|
|
|
Stadium Arcadium
:Album Description:Anthony Kiedis of the Red Hot Chili Peppers calls the band’s first new album in four years, Stadium Arcadium, the most-anticipated album of the spring, 'the best thing that we’ve ever done…. There’s this weird kind of sublime, subliminal undercurrent that is suggestive, in a spirited way, of our earliest records.' Exuding all the passion, energy and funked-up rock that have made the Red Hot Chili Peppers one of the most popular bands in history, the 2-CD Stadium Arcadium, simply put, will knock your ...
|
|
|
Robbers & Cowards
:Album Description:This LA band has toured nationally with Two Gallants, Tapes 'N Tapes, Sound Team, and done Lollapalooza dates. They're known for their electric live shows and major publications have already taken notice, with coverage in Spin and a 4-star review in Rolling Stone. 'A gorgeous piece of geek-rock soul...Bravo, kids!' - Rolling Stone. 'Imagine the rawness of The White Stripes on day one. Or what Spoon would sound like at a church camp making music with found objects' - LA Weekly. :You've heard at ...
|
|
|
Star Wars: The Clone Wars
from: SONY CLASSICS
:Album Description:The Soundtrack to the all-new animated Star Wars feature film. Composer Kevin Kiner has created a dynamic score for CLONE WARS which builds upon the classic themes created by John Williams. Contains an exclusive fold-out poster!
|
|
|
Star Wars Episode III: Revenge of the Sith - Original Motion Picture Soundtrack
from: Sony
: :John Williams' lovely and moving score for the sixth Star Wars film brings thirty years of collaborating on George Lucas’ beyond-popular intergalactic franchise to a close. (Is this really the end of Star Wars? Can’t Lucas and Williams work together on a prequel to these prequels? Let us hope so, and that Jar Jar Binks is nowhere near it.) As this music accompanies the most exciting Star Wars film in many a moon, the soundtrack itself is more fun, more evil, more nasty and bumpy. ...
|
|
|
Holst: The Planets
from: Decca
: :John Williams' lovely and moving score for the sixth Star Wars film brings thirty years of collaborating on George Lucas’ beyond-popular intergalactic franchise to a close. (Is this really the end of Star Wars? Can’t Lucas and Williams work together on a prequel to these prequels? Let us hope so, and that Jar Jar Binks is nowhere near it.) As this music accompanies the most exciting Star Wars film in many a moon, the soundtrack itself is more fun, more evil, more nasty and bumpy. ...
|
|
|
John Williams - Greatest Hits 1969 - 1999
: :For better or worse, John Williams has completely reshaped the art of the soundtrack. His scores for Star Wars, E.T., and Jaws are simply unforgettable, and his knack for tugging at our heartstrings is uncanny. John Williams: Greatest Hits 1969-1999 collects 30 years of the composer's best-loved themes into one double-CD package. You'll find all the soundtrack moments you'd expect from Indiana Jones, Close Encounters, and Schindler's List, along with a few surprises (The Reivers Americana-filled main theme and Williams's 1984 Olympic theme, for starters). ...
|
|
|
Star Wars: Episode IV - A New Hope
from: Sony
: :For better or worse, John Williams has completely reshaped the art of the soundtrack. His scores for Star Wars, E.T., and Jaws are simply unforgettable, and his knack for tugging at our heartstrings is uncanny. John Williams: Greatest Hits 1969-1999 collects 30 years of the composer's best-loved themes into one double-CD package. You'll find all the soundtrack moments you'd expect from Indiana Jones, Close Encounters, and Schindler's List, along with a few surprises (The Reivers Americana-filled main theme and Williams's 1984 Olympic theme, for starters). ...
|
|
|
Star Wars Episode I: The Phantom Menace - Original Motion Picture Soundtrack
from: Sony
: :The Star Wars cycle, George Lucas's stellar pop parable cum merchandising blitzkrieg, has long since made history as an unparalleled cinematic-cultural-marketing phenomena; somewhere Billy Jack should be in one envious, ass-kickin' mood. Phantom Menace, easily the most eagerly anticipated film of the '90s, returns to the saga's roots and allows Lucas to flesh out the history of some of the fable's core characters and conjure up a dazzling new cast of cohorts, antagonists, and alien realms for them to interact with and in. Thus, all ...
|
|
|
The Music of John Williams: 40 Years of Film Music
from: Silva America
: :The Star Wars cycle, George Lucas's stellar pop parable cum merchandising blitzkrieg, has long since made history as an unparalleled cinematic-cultural-marketing phenomena; somewhere Billy Jack should be in one envious, ass-kickin' mood. Phantom Menace, easily the most eagerly anticipated film of the '90s, returns to the saga's roots and allows Lucas to flesh out the history of some of the fable's core characters and conjure up a dazzling new cast of cohorts, antagonists, and alien realms for them to interact with and in. Thus, all ...
|
|
|
Star Wars Episode II: Attack of the Clones - Original Motion Picture Soundtrack
: :There's never been anything quite like the symphonic film music series that John Williams has forged for George Lucas's sprawling Star Wars saga. By the time the sixth chapter rolls around, Williams will have created a body of work that spans fully 30 years of his career, a virtual Ring Cycle of sci-fi/fantasy soundtrack music. While Attack of the Clones again achieves the high standards of its predecessors, it also succeeds by both forging some rewarding new musical themes at the same time it begins ...
|
|