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Funkify Your Life: The Meters Anthology
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The Very Best of the Meters
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Late for the Future
: :Galactic has always known how to serve up the old-school Crescent City funk in all of its rump-shaking glory, and every stop on their endless string of marathon shows only tightens them up another notch. Late for the Future, their third record, builds on their solid funk foundation and stands as their most ambitious, assertive, and sonically interesting work to date. For one, Galactic bare their teeth like never before, adding a furious intensity and pure rock raunchiness that they haven't previously captured on record. Listen to the thick and meaty ...
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Rejuvenation
:Album Description:Although their reputation as one of the world's greatest instrumental units never quite translated into mainstream stardom, the Meters turned out a steady stream of remarkable '70s albums whose earthy instrumental textures and complex, inventive rhythms were a key influence upon more than one generation of funk and hip-hop artists. 1974's Rejuvenation offers persuasive evidence of the band's seminal status. The album also features one of the Meters' biggest hits, the infectious anthem 'Hey Pocky A-Way,' as well as such Meters classics as 'People Say, 'What'cha Say' and 'Jungle Man.' ...
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Coolin' Off
:Album Description:Although their reputation as one of the world's greatest instrumental units never quite translated into mainstream stardom, the Meters turned out a steady stream of remarkable '70s albums whose earthy instrumental textures and complex, inventive rhythms were a key influence upon more than one generation of funk and hip-hop artists. 1974's Rejuvenation offers persuasive evidence of the band's seminal status. The album also features one of the Meters' biggest hits, the infectious anthem 'Hey Pocky A-Way,' as well as such Meters classics as 'People Say, 'What'cha Say' and 'Jungle Man.' ...
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Friday Afternoon in the Universe
: :They may attract Sufi-dancing Deadheads to their rock-club shows and they may have connections to lower Manhattan's art-music scene, but when you get right down to it, Medeski Martin & Wood are just a jazz organ trio. Organist John Medeski, drummer Billy Martin, and bassist Chris Wood don't work a whole lot differently from the old Jimmy Smith Trio; they get a good groove going, add a catchy hook and then improvise changes on both the rhythm and the melody. They may take more liberties than Smith ever has, but that ...
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Combustication
: 's Best of 1998:The rather plainly named Medeski Martin & Wood have almost single-handedly returned the spotlight to the more out-there fusion between bop jazz and on-the-one funky rock music. Wheezing and huffing behind a bank of old-school keyboards, Medeski Martin & Wood plow into their songs with abandon. The drums of Billy Martin push the band out and away rather than gathering them neat and tidy, while bassist Chris Wood delivers the rhythms that somehow manage to keep every musical tidbit strapped to the deck. For his part, keyboardist John ...
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Look-Ka Py Py
:Album Description:The Meters' prolific run of '70s albums established the incomparable foursome as the premier exponents of New Orleans funk, blending syncopated rhythms with gritty guitar/organ grooves to stir up a musical gumbo that's grown ever tastier with the passage of time. The quartet's 1970 sophomore album is one of the legendary combo's most beloved releases, and a quintessential evocation of the Meters' peerless greatness. The album features their immortal smashes 'Look-Ka Py Py' and 'Chicken Strut,' along with a dozen more classic slices of deep-fried New Orleans funk, including the ...
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A Town Called Earth
: :Although most people haphazardly toss them in the ever-growing acid-jazz bucket, reed player Karl Denson is quick to point out that his quintet plays boogaloo music. Popularized in the late 1960s by Pucho and Boogaloo Joe Jones, boogaloo is a danceable funk-jazz-soul hybrid named after the popular jig of the period. The Greyboys borrow funk's urgent rhythms, jazz's sophisticated improvisation, and the polished, easy-flowing groove of soul. Their funk is not 'nasty' as much as it is 'tasty.' They've also been wise enough to play with and learn from veteran soul-jazz ...
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The Bridge
: :Saxophonist Karl Denson makes no bones about the fact that he plays a funky jazz tailor-made for people to get their groove on--and never more so than on The Bridge, an album that strays far from his jazz roots. Already known for his love affair with funk, both as a solo artist and as a member of the Greyboy Allstars, Denson adds some other interesting nonjazz wrinkles. A strong Afro-beat influence manifests itself in some slamming horn charts and percolating rhythms, particularly on 'Elephants' and 'Because of Her Beauty.' Denson gets ...
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