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Rossini - Il barbiere di Siviglia (The Barber of Seville) / Cambreling, Ewing, Rawnsley, Glyndebourne Festival Opera
: :All the ingredients for Rossini's prime comedy are present and expertly mixed in this 1987 Glyndebourne Festival Opera production: a Figaro (John Rawnsley) extroverted, ingenious, energetic, and vocally resplendent; a Rosina (Maria Ewing) fresh and sweet but steel-sinewed in her determination to have her own way; a Count Almaviva (Max-Rene Cosotti) who has not only the vocal lightness and agility his bel canto music requires, but a fine sense of humor and the ability to perform a good drunk scene. Ferruccio Furlanetto and Claudio Desderi are equally adept in their supporting ...
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Gilbert & Sullivan - Trial by Jury / Cox and Box (Opera World)
: :All the ingredients for Rossini's prime comedy are present and expertly mixed in this 1987 Glyndebourne Festival Opera production: a Figaro (John Rawnsley) extroverted, ingenious, energetic, and vocally resplendent; a Rosina (Maria Ewing) fresh and sweet but steel-sinewed in her determination to have her own way; a Count Almaviva (Max-Rene Cosotti) who has not only the vocal lightness and agility his bel canto music requires, but a fine sense of humor and the ability to perform a good drunk scene. Ferruccio Furlanetto and Claudio Desderi are equally adept in their supporting ...
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Gilbert & Sullivan - The Sorcerer / Revill, Kernan, Opera World
:Description:The villagers of Ploverleigh are celebrating the marriage of Alexis, son of Sir Marmaduke Pointdextre, to Aline, daughter of Lady Sangazure, who just happens to be Sir Marmaduke's old flame. Alexis is determined that all shall share the purity of his true love. He has arranged for Mr. Wells, 'a dealer in magic and spells,' to administer his best-selling love potion to everyone in the village, including the vicar Dr. Daly. The result is hilarious confusion. :One of Gilbert & Sullivan's first collaborations, The Sorcerer is also among their least known. ...
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Gilbert & Sullivan - The Yeomen of the Guard / Marks, Grey, Opera World
:Description:Surrounded by the battlements of the Tower of London, Phoebe Meryll sits brooding over the coming execution of Colonel Fairfax. Only Phoebe's father, whose life Fairfax has twice saved, has a plan for his disguise and escape. The plot thickens with the arrival of Jack Point, a professional jester, and his sweetheart Elsie. For legal reasons, Fairfax needs to marry before he dies, and, to raise much-needed cash, Elsie agrees to be his temporary bride. Eventually all is resolved, except for Jack, who finds his loss too much to bear. :The ...
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Gilbert & Sullivan -The Gondoliers / Michell, McDonnell, Egerton, Opera World
:Description:When there are only two heart-throb Gondoliers and 24 prospective brides, you'd think a problem would arise. But no. Giuseppe and Marco will 'Let impartial Fate / Select for us a mate!' Uh, oh. The G & S fates have a whole lot in store. Mysteries and mistaken identities abound (for example, one of the lads is believed to be the King of near-by Barataria, but which?). They rule the palace in tandem until all is happily resolved with typical Gilbertian ingenuity. :Tuneful and atmospheric, The Gondoliers comes closer to conventional ...
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Gilbert & Sullivan - Iolanthe / Hammond-Stroud, Mills, Collins, Opera World
:Description:Iolanthe used to be the life and soul of Fairyland but was banished 25 years ago for marrying a mortal. Now, pardoned by the Fairy Queen, she returns as a beautiful teenager but with a 24-year-old son, Strephon, who is half fairy, half mortal. He is in love with Phyllis, a ward of the rather susceptible Lord Chancellor. For a while, these complications wreak havoc with the proceedings of the House of Lords, giving Gilbert a chance to poke fun at that august institution. :Even by the unreal standards of Gilbert ...
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Gilbert & Sullivan - Princess Ida / Gorshin, Christie, Collins, Opera World
:Description:King Hildebrand and his son, Hilarion, are in their castle awaiting the arrival of King Gama and his daughter, Princess Ida. 20 years ago, Ida, at the tender age of one, was betrothed to Hilarion. When Gama arrives without her, he explains that she has renounced mankind and formed a women's university, from which men are strictly barred. While Gama is held hostage, Hilarion, with two friends, determines to storm the Princess' castle and woo her into submission. :One of the more obscure Gilbert & Sullivan operettas, Princess Ida is a ...
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Marriage of Figaro/Mozart
:Description:King Hildebrand and his son, Hilarion, are in their castle awaiting the arrival of King Gama and his daughter, Princess Ida. 20 years ago, Ida, at the tender age of one, was betrothed to Hilarion. When Gama arrives without her, he explains that she has renounced mankind and formed a women's university, from which men are strictly barred. While Gama is held hostage, Hilarion, with two friends, determines to storm the Princess' castle and woo her into submission. :One of the more obscure Gilbert & Sullivan operettas, Princess Ida is a ...
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Neville Marriner Conducts the Academy of St. Martin in the Fields at Longleat
:Description:King Hildebrand and his son, Hilarion, are in their castle awaiting the arrival of King Gama and his daughter, Princess Ida. 20 years ago, Ida, at the tender age of one, was betrothed to Hilarion. When Gama arrives without her, he explains that she has renounced mankind and formed a women's university, from which men are strictly barred. While Gama is held hostage, Hilarion, with two friends, determines to storm the Princess' castle and woo her into submission. :One of the more obscure Gilbert & Sullivan operettas, Princess Ida is a ...
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Britten - A Midsummer Night's Dream / Haitink, Cotrubas, Davies, Buchan, Glyndebourne Festival Opera
: :This production triumphantly fulfills a complex and difficult assignment. Gossamer fantasy may be the hardest style to put into operatic form, and Shakespeare's A Midsummer Night's Dream is particularly challenging. Some of the challenge lies in its various levels of action and characterization, each demanding a different kind of music: fairies and mortals, nobles and peasants, lovers and buffoons, not to mention its play-within-a-play, its intricate subplots, and its contrasts between earthy and unworldly creatures, mundane and magic environments. Britten took up that challenge with rich imagination and brilliant technique, and ...
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