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Tristan Und Isolde
from: Deutsche Grammophon
: :Recorded in performance, but one act at a time so that the principals could sing full-out, this is one of the most electrifying opera recordings of the stereo era. Birgit Nilsson blazes as Isolde, and Wolfgang Windgassen's Act-III evocation of the delusional Tristan is heart-wrenching. Karl B'hm inspires transcendent playing from the Bayreuth forces, and the sound is stunning. --Ted Libbey
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Vaughan Williams, The Complete Symphonies
from: EMI Classics
: :Adrian Boult's credentials in this repertoire are unassailable, and to have nearly all his stereo Vaughan Williams recordings for EMI so elegantly packaged and enticingly priced will be incentive enough for many a prospective purchaser. There's much to treasure here, not least those gently perceptive accounts of the first three symphonies, as well as the Fifth and the Ninth. All the same, the fires burned more brightly on Boult's earlier mono cycle for Decca, and there's some oddly listless orchestral playing to contend with in both the Sinfonia Antarctica and the Eighth, especially. ...
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Mahler - The Symphonies / Chicago Symphony Orchestra, Sir Georg Solti
: :György Solti has come in for his share of hard knocks as a Mahler interpreter, and no one will pretend that he has the same sort of intuitive empathy for this music that Leonard Bernstein has. But he does have the Chicago Symphony Orchestra--no mean advantage--and many of these performances have come up sounding rather well. London also has been smart to include his first (and better) performance of the Fifth, and he generally does quite well by Symphonies Nos. 2, 6, 7, 8, and 9 as well. There may be better performances ...
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Tchaikovsky: The 3 Ballets
from: Decca
: :György Solti has come in for his share of hard knocks as a Mahler interpreter, and no one will pretend that he has the same sort of intuitive empathy for this music that Leonard Bernstein has. But he does have the Chicago Symphony Orchestra--no mean advantage--and many of these performances have come up sounding rather well. London also has been smart to include his first (and better) performance of the Fifth, and he generally does quite well by Symphonies Nos. 2, 6, 7, 8, and 9 as well. There may be better performances ...
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Accardo Plays Paganini: Complete Recordings
from: Deutsche Grammophon
: :György Solti has come in for his share of hard knocks as a Mahler interpreter, and no one will pretend that he has the same sort of intuitive empathy for this music that Leonard Bernstein has. But he does have the Chicago Symphony Orchestra--no mean advantage--and many of these performances have come up sounding rather well. London also has been smart to include his first (and better) performance of the Fifth, and he generally does quite well by Symphonies Nos. 2, 6, 7, 8, and 9 as well. There may be better performances ...
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Mozart: The Complete Piano Concertos
from: EMI Classics
: :György Solti has come in for his share of hard knocks as a Mahler interpreter, and no one will pretend that he has the same sort of intuitive empathy for this music that Leonard Bernstein has. But he does have the Chicago Symphony Orchestra--no mean advantage--and many of these performances have come up sounding rather well. London also has been smart to include his first (and better) performance of the Fifth, and he generally does quite well by Symphonies Nos. 2, 6, 7, 8, and 9 as well. There may be better performances ...
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Puccini: La Bohème
from: EMI Classics
: :György Solti has come in for his share of hard knocks as a Mahler interpreter, and no one will pretend that he has the same sort of intuitive empathy for this music that Leonard Bernstein has. But he does have the Chicago Symphony Orchestra--no mean advantage--and many of these performances have come up sounding rather well. London also has been smart to include his first (and better) performance of the Fifth, and he generally does quite well by Symphonies Nos. 2, 6, 7, 8, and 9 as well. There may be better performances ...
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Star Wars Trilogy: The Original Soundtrack Anthology
: :There is no soundtrack composer working today more talented or consistent than John Williams, and the Star Wars trilogy represents some of his finest work. Though he uses few major themes (mostly tied to specific characters, signaling when they appear on the screen or do something important), there's also enough variety in the incidental music to keep things interesting. From the instantly recognizable opening music to the medley that accompanies the closing credits, this is excellent work that perfectly captures the innocence and sense of adventure of the film. At the same time, ...
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Palestrina: Masses (Box Set)
: :There is no soundtrack composer working today more talented or consistent than John Williams, and the Star Wars trilogy represents some of his finest work. Though he uses few major themes (mostly tied to specific characters, signaling when they appear on the screen or do something important), there's also enough variety in the incidental music to keep things interesting. From the instantly recognizable opening music to the medley that accompanies the closing credits, this is excellent work that perfectly captures the innocence and sense of adventure of the film. At the same time, ...
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Liszt: Piano Works
from: Decca
: :There is no soundtrack composer working today more talented or consistent than John Williams, and the Star Wars trilogy represents some of his finest work. Though he uses few major themes (mostly tied to specific characters, signaling when they appear on the screen or do something important), there's also enough variety in the incidental music to keep things interesting. From the instantly recognizable opening music to the medley that accompanies the closing credits, this is excellent work that perfectly captures the innocence and sense of adventure of the film. At the same time, ...
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