Editorial Review:Amazon.com essential video:Groundbreaking on several counts, not the least of which was an innovative use of animation and stereophonic sound, this ambitious Disney feature has lost nothing to time since its release in 1940. Classical music was interpreted by Disney animators, resulting in surreal fantasy and playful escapism. Leopold Stokowski and the Philadelphia Orchestra provided the music for eight segments by the composers Tchaikovsky, Moussorgsky, Stravinsky, Beethoven, Ponchielli, Bach, Dukas, and Schubert. Not all the sequences were created equally, but a few are simply glorious, such as 'Night on Bald Mountain,' 'The Sorcerer's Apprentice,' and 'The Nutcracker Suite.' The animation ranges from subtly delicate to fiercely bold. The screen bursts with color and action as creatures transmute and convention is thrust aside. The painstaking detail and saturated hues are unique to this film, unmatched even by more advanced technology.
--Rochelle O'Gorman
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Customer Reviews
Average Rating:
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Disney's Greatest Film
I have to admit, I'm an avid listener of classical music. So it's a small wonder why Disney's Fantasia is one of my favorite films. Every music sequence is pure gold (except maybe the Pastoral sequence).
Toccata and Fugue in D Minor by Johann Sebastian Bach = My second favorite sequence, it is a mixture of abstract colors & images, live action orchestral playing, and Stokowski's acclaimed orchestration of Bach's organ music.
Nutcracker Suite by Peter Illich Tchaikovsky = Although I'm not a fan of Tchaikovsky's ballet music, this one is very good and entertaining. The dancing of the fairies and flowers and mushrooms make for a heck of a good time for the whole family.
The Sorcerer's Apprentice by Paul Dukas = This is probably the most exciting rendition of Dukas's masterpiece I've ever heard (even though a few minutes of music has been cut out of it). Mickey the apprentice dreams of being a powerful sorcerer, so he dons the hat of his master, and lets loose his magic. But, of course, no one controls literally everything that is created . . .
Le Sacre du Printemps (The Rite of Spring) by Igor Stravinsky = This is my 3rd favorite out of all of them for two reasons. One is that Stravinsky is one of my all-time favorite composers, and two, The Rite of Spring is one of my all-time favorite pieces. Too bad that a mere ten minutes has been cut in order to save time. Dinosaurs, volcanoes, and earthquakes do seem to fit Stravinsky's music a bit, that I can tell you.
Symphony No. 6 "Pastoral" by Ludwig van Beethoven = This is probably the weakest of all the sequences. It's too cartoony, too bombastic, too cheery, and to many minutes of music have been cut out sadly. The storm scene is a nice touch, though.
Dance of the Hours by Amilcare Ponchielli = Gorgeous and downright hilarious. If you don't think hippo and ostrich ballet dancers is funny, then something is wrong with you.
A Night on Bald Mountain by Modest Mussorgsky/Ave Maria by Franz Schubert = Ah yes. My No. 1 favorite out of all of them. This didn't scare me as a kid for some reason. Chernobog is as creepy as The Horned King from "The Black Cauldron", and the demonic and ghostly dancing was (and still is) way ahead of its time. The last five minutes is beautiful and ethereal = they don't make them like they used to.
Grade: A
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Great DVD but Bad Price
This is a great dvd but the price is nothing I would pay again for a musical that old.
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beachhut
I never received the CD of FANTASIA and cannot make a review on this item, but would like to say that I would to hear from Beachhut if they plan to send it or cancel it???? Waiting this long to hear anything is unsatisfactory.
Rating: -
first exposure to classical music
I think I have loved this film since I can remember, from my parent's old video tape to my current DVD. I'm a little sad that it never became truly the evolving work Disney dreamed, but this is still a wondrous collection of music and artwork--all done without the aid of computers. I think this was also my first dive into fantasy, what with the fairies and centaurs and all. Therefore, this is certainly a favorite I cannot do without, whether I'm truly studying it or just slipping it in to play in the background.
Rating: -
One of My Favorite Films
Film buffs frequently create lists of their 10 favorite movies. My answer changes from day to day, but there are three films always on the list: Fantasia, Koyannisqatsi, and 2001: A Space Odyssey. A a cartoon, a new age documentary, and a science-fiction drama; three completely different films.
Walt Disney's Fantasia is a groundbreaking film creating a painted ballet to accompany several pieces of well-known music. The only dialogue is short introductions to each piece by renowned musicologist Deems Taylor. He briefly comments on the composer, if the music tells a specific story, and whether Disney's animation follows that story. Music can evoke strong emotions in the listener with or without a story. Fantasia frequently creates new stories for the music, but the power of the music to arouse the listener remains. The mouse king is gone from the Nutcracker Suite, but a circle of dancing mushrooms, and bouquet of waltzing flowers is no less charming and whimsical. The primitive dances of the Rite of Spring have been changed to the struggles of prehistoric life, but the music is still powerfully thrilling. The rage and fury of demons in Night on Bald Mountain end at dawn as the serene beauty of Ave Maria accompanies the glory of a sunrise. Image and music again stir the viewer's soul.
Koyannisqatsi is the newest and least known of these three films. It is a 1982 documentary with ads that said "Until now, you've never really seen the world you live in.". Director Godfrey Reggio combines stock footage (rocket launches, landscape vistas, building demolitions, munitions tests) with spectacular new footage by cinematographer Ron Fricke (cityscapes, commuter crowds, clouds and waves, traffic jams, assembly lines). He creates a mosaic of life in the modern industrial world and how it has become disconnected from the natural world and is now a `life out of balance', which is a translation of the title. Although the film has no characters, dialogue or narration, the dramatic editing and stirring score by Philip Glass create a great emotional, and even physical impact. I once talked my mother into seeing it with me. While she liked it very much and still comments on it, at the end of one particularly frenetic sequence she said, with a sigh of relief, "Thank goodness that's over".
2001 is an imaginative look at how man's evolution might have been affected by outside influences. Much of the film has no dialogue whatever. The rest has occasional patches of dialogue, with most having nothing to do with the plot. There is the TV interview, a father's phone call on his daughter's birthday, proud parents radio message on their distant son's birthday, a computer's seeming random questions while working up the crew psychology report, the rambling song of a computer having its memory erased. None of this has anything to do with the search for the source of the strange artifact first found by prehistoric apes, then later by explorers on the moon and how it may affect man's future. More important than dialogue are the amazing visuals and music. The spaceship ballets, technical hardware, and the ending star gate dance of lights, combined with magnificent music evoke the sense of wonder and awe that the vastness of space and the possibilities of the future should inspire.
A a cartoon, a new age documentary, and a science-fiction drama; three completely different films thematically that each show the power of image and music to reach the viewer emotionally.
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