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Ah! Mio Cor' Handel: Arias
from: Deutsche Grammophon
: :This is Magdalena Koz ená s first collaboration with theacclaimed Venice Baroque Orchestra and Andrea Marcon a superlative grouping and a must-have album for everyHandel fan. Following her best-selling album Lamento,Magdalena Koz ená returns to her musical home ground, theworld of dramatic Baroque singing, with her first Handel ariasalbum. Once again Koz ená has combined both well-knownand lesser-known works to create a personal anthology ofthe most dramatic moments of love, hatred, hope, anddesperation. The program includes arias from Rinaldo, GiulioCesare, Alcina, and Joshua, among others. Handel s complexcharacters and passionate writing are ...
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CBS Dinner Classics: Sunday Brunch, Vol. 2
from: Sony
: :This is Magdalena Koz ená s first collaboration with theacclaimed Venice Baroque Orchestra and Andrea Marcon a superlative grouping and a must-have album for everyHandel fan. Following her best-selling album Lamento,Magdalena Koz ená returns to her musical home ground, theworld of dramatic Baroque singing, with her first Handel ariasalbum. Once again Koz ená has combined both well-knownand lesser-known works to create a personal anthology ofthe most dramatic moments of love, hatred, hope, anddesperation. The program includes arias from Rinaldo, GiulioCesare, Alcina, and Joshua, among others. Handel s complexcharacters and passionate writing are ...
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The Original Jacket Collection: Montserrat Caballé [Limited Edition]
from: Sony Classics
: :This is Magdalena Koz ená s first collaboration with theacclaimed Venice Baroque Orchestra and Andrea Marcon a superlative grouping and a must-have album for everyHandel fan. Following her best-selling album Lamento,Magdalena Koz ená returns to her musical home ground, theworld of dramatic Baroque singing, with her first Handel ariasalbum. Once again Koz ená has combined both well-knownand lesser-known works to create a personal anthology ofthe most dramatic moments of love, hatred, hope, anddesperation. The program includes arias from Rinaldo, GiulioCesare, Alcina, and Joshua, among others. Handel s complexcharacters and passionate writing are ...
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Discover Early Music
from: Naxos
: :This is Magdalena Koz ená s first collaboration with theacclaimed Venice Baroque Orchestra and Andrea Marcon a superlative grouping and a must-have album for everyHandel fan. Following her best-selling album Lamento,Magdalena Koz ená returns to her musical home ground, theworld of dramatic Baroque singing, with her first Handel ariasalbum. Once again Koz ená has combined both well-knownand lesser-known works to create a personal anthology ofthe most dramatic moments of love, hatred, hope, anddesperation. The program includes arias from Rinaldo, GiulioCesare, Alcina, and Joshua, among others. Handel s complexcharacters and passionate writing are ...
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The Canadian Brass: Greatest Hits
from: RCA
: :This is Magdalena Koz ená s first collaboration with theacclaimed Venice Baroque Orchestra and Andrea Marcon a superlative grouping and a must-have album for everyHandel fan. Following her best-selling album Lamento,Magdalena Koz ená returns to her musical home ground, theworld of dramatic Baroque singing, with her first Handel ariasalbum. Once again Koz ená has combined both well-knownand lesser-known works to create a personal anthology ofthe most dramatic moments of love, hatred, hope, anddesperation. The program includes arias from Rinaldo, GiulioCesare, Alcina, and Joshua, among others. Handel s complexcharacters and passionate writing are ...
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Haydn: The Creation; Missa in tempore belli
from: EMI Classics
: :This is Magdalena Koz ená s first collaboration with theacclaimed Venice Baroque Orchestra and Andrea Marcon a superlative grouping and a must-have album for everyHandel fan. Following her best-selling album Lamento,Magdalena Koz ená returns to her musical home ground, theworld of dramatic Baroque singing, with her first Handel ariasalbum. Once again Koz ená has combined both well-knownand lesser-known works to create a personal anthology ofthe most dramatic moments of love, hatred, hope, anddesperation. The program includes arias from Rinaldo, GiulioCesare, Alcina, and Joshua, among others. Handel s complexcharacters and passionate writing are ...
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Karajan 100th - Volume 2, Opera and Vocals
from: EMI Classics
: :This is Magdalena Koz ená s first collaboration with theacclaimed Venice Baroque Orchestra and Andrea Marcon a superlative grouping and a must-have album for everyHandel fan. Following her best-selling album Lamento,Magdalena Koz ená returns to her musical home ground, theworld of dramatic Baroque singing, with her first Handel ariasalbum. Once again Koz ená has combined both well-knownand lesser-known works to create a personal anthology ofthe most dramatic moments of love, hatred, hope, anddesperation. The program includes arias from Rinaldo, GiulioCesare, Alcina, and Joshua, among others. Handel s complexcharacters and passionate writing are ...
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Handel: Messiah
from: Sony
: :This performance is demented. Leonard Bernstein cuts a bunch of numbers, and divides the piece into two parts instead of the usual three. He does use a countertenor (the strange-sounding Russell Oberlin), which was unusual in the late '50s when this was recorded, but his interpretation isn't just un-Baroque, it's also unlike anything else you could possibly imagine. Slow, heavy, and totally unidiomatic, this recording is valuable only to Bernstein fanatics. --David Hurwitz
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A. Scarlatti - La Santissima Trinità / Invernizzi · Gens · Genaux · Agnew · Abbondanza · Europa Galante · Biondi
: :This performance is demented. Leonard Bernstein cuts a bunch of numbers, and divides the piece into two parts instead of the usual three. He does use a countertenor (the strange-sounding Russell Oberlin), which was unusual in the late '50s when this was recorded, but his interpretation isn't just un-Baroque, it's also unlike anything else you could possibly imagine. Slow, heavy, and totally unidiomatic, this recording is valuable only to Bernstein fanatics. --David Hurwitz
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Handel: Messiah / Sir Neville Marriner
: :This performance is demented. Leonard Bernstein cuts a bunch of numbers, and divides the piece into two parts instead of the usual three. He does use a countertenor (the strange-sounding Russell Oberlin), which was unusual in the late '50s when this was recorded, but his interpretation isn't just un-Baroque, it's also unlike anything else you could possibly imagine. Slow, heavy, and totally unidiomatic, this recording is valuable only to Bernstein fanatics. --David Hurwitz
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