|
|
|
The Most Relaxing Classical Album in the World...Ever!
: :You want relaxing classical music that'll soothe your soul but won't lull you into sleep? Here's a double CD for you. The Most Relaxing Classical Album in the World ... Ever! does its best to cover both well-worn classical favorites (Bach's 'Air on the G String,' Pachelbel's 'Cannon,' Debussy's 'Clair de Lune') and some eclectic left-field choices (an excerpt from Górecki's Symphony No. 3, Jocelyn Pook's 'Blow the Wind,' and Samuel Barber's Adagio for Strings. The performances of most of these excerpts are top-notch--artists include Sir ...
|
|
|
Elgar: Pomp & Circumstance Marches; Enigma Variations; Cockaigne Overture
from: EMI / Seraphim
: : Sir Adrian Boult's recording of the Enigma Variations with the London Symphony was made when both he and the orchestra were at their peak. It reflects an extraordinary blend of spontaneity and the grand manner, and shows great insight into the score. Smooth, flowing, and majestic yet animated, it is a finely molded account in which every variation counts toward the whole. Boult's approach is direct and eloquent rather than rhetorical, but very expressive. The sound is closely miked and remastered at a very high ...
|
|
|
Jacqueline du Pre - Favourite Cello Concertos ~ Boccherini, Dvorak, Elgar, Haydn, Monn, Saint-Saens, Schumann
: essential recording:During her far-too-brief career, cellist Jacqueline du Pré exhibited an almost oracular power of communication. Her performances bristled with the kind of brilliant electricity that could change lives and convert listeners to a lifelong love of music. Happily, it's possible to experience a sense of that power from the recordings du Pré completed before multiple sclerosis halted her career as a performer in the early 1970s. This set provides a splendid portrait--at bargain price--of du Pré's unmistakable personality: the astonishingly original yet convincing phrasing, ...
|
|
|
The Most Relaxing Classical Album In the World Ever, Volume II
: essential recording:During her far-too-brief career, cellist Jacqueline du Pré exhibited an almost oracular power of communication. Her performances bristled with the kind of brilliant electricity that could change lives and convert listeners to a lifelong love of music. Happily, it's possible to experience a sense of that power from the recordings du Pré completed before multiple sclerosis halted her career as a performer in the early 1970s. This set provides a splendid portrait--at bargain price--of du Pré's unmistakable personality: the astonishingly original yet convincing phrasing, ...
|
|
|
Agnus Dei: Music of Inner Harmony: The Choir of New College Oxford
from: Erato
: :Beyond this recording's new age packaging and title is a splendid sampling of some of the world's finest choral music, sung by one of the world's outstanding choirs. This 'anthology of sacred choral music' spans 400 years and includes such masterpieces as Allegri's Miserere, Bach's 'Jesu, joy of man's desiring,' and Barber's exquisite Agnus Dei, which is the composer's choral setting of his famous Adagio for Strings. Along the way we also hear Mozart's sublime 'Ave verum corpus,' Elgar's 'Lux aeterna,' and the Kyrie from Palestrina's ...
|
|
|
Jacqueline du Pré - a lasting inspiration
: :Beyond this recording's new age packaging and title is a splendid sampling of some of the world's finest choral music, sung by one of the world's outstanding choirs. This 'anthology of sacred choral music' spans 400 years and includes such masterpieces as Allegri's Miserere, Bach's 'Jesu, joy of man's desiring,' and Barber's exquisite Agnus Dei, which is the composer's choral setting of his famous Adagio for Strings. Along the way we also hear Mozart's sublime 'Ave verum corpus,' Elgar's 'Lux aeterna,' and the Kyrie from Palestrina's ...
|
|
|
Vaughan Williams: Fantasia on a Theme by Thomas Tallis; Fantasia on
from: EMI Classics
: :Beyond this recording's new age packaging and title is a splendid sampling of some of the world's finest choral music, sung by one of the world's outstanding choirs. This 'anthology of sacred choral music' spans 400 years and includes such masterpieces as Allegri's Miserere, Bach's 'Jesu, joy of man's desiring,' and Barber's exquisite Agnus Dei, which is the composer's choral setting of his famous Adagio for Strings. Along the way we also hear Mozart's sublime 'Ave verum corpus,' Elgar's 'Lux aeterna,' and the Kyrie from Palestrina's ...
|
|
|
Stanley Kubrick's Clockwork Orange (1971 Film)
: :Stanley Kubrick's demanding perfectionism in all aspects of the filmmaking process has led to some of the most memorable soundtracks of the modern era. Kubrick's taste for the classics led to his scrapping Alex North's original score for 2001: A Space Odyssey in lieu of the 'temporary' tracks he had used for editing, turning Richard Strauss' Also Sprach Zarathustra into an unlikely 20th-century pop icon. For his 1971 adaptation of Anthony Burgess's cautionary future-shocker, Kubrick once again turned to the classics. Malcolm McDowell's protagonist Droog Alex's ...
|
|
|
The Opera Band
: :The debut of the young, classically trained international quintet of sopranos Jo Appleby and Tsakane Valentine, tenors David Habbin and Geoff Swell, and basso Nick Garret offers up a familiar take on the crossover formula that has enriched everyone from genre pioneers The Three Tenors to Russell Watson and beyond. While their occasionally electro-pumped rhythms and youth-angled marketing shtick ('The world's first opera band!') may borrow a page from Opera Babes and Bond, it still manages to evoke the spirit (if not the letter) of its ...
|
|
|
Elgar: Cello Concerto; 'Enigma' Variations
from: Sony
: :The debut of the young, classically trained international quintet of sopranos Jo Appleby and Tsakane Valentine, tenors David Habbin and Geoff Swell, and basso Nick Garret offers up a familiar take on the crossover formula that has enriched everyone from genre pioneers The Three Tenors to Russell Watson and beyond. While their occasionally electro-pumped rhythms and youth-angled marketing shtick ('The world's first opera band!') may borrow a page from Opera Babes and Bond, it still manages to evoke the spirit (if not the letter) of its ...
|
|