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Prince of Cool


by: Chet Baker


: :For a man with little formal musical training, who rarely composed his own music and had a limited range as both singer and trumpeter, Chet Baker was certainly able to carve out a rather nifty little career in jazz. Indeed, these 'limitations' became assets in Baker's work, breeding a guilelessness, clarity, and immediacy that only enhanced his music's appeal. The three-disc Prince of Cool: The Pacific Jazz Years 1952-1957 replaces the more comprehensive four-disc box Capitol released in 1994, and, as the title hints, it appears aimed at more casual fans ...

The Jazz Collector Edition: Nat King Cole Trio Recordings


by: Nat King Cole Trio


: :For a man with little formal musical training, who rarely composed his own music and had a limited range as both singer and trumpeter, Chet Baker was certainly able to carve out a rather nifty little career in jazz. Indeed, these 'limitations' became assets in Baker's work, breeding a guilelessness, clarity, and immediacy that only enhanced his music's appeal. The three-disc Prince of Cool: The Pacific Jazz Years 1952-1957 replaces the more comprehensive four-disc box Capitol released in 1994, and, as the title hints, it appears aimed at more casual fans ...

Eartha Quake


by: Eartha Kitt


: :For a man with little formal musical training, who rarely composed his own music and had a limited range as both singer and trumpeter, Chet Baker was certainly able to carve out a rather nifty little career in jazz. Indeed, these 'limitations' became assets in Baker's work, breeding a guilelessness, clarity, and immediacy that only enhanced his music's appeal. The three-disc Prince of Cool: The Pacific Jazz Years 1952-1957 replaces the more comprehensive four-disc box Capitol released in 1994, and, as the title hints, it appears aimed at more casual fans ...

The Reprise Collection


by: Frank Sinatra


: :The pundits claim that Ol' Blue Eyes did his best work with Columbia in the '50s, but there's more great '60s and '70s stuff here than you can shake a stick at. After all, Sinatra wouldn't start his own label only to sing schlock. This four-CD set was released to celebrate The Chairman's 75th birthday and it traces the mellowing of that tremendous voice like the aging of a fine wine. It also adds eight unreleased tracks to a staggering song list highlighted by biggies like 'New York, New York,' 'My ...

Great Vocalists


by: Various Artists


:Album Description:UK budget-price box-set featuring one disc apiece for Frank Sinatra, Doris Day, Nat King Cole, Ella Fitzgerald, Dean Martin, Billie Holiday, Perry Como, Dinah Shore, Bing Crosby & Peggy Lee. Each disc comes in a slipcase and all are housed in a deluxe box. 2001.

The Ertegun's New York Cabaret Music


from: Atlantic


:Album Description:UK budget-price box-set featuring one disc apiece for Frank Sinatra, Doris Day, Nat King Cole, Ella Fitzgerald, Dean Martin, Billie Holiday, Perry Como, Dinah Shore, Bing Crosby & Peggy Lee. Each disc comes in a slipcase and all are housed in a deluxe box. 2001.

Mercury Blues 'n' Rhythm Story 1945-1955


by: Various Artists


: :Blues 'n' Rhythm Story devotes two discs to four regions--the Midwest, Southwest, West Coast, and East Coast. Featured artists range from the acclaimed (Professor Longhair, Lightnin' Hopkins, Jay McShann, 'Cleanhead' Vinson, Dinah Washington) to the wayward. Nevertheless, the overall quality is remarkably high. The 88-page booklet helps put the music in perspective. This isn't a modest investment for a collector, but it's certainly among the elite of the R&B collections yet assembled. --Steven Stolder

36 All-Time Greatest Hits


by: Dinah Shore


: :Blues 'n' Rhythm Story devotes two discs to four regions--the Midwest, Southwest, West Coast, and East Coast. Featured artists range from the acclaimed (Professor Longhair, Lightnin' Hopkins, Jay McShann, 'Cleanhead' Vinson, Dinah Washington) to the wayward. Nevertheless, the overall quality is remarkably high. The 88-page booklet helps put the music in perspective. This isn't a modest investment for a collector, but it's certainly among the elite of the R&B collections yet assembled. --Steven Stolder

Harry Belafonte - Greatest Hits


by: Harry Belafonte


: :Blues 'n' Rhythm Story devotes two discs to four regions--the Midwest, Southwest, West Coast, and East Coast. Featured artists range from the acclaimed (Professor Longhair, Lightnin' Hopkins, Jay McShann, 'Cleanhead' Vinson, Dinah Washington) to the wayward. Nevertheless, the overall quality is remarkably high. The 88-page booklet helps put the music in perspective. This isn't a modest investment for a collector, but it's certainly among the elite of the R&B collections yet assembled. --Steven Stolder

The Vintage Years


by: Bing Crosby


: :Blues 'n' Rhythm Story devotes two discs to four regions--the Midwest, Southwest, West Coast, and East Coast. Featured artists range from the acclaimed (Professor Longhair, Lightnin' Hopkins, Jay McShann, 'Cleanhead' Vinson, Dinah Washington) to the wayward. Nevertheless, the overall quality is remarkably high. The 88-page booklet helps put the music in perspective. This isn't a modest investment for a collector, but it's certainly among the elite of the R&B collections yet assembled. --Steven Stolder



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We've covered in too much detail how it's some sort of "open season" on Vonage when it comes to VoIP patents. After dealing with ridiculous and expensive patent lawsuits from companies who failed to actually innovate in the same way Vonage did, the company was pressured by Wall Street to quickly settle the various patent lawsuits filed against the company. Of course, rather than settle matters, that simply opened the door for other companies to go searching through their patent portfolios to see if there was anything they could sue Vonage over. Indeed, following those settlements it didn't take long for AT&T to dig up a patent and sue -- which was quickly settled as well. Thought things were over? No such luck. Nortel just showed up last month to sue and it took all of about a week and a half for Vonage to settle that case as well.

The Nortel case is slightly different because Vonage actually already had a patent infringement lawsuit going against Nortel, but it wasn't really initiated by Vonage. Instead, it had been initiated by a patent holding firm that Vonage bought in 2006. The end result of the settlement doesn't involve money changing hands, but just a cross licensing agreement for the patents. So what's the big lesson that Vonage and others have learned from this? It's certainly got nothing to do with innovating. It's to hoard as many patents as possible so that you have your own nuclear stockpile for when someone else sues you. Want to know why the USPTO is overwhelmed? It's not because there aren't enough examiners (as some will claim) or that there aren't enough funds. It's because the way the system now works is that you are supposed to file patents on every tiny little advancement so you can use it to protect yourself against lawsuits from everyone else. That's not about innovation. It's about waste. In the meantime, since it's still open season at Vonage, who's going to be next? There are a ton of other patents in the VoIP space that can surely be used in a lawsuit, right?

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Small and light enough for a shirt pocket, Samsung's Helix YX-M1 is a one-stop audio entertainment center with an XM radio, a digital music player, and room for 50 hours of tunes, but it comes up short on battery life.

This raw work-flow application isn't the Holy Grail many hoped it would be, but Apple Aperture 1.5 could make life easier for photographers who need to cull, retouch, and output large numbers of photographs quickly and efficiently.






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