Bestsellers > Drum and Bass > Drum and Bass

Verve Remixed, Vol. 4


by: Various Artists


:Album Description:The Verve//Remixed series began in the spring of 2002 with the release of the unprecedented album featuring the world's most talented and sought after DJ's remixing the great vocalists of jazz. The series has been highly regarded by tastemakers and critics alike. A groove rooted in soul winds its way through remixes of tracks by the likes of Roy Ayers, James Brown, Ella Fitzgerald, Nina Simone, and more.

Richard D. James Album


by: Aphex Twin


: essential recording:If techno ever does become the sound of young America, don't expect Richard James to be its poster boy, deserving though he may be. A native of Cornwall, England, James is obsessed with the mechanics of music making: As a kid, he took apart and reassembled the living room piano. Under the names Aphex Twin, Polygon Window, AFX, and other aliases too numerous to mention, he showed that he could make entire tracks with the sounds produced by ...

Substance D


by: Dieselboy


: essential recording:If techno ever does become the sound of young America, don't expect Richard James to be its poster boy, deserving though he may be. A native of Cornwall, England, James is obsessed with the mechanics of music making: As a kid, he took apart and reassembled the living room piano. Under the names Aphex Twin, Polygon Window, AFX, and other aliases too numerous to mention, he showed that he could make entire tracks with the sounds produced by ...

Drukqs


by: Aphex Twin


: 's Best of 2001:Often proclaimed as electronica's one true genius, Richard James, a.k.a. Aphex Twin, returns with a double CD that showcases his cleverness as well as his inevitable inscrutability. Still, amid macabre birthday songs, unsettling screams, and other bizarre touches, Drukqs offers the most technically accomplished and beautiful tracks of Aphex Twin's career. Every aspect of the Aphex brain is on display here, from stark pieces performed on sampled piano and zither to Squarepusher-styled drum & bass implosions, all ...

Rotting PiƱata


by: Sponge


: 's Best of 2001:Often proclaimed as electronica's one true genius, Richard James, a.k.a. Aphex Twin, returns with a double CD that showcases his cleverness as well as his inevitable inscrutability. Still, amid macabre birthday songs, unsettling screams, and other bizarre touches, Drukqs offers the most technically accomplished and beautiful tracks of Aphex Twin's career. Every aspect of the Aphex brain is on display here, from stark pieces performed on sampled piano and zither to Squarepusher-styled drum & bass implosions, all ...

Lamb


by: Lamb


: :Goldie meets a caffeine-fueled Portishead on the full-length debut from a much-buzzed Manchester duo. Louise Rhodes provides the Bjork-like vocals, Andrew Barlow the complex drum & bass underpinnings. --Jeff Bateman

Era of Diversion


by: Evol Intent


: :Goldie meets a caffeine-fueled Portishead on the full-length debut from a much-buzzed Manchester duo. Louise Rhodes provides the Bjork-like vocals, Andrew Barlow the complex drum & bass underpinnings. --Jeff Bateman

Logical Progression, Level 1


by: LTJ Bukem Presents


: :Goldie meets a caffeine-fueled Portishead on the full-length debut from a much-buzzed Manchester duo. Louise Rhodes provides the Bjork-like vocals, Andrew Barlow the complex drum & bass underpinnings. --Jeff Bateman

Resist


by: Kosheen


: :While hinting at the groove/melody synthesis so brilliantly executed by Everything But the Girl, the U.K. trio Kosheen have the good sense to temper their beats and let the catchy pop songs fly on Resist. Starting off with the dark drum & bass whirr of the massive club hit Hide U, the album goes on to deliver even harder D&B ('Slip Slide Suicide'), morose downtempo ('I Want It All'), and heady electro ('Catch'), but Kosheen are really aiming for pop ...

The Best Kept Secrets: The Best of Lamb 1996-2004


by: Lamb


: :Best Kept Secrets, a collection of songs from Lamb's first four records, is a reminder of how exhilarating and shockingly modern their music can be. It's also a crash course on the band's precarious balancing act. When they're in sync, the somber torch singing of Louise Rhodes and the twisted proto-jungle of producer Andrew Barlow make for a delicious combination. The band's self-titled debut trumped contemporaries like Portishead, who built songs around the vocals, while Barlow and Rhodes worked on ...



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We've covered in too much detail how it's some sort of "open season" on Vonage when it comes to VoIP patents. After dealing with ridiculous and expensive patent lawsuits from companies who failed to actually innovate in the same way Vonage did, the company was pressured by Wall Street to quickly settle the various patent lawsuits filed against the company. Of course, rather than settle matters, that simply opened the door for other companies to go searching through their patent portfolios to see if there was anything they could sue Vonage over. Indeed, following those settlements it didn't take long for AT&T to dig up a patent and sue -- which was quickly settled as well. Thought things were over? No such luck. Nortel just showed up last month to sue and it took all of about a week and a half for Vonage to settle that case as well.

The Nortel case is slightly different because Vonage actually already had a patent infringement lawsuit going against Nortel, but it wasn't really initiated by Vonage. Instead, it had been initiated by a patent holding firm that Vonage bought in 2006. The end result of the settlement doesn't involve money changing hands, but just a cross licensing agreement for the patents. So what's the big lesson that Vonage and others have learned from this? It's certainly got nothing to do with innovating. It's to hoard as many patents as possible so that you have your own nuclear stockpile for when someone else sues you. Want to know why the USPTO is overwhelmed? It's not because there aren't enough examiners (as some will claim) or that there aren't enough funds. It's because the way the system now works is that you are supposed to file patents on every tiny little advancement so you can use it to protect yourself against lawsuits from everyone else. That's not about innovation. It's about waste. In the meantime, since it's still open season at Vonage, who's going to be next? There are a ton of other patents in the VoIP space that can surely be used in a lawsuit, right?

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Small and light enough for a shirt pocket, Samsung's Helix YX-M1 is a one-stop audio entertainment center with an XM radio, a digital music player, and room for 50 hours of tunes, but it comes up short on battery life.

This raw work-flow application isn't the Holy Grail many hoped it would be, but Apple Aperture 1.5 could make life easier for photographers who need to cull, retouch, and output large numbers of photographs quickly and efficiently.






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