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Bach: Matthäus-Passion
from: Teldec
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Sibelius: Symphonies Nos. 1-7
from: EMI Classics
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Mattia Battistini: Il re dei baritoni
from: Preiser Records
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Haydn: Symphonies Nos. 93-104, The London Symphonies
from: Nimbus Records
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Relaxing With the Classics
from: Intersound Records
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The Universe of Bach (Box Set)
from: Delta
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Rubinstein Collection, Vol. 73
from: RCA
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20/21 - Berio: Sequenzas / Ensemble InterContemporain
from: Deutsche Grammophon
: :Luciano Berio has always looked at his Sequenzas as building blocks among his other compositions. These solo works, sometimes written for specific performers, exist as elements of other, larger works or as platforms upon which he's built extensive structures. This three-CD set is the first to collect all Berio's Sequenzas, and the performances are peerless. Berio's writing is, of course, unconventional, feeding off serialism and making complexity sound friendly. Sophie Cherrer's leaping flute on Sequenza I (1958) finds dozens of ways not to shriek, as does Gabrielle Cassone's Sequenza X for trumpet. There ...
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Handel: Orchestral Works
from: Archiv Prod Import
: :Luciano Berio has always looked at his Sequenzas as building blocks among his other compositions. These solo works, sometimes written for specific performers, exist as elements of other, larger works or as platforms upon which he's built extensive structures. This three-CD set is the first to collect all Berio's Sequenzas, and the performances are peerless. Berio's writing is, of course, unconventional, feeding off serialism and making complexity sound friendly. Sophie Cherrer's leaping flute on Sequenza I (1958) finds dozens of ways not to shriek, as does Gabrielle Cassone's Sequenza X for trumpet. There ...
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25 Guitar Favorites
from: Vox (Classical)
: :Luciano Berio has always looked at his Sequenzas as building blocks among his other compositions. These solo works, sometimes written for specific performers, exist as elements of other, larger works or as platforms upon which he's built extensive structures. This three-CD set is the first to collect all Berio's Sequenzas, and the performances are peerless. Berio's writing is, of course, unconventional, feeding off serialism and making complexity sound friendly. Sophie Cherrer's leaping flute on Sequenza I (1958) finds dozens of ways not to shriek, as does Gabrielle Cassone's Sequenza X for trumpet. There ...
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