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The Story of Mozart
from: Vox (Classical)
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John Adams - Harmonielehre · The Chairman Dances · Tromba lontana · Short Ride in a Fast Machine / Sir Simon Rattle
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Beethoven Edition: Complete Works (85CD Box Set)
from: Brilliant Classics
:Album Description:From the people who brought you the Complete Works of Wolfgang Amadeus Mozart 250th Anniversary Edition and the Complete Works of J. S. Bach Edition now bring out the Complete Works of Ludwig van Beethoven. Brilliant classics has spared no expense to get the best possible performances of the music of Beethoven. The list of artists reads like a who's who of classical music. Kurt Masur, Gewandhaus Orchestra, Friedrich Gulda, Vienna Philharmonic, Henryk Szering, Royal Concertgebouw, Bernard Haitink, Stanislaw ...
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Glass: Violin concerto
from: Naxos American
: :Philip Glass's signature doom-and-gloom minor sonorities and shifting rhythms scintillate and eddy under the touch of Adele Anthony and the Ulster Symphony. The solo line in the Violin Concerto is at odds with a unified orchestra throughout, and Anthony's romantic tone draws the listener in for an exploration of the texture, grain, and fiber of Glass's structural minimalism. The Ulster Symphony's rendering of Company and Akhnaten, under the leadership of Takuo Yuasa, forms brilliant darts of tonal color. As a ...
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Brahms: The Complete Symphonies / Karajan, Berlin PO
from: Deutsche Grammophon
: :These 1977-78 recordings are Karajan's best Brahms--better than his somewhat mannered digital set. The Berlin Philharmonic, as ever, is amazingly smooth and accomplished, playing with great class without losing any power--as an example, just listen to the finale of the second symphony. DG's engineers have turned this always-good recording into something truly magnificent to hear, and, at the price, this is a sure bet. --Robert Levine
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The Knot Collection of Ceremony and Wedding Music Selected by the Knot's Carley Roney
: :These 1977-78 recordings are Karajan's best Brahms--better than his somewhat mannered digital set. The Berlin Philharmonic, as ever, is amazingly smooth and accomplished, playing with great class without losing any power--as an example, just listen to the finale of the second symphony. DG's engineers have turned this always-good recording into something truly magnificent to hear, and, at the price, this is a sure bet. --Robert Levine
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Jean-Baptiste Lully: Psyché
from: Cpo Records
: :These 1977-78 recordings are Karajan's best Brahms--better than his somewhat mannered digital set. The Berlin Philharmonic, as ever, is amazingly smooth and accomplished, playing with great class without losing any power--as an example, just listen to the finale of the second symphony. DG's engineers have turned this always-good recording into something truly magnificent to hear, and, at the price, this is a sure bet. --Robert Levine
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Beethoven: Greatest Hits
from: Sony
: :These 1977-78 recordings are Karajan's best Brahms--better than his somewhat mannered digital set. The Berlin Philharmonic, as ever, is amazingly smooth and accomplished, playing with great class without losing any power--as an example, just listen to the finale of the second symphony. DG's engineers have turned this always-good recording into something truly magnificent to hear, and, at the price, this is a sure bet. --Robert Levine
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Essential Bach
from: Decca
: :It is not possible to fit 36 Bach masterpieces on two CDs, so what Essential Bach does is present individual movements from across a range of the composer's work. The anthology is clearly aimed at the newcomer, and the absence of booklet notes to put the music in context is disappointing. We are only given titles, performers, and what films the extracts have been featured in, from Rollerball to The English Patient. On the plus side, most if not all ...
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Bach: The Goldberg Variations
: essential recording:The clear-cut rhythms, riveting articulation, and contrapuntal acumen of Glenn Gould's 1955 debut Goldberg Variations characterize this 1981 remake to strikingly different results. This later version is more deliberate in pacing, stark in expression, thoughtful with ornamentation, and tightly organized (if a mite theatrical) in terms of tempo relationships. Whereas there are no repeats from 1955, Gould now observes 'A' section repeats in the canons, the Fughetta, and other fugue-like variations. The rapid, cross- handed sequences still dazzle ...
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