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Rachmaninov: The Piano Concertos


from: Decca




Vivaldi Concertos


from: Archiv / Deutsche Grammophon




The Best of the Vienna Boys' Choir (Box Set)


from: Delta




Mendelssohn, Brahms, Dvorak: Piano Trios


from: Vox (Classical)


: :The K-L-R Trio's brief tenure with Vox produced these recordings of Romantic chamber-music masterpieces. This is an exceptionally virtuosic ensemble, made up of three soloists who have devoted part of every year to performing together for a couple of decades. As a result, their performances are extremely powerful yet very well integrated, certainly a desirable combination in repertoire like this. They even do a very idiomatic job of playing Dvorák, while their Brahms and Mendelssohn are really superb. Not only are these performances far above the normal standard for budget recordings, but they ...

Strauss: Orchestral Works


from: EMI Classics


: essential recording:When it comes to the music of Richard Strauss, none of the world's great orchestras has a more distinguished tradition than the Staatskapelle Dresden. As pit orchestra of the Dresden Court Opera, the Staatskapelle was involved in the premieres, between 1901 and 1911, of Feuersnot, Salome, Elektra, and Der Rosenkavalier; later, with Karl Böhm conducting, its players participated in the premiere of Daphne. Most of Strauss's major tone poems have been in the Dresden orchestra's concert repertory since completion. Back in the 1970s, EMI was able to capitalize on this association ...

Sibelius: The Symphonies


by: Jean Sibelius, Lorin Maazel, Vienna Philharmonic Orchestra


: essential recording:When it comes to the music of Richard Strauss, none of the world's great orchestras has a more distinguished tradition than the Staatskapelle Dresden. As pit orchestra of the Dresden Court Opera, the Staatskapelle was involved in the premieres, between 1901 and 1911, of Feuersnot, Salome, Elektra, and Der Rosenkavalier; later, with Karl Böhm conducting, its players participated in the premiere of Daphne. Most of Strauss's major tone poems have been in the Dresden orchestra's concert repertory since completion. Back in the 1970s, EMI was able to capitalize on this association ...

Michael Rabin, 1936-1972


from: EMI Classics


: essential recording:When it comes to the music of Richard Strauss, none of the world's great orchestras has a more distinguished tradition than the Staatskapelle Dresden. As pit orchestra of the Dresden Court Opera, the Staatskapelle was involved in the premieres, between 1901 and 1911, of Feuersnot, Salome, Elektra, and Der Rosenkavalier; later, with Karl Böhm conducting, its players participated in the premiere of Daphne. Most of Strauss's major tone poems have been in the Dresden orchestra's concert repertory since completion. Back in the 1970s, EMI was able to capitalize on this association ...

Furtwangler Conducts Beethoven - Beethoven: symphonies no 3,4,5, & 9, Leonore


from: Music & Arts Program


: essential recording:These may be the most gripping performances of Beethoven's symphonies you'll ever hear. No, not necessarily the most enjoyable or even the most accurate, but gripping--to say the least. In these wartime performances of Symphonies Nos. 3, 4, 5, 6, 7, and 9, Wilhelm Furtwängler is at his most expressive, angry self. Conducting six of the world's greatest symphonies for audiences in Nazi Germany, Furtwängler has an inner turmoil that seems to shoot straight through his baton. He drives the Vienna and Berlin Philharmonics to the edge of disaster, but miraculously they ...

Beethoven: The Complete Piano Sonatas & Concertos


by: Claudio Arrau, Janos Starker, Ludwig van Beethoven, Bernard Haitink, Eliahu Inbal, Concertgebouw Orchestra Amsterdam, New Philharmonia Orchestra, Henryk Szeryng


: :Claudio Arrau played with seriousness of purpose that could make other pianists seem like dilettantes and with respect for the composer's score that bordered on veneration. He had nothing but scorn for pianists who played the opening of Beethoven's Opus 111 with two hands instead of one because there were fewer risks. If something was technically difficult, Arrau assumed that the composer had written it that way because the difficulties had an expressive value that it was the interpreter's duty to find. Arrau's devotion to Beethoven is memorialized by this budget-priced, 14-CD collection ...

Beethoven: The Complete Symphonies


from: Telarc


: :Claudio Arrau played with seriousness of purpose that could make other pianists seem like dilettantes and with respect for the composer's score that bordered on veneration. He had nothing but scorn for pianists who played the opening of Beethoven's Opus 111 with two hands instead of one because there were fewer risks. If something was technically difficult, Arrau assumed that the composer had written it that way because the difficulties had an expressive value that it was the interpreter's duty to find. Arrau's devotion to Beethoven is memorialized by this budget-priced, 14-CD collection ...



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