynch's affection for kitschy lounge music and emotionally overwrought mid-century pop has long since proven to be more than trend or irony; indeed, it's often the uneasy spiritual axis of his films. The soundtrack of Mulholland Dr. turns on the usual Lynchian motifs (the brooding atmosphere of Angelo Badalamenti's ominous synth-and-orchestra cues tossed with a dash of Lynch's own off-center compositions), yet manages to evoke a sense of foreboding that's distinctly its own. Badalamenti leads off with a curve, the nervous orchestra swing-romp 'Jitterbug,' before descending into a dark soundscape that ...



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