Bestsellers > Classical Music > Oratorios

Handel: Messiah


from: RCA


: :Every year brings a slew of new and reissued versions of this most beloved of Handel's works. This one first saw daylight in 1966, but lest you think it's outdated, this refurbished classic remains a source of listening pleasure. Obviously, it cannot reflect the historically informed performance practices of today. But it is one of the pioneering precursors of contemporary style, with sustained forward momentum, dancing rhythms, and an orchestra slimmed down from the prevailing norms of the 1960s. The singing is fine, with special kudos to the high-flying soprano, Judith Raskin, along ...

Handel: Messiah


from: Philips Import


: :Every year brings a slew of new and reissued versions of this most beloved of Handel's works. This one first saw daylight in 1966, but lest you think it's outdated, this refurbished classic remains a source of listening pleasure. Obviously, it cannot reflect the historically informed performance practices of today. But it is one of the pioneering precursors of contemporary style, with sustained forward momentum, dancing rhythms, and an orchestra slimmed down from the prevailing norms of the 1960s. The singing is fine, with special kudos to the high-flying soprano, Judith Raskin, along ...

A Hymn for the World / Bartoli, Bocelli, Chung


by: Antonio Vivaldi, Johann Sebastian Bach, Wolfgang Amadeus Mozart, Franz Liszt, Giuseppe Verdi, Gioachino Rossini, Charles Gounod, Georges Bizet, Cesar Franck, Gabriel Faure, Olivier Messiaen, Santa Cecilia National Academy Orchestra Rome, Myung-Whun Chung, Cecilia Bartoli, Andrea Bocelli, Saint Cecilia Academy Chorus


: :Every year brings a slew of new and reissued versions of this most beloved of Handel's works. This one first saw daylight in 1966, but lest you think it's outdated, this refurbished classic remains a source of listening pleasure. Obviously, it cannot reflect the historically informed performance practices of today. But it is one of the pioneering precursors of contemporary style, with sustained forward momentum, dancing rhythms, and an orchestra slimmed down from the prevailing norms of the 1960s. The singing is fine, with special kudos to the high-flying soprano, Judith Raskin, along ...

Dinner Classics: The Sunday Brunch Album


from: Sony


: :Every year brings a slew of new and reissued versions of this most beloved of Handel's works. This one first saw daylight in 1966, but lest you think it's outdated, this refurbished classic remains a source of listening pleasure. Obviously, it cannot reflect the historically informed performance practices of today. But it is one of the pioneering precursors of contemporary style, with sustained forward momentum, dancing rhythms, and an orchestra slimmed down from the prevailing norms of the 1960s. The singing is fine, with special kudos to the high-flying soprano, Judith Raskin, along ...

Stephanie Blythe - Handel & Bach Arias


from: Virgin Classics


: :This is a lovely recording. Stephanie Blythe's voice must be one of the most beautiful to be heard today: smooth as silk, warm as velvet, pure, dark, almost masculine at times, even in quality across a big range down to F-sharp. She can spin out endless phrases without strain. Her intonation is impeccable, her expressiveness heartfelt, simple, and direct. The program is a string of priceless jewels, opening with the famous 'Ombra mai fu' from 'Serse' (better known as Handel's Largo) and closing with the Agnus Dei from Bach's B minor Mass. However, ...

Handel


by: Renee Fleming, Harry Bicket, Orchestra of the Age of Enlightenment, George Friedrich Handel


: :Those who may have feared that Renée Fleming might approach Handel with a too-Romantic vocal attitude need not have; whether it's the leadership of the sympathetic, historically informed Harry Bicket, the sound of the spare but warm Orchestra of the Age of Enlightenment, plain good sense and musicianship, or any combination of these, here she offers sixteen arias in almost-impeccable Baroque fashion. I doubt whether sopranos of Handel's age had voices as plush as Ms Fleming's but she manages to keep her tone as light and as airy as possible in these selections, ...

Ten Tenors in Prayer


from: RCA


: :Those who may have feared that Renée Fleming might approach Handel with a too-Romantic vocal attitude need not have; whether it's the leadership of the sympathetic, historically informed Harry Bicket, the sound of the spare but warm Orchestra of the Age of Enlightenment, plain good sense and musicianship, or any combination of these, here she offers sixteen arias in almost-impeccable Baroque fashion. I doubt whether sopranos of Handel's age had voices as plush as Ms Fleming's but she manages to keep her tone as light and as airy as possible in these selections, ...

A Bach Festival for Brass & Organ


from: EMI


: :Those who may have feared that Renée Fleming might approach Handel with a too-Romantic vocal attitude need not have; whether it's the leadership of the sympathetic, historically informed Harry Bicket, the sound of the spare but warm Orchestra of the Age of Enlightenment, plain good sense and musicianship, or any combination of these, here she offers sixteen arias in almost-impeccable Baroque fashion. I doubt whether sopranos of Handel's age had voices as plush as Ms Fleming's but she manages to keep her tone as light and as airy as possible in these selections, ...

Christmas Carols


from: Virgin Classics


: :Those who may have feared that Renée Fleming might approach Handel with a too-Romantic vocal attitude need not have; whether it's the leadership of the sympathetic, historically informed Harry Bicket, the sound of the spare but warm Orchestra of the Age of Enlightenment, plain good sense and musicianship, or any combination of these, here she offers sixteen arias in almost-impeccable Baroque fashion. I doubt whether sopranos of Handel's age had voices as plush as Ms Fleming's but she manages to keep her tone as light and as airy as possible in these selections, ...

Kiri Te Kanawa Classics


by: Wolfgang Amadeus Mozart, George Frideric Handel, Charles Gounod, Franz Schubert, Johann II Strauss, London Symphony Orchestra, Bavarian Radio Chorus, Vienna Philharmonic Orchestra, Jeffrey Tate, Sir Colin Davis, Barry Rose, André Previn, Kiri Te Kanawa, Neil Black, English Chamber Orchestra, Jose-Luis Garcia, William Bennett, Charles Tunnell, London St. Paul's Cathedral Choir, Thelma Owen


: :Those who may have feared that Renée Fleming might approach Handel with a too-Romantic vocal attitude need not have; whether it's the leadership of the sympathetic, historically informed Harry Bicket, the sound of the spare but warm Orchestra of the Age of Enlightenment, plain good sense and musicianship, or any combination of these, here she offers sixteen arias in almost-impeccable Baroque fashion. I doubt whether sopranos of Handel's age had voices as plush as Ms Fleming's but she manages to keep her tone as light and as airy as possible in these selections, ...



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