|
|
|
Browns in Blue
from: SONY CLASSICS
:Album Description:The siblings that mane Juilliard history by attending the prestigious institution simultaneously, The 5 Browns; Desirae, Deondra, Gregory, Melody, and Ryan have returned with their most commercial album to date. On Browns In Blue, the many varied and emotional musical shades of the color are on display. From Gershwin's Jazzy Home Blues and Embraceable You, to the classical mood of a Chopin Nocturne and Debussy's Clair de lune, The 5 Browns show why they remain classical music's irresistible ...
|
|
|
Harp Concertos
from: Decca
:Album Description:The siblings that mane Juilliard history by attending the prestigious institution simultaneously, The 5 Browns; Desirae, Deondra, Gregory, Melody, and Ryan have returned with their most commercial album to date. On Browns In Blue, the many varied and emotional musical shades of the color are on display. From Gershwin's Jazzy Home Blues and Embraceable You, to the classical mood of a Chopin Nocturne and Debussy's Clair de lune, The 5 Browns show why they remain classical music's irresistible ...
|
|
|
Liszt: 10 Hungarian Rhapsodies
from: EMI Classics
:Album Description:The siblings that mane Juilliard history by attending the prestigious institution simultaneously, The 5 Browns; Desirae, Deondra, Gregory, Melody, and Ryan have returned with their most commercial album to date. On Browns In Blue, the many varied and emotional musical shades of the color are on display. From Gershwin's Jazzy Home Blues and Embraceable You, to the classical mood of a Chopin Nocturne and Debussy's Clair de lune, The 5 Browns show why they remain classical music's irresistible ...
|
|
|
Essential Beethoven
from: Decca
:Album Description:The siblings that mane Juilliard history by attending the prestigious institution simultaneously, The 5 Browns; Desirae, Deondra, Gregory, Melody, and Ryan have returned with their most commercial album to date. On Browns In Blue, the many varied and emotional musical shades of the color are on display. From Gershwin's Jazzy Home Blues and Embraceable You, to the classical mood of a Chopin Nocturne and Debussy's Clair de lune, The 5 Browns show why they remain classical music's irresistible ...
|
|
|
Rachmaninoff plays Rachmaninoff
from: RCA
: :Unlike most composer/pianists, Rachmaninoff's instrumental prowess was fully commensurate with his creative gifts. He embraces his youthful First Concertos as if he had encountered an old lover, consumating his passion with stupefying fingerwork in the first movement cadenza. Conversely, the composer seems bored in the Third. He laconically dispatches its torrents of notes, opts for the easier ossias in difficult passages, and makes cuts in the first and third movements. And pianists like Arturo Michelangeli and Earl Wild have ...
|
|
|
Debut Recital / Martha Argerich
from: Deutsche Grammophon
: essential recording:Classical music people, critics in particular, have a reputation for being grumpy, and this disc illustrates why. It's called Martha Argerich Debut Recital. Now, what does this tell you about it? Nothing, that's what. And the title isn't even correct! Actually, there's more material here than appeared on her debut recital, not the least of which is a stunning Liszt Sonata in B minor, which is the major work on the disc. When one of the two ...
|
|
|
Purcell: Complete Chamber Music
from: Brilliant Classics
: essential recording:Classical music people, critics in particular, have a reputation for being grumpy, and this disc illustrates why. It's called Martha Argerich Debut Recital. Now, what does this tell you about it? Nothing, that's what. And the title isn't even correct! Actually, there's more material here than appeared on her debut recital, not the least of which is a stunning Liszt Sonata in B minor, which is the major work on the disc. When one of the two ...
|
|
|
Baby Einstein: Music Box Orchestra
from: Buena Vista
: :\N
|
|
|
Crystal Tears [CD+DVD]
from: Harmonia Mundi Fr.
: :\N
|
|
|
Vivaldi: Concerti per mandolini
: :The seven Concerti per Mandolini are diverse enough to disprove the frequently heard accusation that all Vivaldi concertos sound alike. Though they are cast in the same three-movement structure, each has its own character, from playful, ingratiating charm to ardor, high drama, and lamentatious intensity. The fast movements are stately and brilliant with scintillating running passages; the slow ones are songful, pleading, and melancholy. Though at times Vivaldi succumbs to his predilection for sequences, these pieces have an incredible ...
|
|