|
|
|
Mozart: The Piano Concertos
from: Philips
|
|
|
Mozart: The Piano Sonatas
from: Philips
|
|
|
Osvaldo Golijov: Ayre
: : This is a fascinating CD, containing two song cycles--one brand new, by Osvaldo Golijov, and one dating from 1964, by Luciano Berio. Berios's is a setting of folk songs from several countries, including France, Italy, America, and Sardinia. Golijov's songs are in Spanish, but they cross Christian, Jewish, and Arab cultures. The Berio arrangements contain nicely odd harmonic cadences in the accompaniments. Dawn Upshaw sings them simply and directly, albeit in what might be called a traditional operatic, if low-keyed, ...
|
|
|
Schoenberg: Piano Concerto
: : This is a fascinating CD, containing two song cycles--one brand new, by Osvaldo Golijov, and one dating from 1964, by Luciano Berio. Berios's is a setting of folk songs from several countries, including France, Italy, America, and Sardinia. Golijov's songs are in Spanish, but they cross Christian, Jewish, and Arab cultures. The Berio arrangements contain nicely odd harmonic cadences in the accompaniments. Dawn Upshaw sings them simply and directly, albeit in what might be called a traditional operatic, if low-keyed, ...
|
|
|
'Beethoven: Piano Sonatas Opp. 109, 110 & 111'
from: Philips
: :Beethoven's last three piano sonatas have long been regarded as the Mt. Everest of the form, heights that can be scaled only by pianists who possess the keyboard technique to realize the depth of the composer's vision. By those standards, if Uchida isn't the equal of such giants as Arrau, Kempff, and Schnabel, she certainly comes close enough to make this an outstanding release. Her pianissimos are feathery-light; her fortes are as powerful as one might wish, and her trills are ...
|
|
|
Mitsuko Uchida Plays Schubert
from: Philips
: :Beethoven's last three piano sonatas have long been regarded as the Mt. Everest of the form, heights that can be scaled only by pianists who possess the keyboard technique to realize the depth of the composer's vision. By those standards, if Uchida isn't the equal of such giants as Arrau, Kempff, and Schnabel, she certainly comes close enough to make this an outstanding release. Her pianissimos are feathery-light; her fortes are as powerful as one might wish, and her trills are ...
|
|
|
Mozart: Piano Concertos Nos. 20 & 21
from: Philips
: essential recording:Mozart's greatest piano concertos bring together so many elements identified with his style that they offer an ideal introduction to their composer's uniqueness. This is especially the case with the well-loved pair Nos. 20 and 21, which were produced in one fertile outburst in 1785. Here you will find both the dramatic flair and the comic high spirits of Mozart's tragic and comic operas, the last symphonies' breadth and polyphonic ingenuity (especially in the lengthy first movement of No. ...
|
|
|
Dawn Upshaw Sings Rodgers & Hart
: :Most famous for her operatic roles and classical recital performances, soprano Dawn Upshaw will surprise her fans and impress popular song aficionados with these superlative renditions of classic songs by Rodgers and Hart. Unlike many of her operatic peers who have no clue how to pull off a true pop style, Upshaw does it expertly, elegantly, and naturally, with class to spare. --David Vernier
|
|
|
Beethoven: The 5 Piano Concertos
from: Philips
: :Most famous for her operatic roles and classical recital performances, soprano Dawn Upshaw will surprise her fans and impress popular song aficionados with these superlative renditions of classic songs by Rodgers and Hart. Unlike many of her operatic peers who have no clue how to pull off a true pop style, Upshaw does it expertly, elegantly, and naturally, with class to spare. --David Vernier
|
|
|
Knoxville Summer of 1915
from: Nonesuch
: essential recording:Barber's Knoxville, Summer of 1915 is a setting of a lovely chunk of prose text by James Agee describing an evening from his childhood. An accomplished singer himself, Barber's vocal writing is expert, and this work must rank as one of the finest examples of the art of word-setting in any language. Barber perfectly captures the conversational quality of the text, while at the same time clothing the words in an atmosphere of gentle nostalgia. It's a masterpiece that ...
|
|
