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Transporting Transmittance
from: Mutable Music
:Album Description:Much of pianist/composer/improviser J. B. Floyd’s music is keyboard centered and in the last 10 years he has explored the fascinating musical possibilities of the YAMAHA Disklavier in his works. The music presented here combines voice and other instruments with the Disklavier and, as in all of Floyd’s work, reveals his abiding interest in jazz and free improvisation. The musical materials are developed from and gently guided by a serial plan. A Transporting Transmittance for Transverse Flute and Disklavier was written for Lisa Hansen. The piece captured the feeling of ...
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Vertebra
from: Polydor France
:Album Description:Former WFMU dj, denizen of New York's A Mica Bunker scene, former Krackhouse (not head) member, and ARP whiz – now living in The Netherlands, having studied elektronische musik in Utrecht. At last, his long overdue first cd. Matt says: 'My music runs without stopping, and at a vertiginous speed. The architecture is simultaneity. …Not to perceive noise as music, but music as noise. This is a recording of a live performance: one member of a set of possible solutions. Vertebra is a computer program, an environmental construction, a scaffold, ...
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Alternating Currents: Electronic Music from the University of Michigan
from: Centaur
:Album Description:Former WFMU dj, denizen of New York's A Mica Bunker scene, former Krackhouse (not head) member, and ARP whiz – now living in The Netherlands, having studied elektronische musik in Utrecht. At last, his long overdue first cd. Matt says: 'My music runs without stopping, and at a vertiginous speed. The architecture is simultaneity. …Not to perceive noise as music, but music as noise. This is a recording of a live performance: one member of a set of possible solutions. Vertebra is a computer program, an environmental construction, a scaffold, ...
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MOVE IN THE CHANGING LIGHT
from: © 2006 Phillip Schroeder / Innova Records
:Album Description:Former WFMU dj, denizen of New York's A Mica Bunker scene, former Krackhouse (not head) member, and ARP whiz – now living in The Netherlands, having studied elektronische musik in Utrecht. At last, his long overdue first cd. Matt says: 'My music runs without stopping, and at a vertiginous speed. The architecture is simultaneity. …Not to perceive noise as music, but music as noise. This is a recording of a live performance: one member of a set of possible solutions. Vertebra is a computer program, an environmental construction, a scaffold, ...
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Olga Neuwirth: Akroate Hadal; Quasare/Pulsare; ...?risonanze!...; etc.
from: Kairos
:Album Description:Former WFMU dj, denizen of New York's A Mica Bunker scene, former Krackhouse (not head) member, and ARP whiz – now living in The Netherlands, having studied elektronische musik in Utrecht. At last, his long overdue first cd. Matt says: 'My music runs without stopping, and at a vertiginous speed. The architecture is simultaneity. …Not to perceive noise as music, but music as noise. This is a recording of a live performance: one member of a set of possible solutions. Vertebra is a computer program, an environmental construction, a scaffold, ...
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Rebecca Saunders
from: Kairos
:Album Description:Former WFMU dj, denizen of New York's A Mica Bunker scene, former Krackhouse (not head) member, and ARP whiz – now living in The Netherlands, having studied elektronische musik in Utrecht. At last, his long overdue first cd. Matt says: 'My music runs without stopping, and at a vertiginous speed. The architecture is simultaneity. …Not to perceive noise as music, but music as noise. This is a recording of a live performance: one member of a set of possible solutions. Vertebra is a computer program, an environmental construction, a scaffold, ...
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Donaueschinger Musiktage 2004
from: Col Legno
:Album Description:Former WFMU dj, denizen of New York's A Mica Bunker scene, former Krackhouse (not head) member, and ARP whiz – now living in The Netherlands, having studied elektronische musik in Utrecht. At last, his long overdue first cd. Matt says: 'My music runs without stopping, and at a vertiginous speed. The architecture is simultaneity. …Not to perceive noise as music, but music as noise. This is a recording of a live performance: one member of a set of possible solutions. Vertebra is a computer program, an environmental construction, a scaffold, ...
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The Shock of the Old
from: Santa Fe New Music
:Album Description:THE SHOCK OF THE OLD is a new-music meets original Baroque-era instrumentation convergence featuring the Common Sense Composers Collective and the American Baroque performing ensemble. With a nod to Thomas Paine, the new-music crew, Common Sense Composers Collective collaborated intimately with American Baroque from the project's outset. This irresistable innovative strategy of well-pedigreed composers and performers developing new-music works together yielded a thrilling eye and ear-opening recording, joining John Kennedy's One Body (SFNM-0512)on the new Santa Fe New Music label. A few moments into the opening bars of Belinda Reynold's ...
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Magnus Lindberg: Kinetics (1988-89) / Marea (1989-90) / Joy (1989-90) - Jukka-Pekka Saraste
:Album Description:THE SHOCK OF THE OLD is a new-music meets original Baroque-era instrumentation convergence featuring the Common Sense Composers Collective and the American Baroque performing ensemble. With a nod to Thomas Paine, the new-music crew, Common Sense Composers Collective collaborated intimately with American Baroque from the project's outset. This irresistable innovative strategy of well-pedigreed composers and performers developing new-music works together yielded a thrilling eye and ear-opening recording, joining John Kennedy's One Body (SFNM-0512)on the new Santa Fe New Music label. A few moments into the opening bars of Belinda Reynold's ...
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Die Donnergotter (The Thundergods)
from: Table of Elements
:Album Description:This NY-born composer began as a classically trained prodigy, but by 1975, Chatham was fusing the overtone-drenched minimalism of John Cale and Tony Conrad with the relentless, elemental fury of The Ramones. It was an inspired amalgamation; the textural intricacies of the avant-garde colliding with the visceral punch of electric guitar-slinging punk rock, and with it Rhys created a new type of urban music. Raucous and ecstatic, this sound energized the downtown NY scene throughout the late '70s and early '80s, prefiguring the No Wave movement, and casting a huge ...
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