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Masters of Classical Music (Box Set)


from: Delta




The Ultimate Aria Collection ~ A Passion for Opera


by: Georges Bizet, Giuseppe Verdi, Giacomo Puccini, Gaetano Donizetti, Ruggero Leoncavallo, Gioachino Rossini, Gustave Charpentier, Leo Delibes, Vincenzo Bellini, Christoph Willibald Gluck, Pietro Mascagni, Wolfgang Amadeus Mozart, Francesco Cilea, Edouard Lalo, Camille Saint-Saens, Arrigo Boito, George Frideric Handel, Alfredo Catalani, Amilcare Ponchielli, Charles Gounod, Jules Massenet, Ambroise Thomas, Fritz Wunderlich, Rome Opera Theater Orchestra & Chorus, Maria Callas, Elisabeth Schwarzkopf, Orchestra e Coro del Teatro alla Scala, Wiener Philharmoniker, Orchestre de Paris, Carlo Maria Giulini, Tullio Serafin, Sir Charles Mackerras, Francesco Molinari-Pradelli, Riccardo Muti, Leone Magiera


: :Put together in evident haste, this collection is nevertheless a surefire, appetite-whetting starter kit both for the budding operaphile and for the simply intimidated. The samplings include some of the greatest voices from EMI's vaults: here you'll find the polar opposites Callas and Caballe, the golden wonder of Wunderlich and early Carreras, and a host of other singers who've made their stamp on this century. Emphasis is on the soprano and tenor range, while the lower voices are given short shrift, and the selections cleave predictably to standard Italian and French repertory (with ...

L.A. Guitar Quartet: Dances from Renaissance to Nutcracker


by: William Byrd, John Dowland, Giovanni Gabrieli, Thomas Morley, Michael Praetorius, Pyotr Il'yich Tchaikovsky, Peter Warlock, Los Angeles Guitar Quartet (LAGQ), Andrew York, John Dearman, Scott Tennant, William Kanengiser, LA Guitar Quartet


:Album Description:All of the arrangements on this album were made by LAGQ members. Tchaikovsky's Nutcracker Suite was arranged by Andrew York, who explains in the booklet notes that he first arranged part of the suite for two guitars, which worked musically but was hard to play. So, as he explains: 'The ideal solution was to redo the work for guitar quartet, allowing a more complete translation of the complexities of the orchestral score, which could be balanced among four guitars. Two dances remain as duets -- the 'Dance of the Sugar Plum Fairy,' ...

Barber's Adagio


from: Sony


:Album Description:All of the arrangements on this album were made by LAGQ members. Tchaikovsky's Nutcracker Suite was arranged by Andrew York, who explains in the booklet notes that he first arranged part of the suite for two guitars, which worked musically but was hard to play. So, as he explains: 'The ideal solution was to redo the work for guitar quartet, allowing a more complete translation of the complexities of the orchestral score, which could be balanced among four guitars. Two dances remain as duets -- the 'Dance of the Sugar Plum Fairy,' ...

Symphonie Fantastique


from: EMI Classics


: essential recording:Muti's perfectionism is everywhere clear in his stirring, crisp leadership of this many-layered, flavorful work. Some have argued that it's a bit over-the-top; we call that exciting. This is not to say that in the more elegant moments, we don't get some beautifully sculpted, feathery sounds. And clearly, each section of the orchestra was ideally rehearsed: the strings are lush, the winds reedy and spicy, and the brass wonderfully aggressive. Wow! --Robert Levine

Mussorgsky: Pictures at an Exhibition, A Night on Bald Mountain, and Other Russian Showpieces [Hybrid SACD]


by: Modest Mussorgsky, Pyotr Il'yich Tchaikovsky, Alexander Borodin, Dmitry Kabalevsky, Mikhail Glinka, Fritz Reiner


: essential recording:Muti's perfectionism is everywhere clear in his stirring, crisp leadership of this many-layered, flavorful work. Some have argued that it's a bit over-the-top; we call that exciting. This is not to say that in the more elegant moments, we don't get some beautifully sculpted, feathery sounds. And clearly, each section of the orchestra was ideally rehearsed: the strings are lush, the winds reedy and spicy, and the brass wonderfully aggressive. Wow! --Robert Levine

Beethoven - Triple Concerto ~ Choral Fantasy / Perlman, Yo-Yo Ma, Berliner Phil., Barenboim


by: Ludwig van Beethoven, Berliner Philharmoniker, Chor der Deutschen Staatsoper, Daniel Barenboim, Ernst Stoy, Itzhak Perlman, Yo-Yo Ma, Par Lindskog, Rene Pape, Endrik Wottrich, Andrea Bonig


: essential recording:Muti's perfectionism is everywhere clear in his stirring, crisp leadership of this many-layered, flavorful work. Some have argued that it's a bit over-the-top; we call that exciting. This is not to say that in the more elegant moments, we don't get some beautifully sculpted, feathery sounds. And clearly, each section of the orchestra was ideally rehearsed: the strings are lush, the winds reedy and spicy, and the brass wonderfully aggressive. Wow! --Robert Levine

Beethoven: Les 9 Symphonies


from: EMI Classics France


: essential recording:Muti's perfectionism is everywhere clear in his stirring, crisp leadership of this many-layered, flavorful work. Some have argued that it's a bit over-the-top; we call that exciting. This is not to say that in the more elegant moments, we don't get some beautifully sculpted, feathery sounds. And clearly, each section of the orchestra was ideally rehearsed: the strings are lush, the winds reedy and spicy, and the brass wonderfully aggressive. Wow! --Robert Levine

40 Most Beautiful Christmas Classics


from: Rhino / Wea


: essential recording:Muti's perfectionism is everywhere clear in his stirring, crisp leadership of this many-layered, flavorful work. Some have argued that it's a bit over-the-top; we call that exciting. This is not to say that in the more elegant moments, we don't get some beautifully sculpted, feathery sounds. And clearly, each section of the orchestra was ideally rehearsed: the strings are lush, the winds reedy and spicy, and the brass wonderfully aggressive. Wow! --Robert Levine

Beethoven: Piano Sonatas , vol. 2


by: Paul Lewis


: : Paul Lewis's traversal of the Beethoven Piano Sonatas may just become one of the indispensable recorded versions of these unique works. He tackles the Hammerklavier without attacking it; his interest is textual clarity, and he never fails in that approach. If you listen to the last movement of No. 25, 'Alla tedesco,' you'll be amazed by the formality and forward propulsion which underpins the seeming merriment in the piece, the abrupt ending suddenly quite a puzzle. Similarly, the first movement of the Waldstein is imbued with a darkness that makes you think ...



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We've covered in too much detail how it's some sort of "open season" on Vonage when it comes to VoIP patents. After dealing with ridiculous and expensive patent lawsuits from companies who failed to actually innovate in the same way Vonage did, the company was pressured by Wall Street to quickly settle the various patent lawsuits filed against the company. Of course, rather than settle matters, that simply opened the door for other companies to go searching through their patent portfolios to see if there was anything they could sue Vonage over. Indeed, following those settlements it didn't take long for AT&T to dig up a patent and sue -- which was quickly settled as well. Thought things were over? No such luck. Nortel just showed up last month to sue and it took all of about a week and a half for Vonage to settle that case as well.

The Nortel case is slightly different because Vonage actually already had a patent infringement lawsuit going against Nortel, but it wasn't really initiated by Vonage. Instead, it had been initiated by a patent holding firm that Vonage bought in 2006. The end result of the settlement doesn't involve money changing hands, but just a cross licensing agreement for the patents. So what's the big lesson that Vonage and others have learned from this? It's certainly got nothing to do with innovating. It's to hoard as many patents as possible so that you have your own nuclear stockpile for when someone else sues you. Want to know why the USPTO is overwhelmed? It's not because there aren't enough examiners (as some will claim) or that there aren't enough funds. It's because the way the system now works is that you are supposed to file patents on every tiny little advancement so you can use it to protect yourself against lawsuits from everyone else. That's not about innovation. It's about waste. In the meantime, since it's still open season at Vonage, who's going to be next? There are a ton of other patents in the VoIP space that can surely be used in a lawsuit, right?

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Small and light enough for a shirt pocket, Samsung's Helix YX-M1 is a one-stop audio entertainment center with an XM radio, a digital music player, and room for 50 hours of tunes, but it comes up short on battery life.

This raw work-flow application isn't the Holy Grail many hoped it would be, but Apple Aperture 1.5 could make life easier for photographers who need to cull, retouch, and output large numbers of photographs quickly and efficiently.






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