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Gottschalk: A Night in the Tropics


from: Naxos American




Chopin: The Piano Works


from: Decca




Louis Moreau Gottschalk: Piano Music


from: Naxos American




Liszt: Piano Works


from: Decca




Chopin: Complete Edition


by: Krystian Zimerman, Claudio Arrau, Stefan Askenase, Anatol Ugorski, Maurizio Pollini, Jean-Marc Luisada, Lilya Zilberstein


: :On the 150th anniversary of his death, Deutsche Grammophon released this impressive box set featuring the complete works of Frédéric Chopin. Spread out over 17 CDs, it contains some truly big-name artists--Argerich, Pollini, Barenboim, and Ashkenazy--and a few you've probably never heard of. The majority of the set's nine volumes contain some music newly produced for this undertaking, and a few items (Chopin's songs, for instance) were recorded specifically for this collection. A well-illustrated book is included--it contains an essay, dateline, and illustrations--and each volume ...

Bolet Rediscovered: Liszt Recital


from: RCA


: :It shouldn't take more than a few seconds into the first track, the Liebesträum No. 3, for this disc to hook you. It exhibits masterly playing of the sort we rarely hear these days or even from Bolet's later recordings for Decca/London, when his playing was stolid and inhibited. But this Liebesträum is awash in poetic lyricism of the first order, with marvelous legato playing. Bolet links every note seamlessly to the next, like a string of beads, an effect reinforced by a pearly, limpid ...

Les introuvables de Cziffra


from: Angel Records


: :It shouldn't take more than a few seconds into the first track, the Liebesträum No. 3, for this disc to hook you. It exhibits masterly playing of the sort we rarely hear these days or even from Bolet's later recordings for Decca/London, when his playing was stolid and inhibited. But this Liebesträum is awash in poetic lyricism of the first order, with marvelous legato playing. Bolet links every note seamlessly to the next, like a string of beads, an effect reinforced by a pearly, limpid ...

Gottschalk 40 Works for Piano


from: Vox (Classical)


: :It shouldn't take more than a few seconds into the first track, the Liebesträum No. 3, for this disc to hook you. It exhibits masterly playing of the sort we rarely hear these days or even from Bolet's later recordings for Decca/London, when his playing was stolid and inhibited. But this Liebesträum is awash in poetic lyricism of the first order, with marvelous legato playing. Bolet links every note seamlessly to the next, like a string of beads, an effect reinforced by a pearly, limpid ...

Gottschalk: American Piano Music


from: Smithsonian Folkways


:Album Description:Born in New Orleans, Gottschalk (1829-1869) composed piano works that drew on elements of Creole, African American, French, Caribbean, and Southern U.S. culture. He was the first American to earn international acclaim as a pianist-composer. Performed by renowned pianist Amiram Rigai, the selections encompass a variety of styles and reveal the breathtaking scope of Gottschalk's work. This remastered 70-minute recording is indispensable for those interested in American classical music. 'Exotic, innovative compositions are performed with panache by a world-renowned pianist.' -Billboard

Great American Piano I, Volume VII


from: Angel Records


:Album Description:Born in New Orleans, Gottschalk (1829-1869) composed piano works that drew on elements of Creole, African American, French, Caribbean, and Southern U.S. culture. He was the first American to earn international acclaim as a pianist-composer. Performed by renowned pianist Amiram Rigai, the selections encompass a variety of styles and reveal the breathtaking scope of Gottschalk's work. This remastered 70-minute recording is indispensable for those interested in American classical music. 'Exotic, innovative compositions are performed with panache by a world-renowned pianist.' -Billboard



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We've covered in too much detail how it's some sort of "open season" on Vonage when it comes to VoIP patents. After dealing with ridiculous and expensive patent lawsuits from companies who failed to actually innovate in the same way Vonage did, the company was pressured by Wall Street to quickly settle the various patent lawsuits filed against the company. Of course, rather than settle matters, that simply opened the door for other companies to go searching through their patent portfolios to see if there was anything they could sue Vonage over. Indeed, following those settlements it didn't take long for AT&T to dig up a patent and sue -- which was quickly settled as well. Thought things were over? No such luck. Nortel just showed up last month to sue and it took all of about a week and a half for Vonage to settle that case as well.

The Nortel case is slightly different because Vonage actually already had a patent infringement lawsuit going against Nortel, but it wasn't really initiated by Vonage. Instead, it had been initiated by a patent holding firm that Vonage bought in 2006. The end result of the settlement doesn't involve money changing hands, but just a cross licensing agreement for the patents. So what's the big lesson that Vonage and others have learned from this? It's certainly got nothing to do with innovating. It's to hoard as many patents as possible so that you have your own nuclear stockpile for when someone else sues you. Want to know why the USPTO is overwhelmed? It's not because there aren't enough examiners (as some will claim) or that there aren't enough funds. It's because the way the system now works is that you are supposed to file patents on every tiny little advancement so you can use it to protect yourself against lawsuits from everyone else. That's not about innovation. It's about waste. In the meantime, since it's still open season at Vonage, who's going to be next? There are a ton of other patents in the VoIP space that can surely be used in a lawsuit, right?

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Small and light enough for a shirt pocket, Samsung's Helix YX-M1 is a one-stop audio entertainment center with an XM radio, a digital music player, and room for 50 hours of tunes, but it comes up short on battery life.

This raw work-flow application isn't the Holy Grail many hoped it would be, but Apple Aperture 1.5 could make life easier for photographers who need to cull, retouch, and output large numbers of photographs quickly and efficiently.






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