Bestsellers > Classical Music > Early Music

Gabrieli · Monteverdi · Vivaldi - Venetian Church Music / Taverner Consort, Choir & Players · Andrew Parrott


by: Giovanni Gabrieli, Claudio Monteverdi, Antonio Vivaldi, Dario Castello, Giovanni Legrenzi, Antonio Lotti, Alessandro Grandi, Andrew Parrott, Choir & Players Taverner Consort




Ave Maria


from: Jade Records




Gregorian Chant, Christmas Chants


from: Jade Records




Music for Compline


from: Harmonia Mundi USA


:From the label:: On its spectacular debut recording, the exciting young British vocal group stile antico presents a program of English Renaissance music associated with the office of Compline, the service that ends the monastic liturgical day. A who's-who of 16th-century British composers--including Thomas Tallis, William Byrd, and John Sheppard--is represented here by hymns, antiphons, responsories, motets, and psalms: the occasion not only for music of intimacy, elegance, and reflection, but for flights of breathtaking canonic and contrapuntal invention and harmonic daring. Stile Antico is an ensemble of young British singers, ...

Mistletoe and Wine: A Seasonal Collection


from: Nettwerk Records


:From the label:: On its spectacular debut recording, the exciting young British vocal group stile antico presents a program of English Renaissance music associated with the office of Compline, the service that ends the monastic liturgical day. A who's-who of 16th-century British composers--including Thomas Tallis, William Byrd, and John Sheppard--is represented here by hymns, antiphons, responsories, motets, and psalms: the occasion not only for music of intimacy, elegance, and reflection, but for flights of breathtaking canonic and contrapuntal invention and harmonic daring. Stile Antico is an ensemble of young British singers, ...

Feather on the Breath of God


from: Hyperion UK


: essential recording:This is the record that started the Hildegard craze back in 1982--and you need only listen to Emma Kirkby glide and soar through Columba aspexit (the opening hymn) to understand why. Gothic Voices performs the music very simply, either alternating soloists and unison choir over a drone or using a single unaccompanied voice. The singers render Hildegard's extravagant poetic imagery and melody not with the rhythmically fluid, ecstatic approach favored by Sequentia, but with equalist rhythm and a calm, meditative quality. Gothic Voices' straightforward approach is less likely to ...

The Best of Fauré


by: Gabriel Faure, Antonio de Almeida, Jeremy Summerly, John Georgiadis, Keith Clark, Oxford Camerata, Schola Cantorum of Oxford, CSR Symphony Orchestra, Czecho-Slovak Radio Symphony Orchestra (Bratislava), National Symphony Orchestra, National Symphony Orchestra of Ireland, Colm Carey, Francois-Joel Thiollier, Jean Martin, Pascal Devoyon, Pierre-Alain Volondat, Lisa Beckley, Dong-Suk Kang


: essential recording:This is the record that started the Hildegard craze back in 1982--and you need only listen to Emma Kirkby glide and soar through Columba aspexit (the opening hymn) to understand why. Gothic Voices performs the music very simply, either alternating soloists and unison choir over a drone or using a single unaccompanied voice. The singers render Hildegard's extravagant poetic imagery and melody not with the rhythmically fluid, ecstatic approach favored by Sequentia, but with equalist rhythm and a calm, meditative quality. Gothic Voices' straightforward approach is less likely to ...

Perotin / The Hilliard Ensemble


by: Perotin, Anonymous, Paul Hillier, Charles Daniels, David James, The Hilliard Ensemble, John Potter, Rogers Covey-Crump, Gordon Jones, Mark Padmore


: essential recording:It would be impossible to adequately describe the inherent haunting beauty of Perotin's music, or to fully detail its far-reaching influence in latter-12th-century France. The opening 'Viderunt omnes' is a perfect illustration of the surprising vitality and highly charged sense of forward motion that can be obtained with relatively simple rhythmic impulses and harmonic devices. The male voices of the Hilliard Ensemble generate an electrifying resonance that vibrates everything in the room that's not solid or nailed down. You can literally feel this music, ringing with natural harmonics and ...

Christopher Parkening plays Bach


from: EMI Classics


: essential recording:It would be impossible to adequately describe the inherent haunting beauty of Perotin's music, or to fully detail its far-reaching influence in latter-12th-century France. The opening 'Viderunt omnes' is a perfect illustration of the surprising vitality and highly charged sense of forward motion that can be obtained with relatively simple rhythmic impulses and harmonic devices. The male voices of the Hilliard Ensemble generate an electrifying resonance that vibrates everything in the room that's not solid or nailed down. You can literally feel this music, ringing with natural harmonics and ...

The Black Madonna


from: Naxos


: essential recording:It would be impossible to adequately describe the inherent haunting beauty of Perotin's music, or to fully detail its far-reaching influence in latter-12th-century France. The opening 'Viderunt omnes' is a perfect illustration of the surprising vitality and highly charged sense of forward motion that can be obtained with relatively simple rhythmic impulses and harmonic devices. The male voices of the Hilliard Ensemble generate an electrifying resonance that vibrates everything in the room that's not solid or nailed down. You can literally feel this music, ringing with natural harmonics and ...



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