Bestsellers > Electronics > Equalizers

Koss EQ30 Pocket Size Stereophone Equalizer


from: Koss


: :Koss offers this three-band stereophone equalizer for expanded frequency response and acoustical contouring. The featured level controls for bass, midrange and treble provide added sound definition. Unity gain amplifier limits power output to conserve battery power from the source. The equalizer is pocket sized for easy travel and portability and operates on 2 AAA batteries (not included) for 15-20 hours of usage.

Equalizer E250SI Server Load Balancing Appliance


from: COYOTE POINT


: :Coyote Point's E250si is the ideal way to expand your network. And it couldn't be easier. You'll be stable and secure from day one, all day, every day. And user needs will always come first. Because the E250si finds and resolves failures before they happen. Its sophisticated algorithms are that intelligent. In fact, it's the load balancer that network dreams are made of.There was a time when the only way to add more capacity was to add more servers. But ...

Volfenhag Zx-7514p 7 Band Graphic Equalizer


from: VOLFENHAG


: :

Parametric Equalizer


from: SOUNDSTREAM


: :

Soundstorm SSL-EQ9S 4-BAND PARAMETRIC EQUALIZER


from: Soundstorm


: :* MASTER VOLUME CONTROL * PLEXIGLASS TOP COVER * MAIN CD INPUT * AUXILLARY INPUT * FRONT REAR & SUBWOOFER OUTPUTS * FADER CONTROL * SELECTABLE SUB CROSSOVER FREQUENCY (43 HZ OR 60 HZ) * RCA INPUTS * DIM: 7W X 5.375D X 1H

Technical Pro RX-500S 1500W Integrated Amp w/ Built-in Equalizer (Silver)


from: Technical Pro


: :* MASTER VOLUME CONTROL * PLEXIGLASS TOP COVER * MAIN CD INPUT * AUXILLARY INPUT * FRONT REAR & SUBWOOFER OUTPUTS * FADER CONTROL * SELECTABLE SUB CROSSOVER FREQUENCY (43 HZ OR 60 HZ) * RCA INPUTS * DIM: 7W X 5.375D X 1H

GEMINI EQ-30 Graphic Equalizer


from: Gemini Industries, Inc.


: :* MASTER VOLUME CONTROL * PLEXIGLASS TOP COVER * MAIN CD INPUT * AUXILLARY INPUT * FRONT REAR & SUBWOOFER OUTPUTS * FADER CONTROL * SELECTABLE SUB CROSSOVER FREQUENCY (43 HZ OR 60 HZ) * RCA INPUTS * DIM: 7W X 5.375D X 1H

Single-Channel 31-Band Professional Equalizer


from: Nady


: :31 1/3-octave bands with 1/3 ISO spacing from 20Hz to 20kHzActive balanced (XLR and 1/4') and unbalanced RCA inputs/outputsVariable input level controlLow-cut filter at 20HzVariable low-cut, low-pass filters6 or 12dB gain selectable range19' W x 3 1/2' H x 8 5/8' D

AUDIO SOURCE EQ-10.1 10-Band Graphic Equalizer (AUDIO SOURCE EQ101)


from: Audio Source


: :31 1/3-octave bands with 1/3 ISO spacing from 20Hz to 20kHzActive balanced (XLR and 1/4') and unbalanced RCA inputs/outputsVariable input level controlLow-cut filter at 20HzVariable low-cut, low-pass filters6 or 12dB gain selectable range19' W x 3 1/2' H x 8 5/8' D

Cambridge SoundWorks MusicWorks Center Section


from: Cambridge SoundWorks


: :31 1/3-octave bands with 1/3 ISO spacing from 20Hz to 20kHzActive balanced (XLR and 1/4') and unbalanced RCA inputs/outputsVariable input level controlLow-cut filter at 20HzVariable low-cut, low-pass filters6 or 12dB gain selectable range19' W x 3 1/2' H x 8 5/8' D



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We've covered in too much detail how it's some sort of "open season" on Vonage when it comes to VoIP patents. After dealing with ridiculous and expensive patent lawsuits from companies who failed to actually innovate in the same way Vonage did, the company was pressured by Wall Street to quickly settle the various patent lawsuits filed against the company. Of course, rather than settle matters, that simply opened the door for other companies to go searching through their patent portfolios to see if there was anything they could sue Vonage over. Indeed, following those settlements it didn't take long for AT&T to dig up a patent and sue -- which was quickly settled as well. Thought things were over? No such luck. Nortel just showed up last month to sue and it took all of about a week and a half for Vonage to settle that case as well.

The Nortel case is slightly different because Vonage actually already had a patent infringement lawsuit going against Nortel, but it wasn't really initiated by Vonage. Instead, it had been initiated by a patent holding firm that Vonage bought in 2006. The end result of the settlement doesn't involve money changing hands, but just a cross licensing agreement for the patents. So what's the big lesson that Vonage and others have learned from this? It's certainly got nothing to do with innovating. It's to hoard as many patents as possible so that you have your own nuclear stockpile for when someone else sues you. Want to know why the USPTO is overwhelmed? It's not because there aren't enough examiners (as some will claim) or that there aren't enough funds. It's because the way the system now works is that you are supposed to file patents on every tiny little advancement so you can use it to protect yourself against lawsuits from everyone else. That's not about innovation. It's about waste. In the meantime, since it's still open season at Vonage, who's going to be next? There are a ton of other patents in the VoIP space that can surely be used in a lawsuit, right?

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Small and light enough for a shirt pocket, Samsung's Helix YX-M1 is a one-stop audio entertainment center with an XM radio, a digital music player, and room for 50 hours of tunes, but it comes up short on battery life.

This raw work-flow application isn't the Holy Grail many hoped it would be, but Apple Aperture 1.5 could make life easier for photographers who need to cull, retouch, and output large numbers of photographs quickly and efficiently.






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