Bestsellers > Classical Music > Early Music

A Medieval Christmas


from: Ex Cathedra Records


:Album Description:New York's Ensemble for Early Music program of seasonal repertoire is a 'Sold-Out' holiday tradition. Recorded in the great Cathedral of Saint John the Divine, New York City, NOVA features lyric songs - sacred and secular - by Hildegard von Bingen, Perotin, von Reuenthal and anonymous composers from the schools of Notre Dame and St. Martial.

Weiss: Lute Sonatas, Vol. 8


from: Naxos


:Album Description:New York's Ensemble for Early Music program of seasonal repertoire is a 'Sold-Out' holiday tradition. Recorded in the great Cathedral of Saint John the Divine, New York City, NOVA features lyric songs - sacred and secular - by Hildegard von Bingen, Perotin, von Reuenthal and anonymous composers from the schools of Notre Dame and St. Martial.

Officium - Jan Gabarek & The Hilliard Ensemble


by: Cristobal de Morales, Pierre de LaRue, Perotin, Guillaume Dufay, Gregorian Chant, Jan Garbarek, Rogers Covey-Crump, David James, Gordon Jones, John Potter


: essential recording:'What is this music?' Fundamentally, it's an exploration of what happens when an improvisatory instrumental voice (saxophone) is placed into the world of early vocal music, which has elements of both improvisation and formal structure. In reality, it's an adventure in which the four male voices of the Hilliard Ensemble travel the 14th- and 15th-century territory of Morales and Dufay, visit the 12th century of Perotin, and roam even earlier ages of plainchant, accompanied by the always sensitive and tasteful, often astonishing, saxophone improvisations of jazz master Jan Garbarek. ...

Cathedral Classics


by: Patricia Thompson, Brian Newhouse, Gregorio Allegri, Samuel Barber, Herbert Howells, Frank Martin, Dale Warland Singers, Jerry Rubino, Angela Malek, Julie Ann Olson, Marie Spar Dymit, Dean Palermo, Dean Palmero


: essential recording:'What is this music?' Fundamentally, it's an exploration of what happens when an improvisatory instrumental voice (saxophone) is placed into the world of early vocal music, which has elements of both improvisation and formal structure. In reality, it's an adventure in which the four male voices of the Hilliard Ensemble travel the 14th- and 15th-century territory of Morales and Dufay, visit the 12th century of Perotin, and roam even earlier ages of plainchant, accompanied by the always sensitive and tasteful, often astonishing, saxophone improvisations of jazz master Jan Garbarek. ...

Brahms: A German Requiem (New English Adaptation)


from: Telarc


: :The death of choral legend Robert Shaw in early 1999 came just before he was to have embarked on a much-anticipated recording: an adaptation into English of Brahms's deathless masterpiece Ein Deutsches Requiem. The present disc is based on Shaw's adaptation of the King James text to Brahms's score, which the conductor was in the process of fine-tuning before he died. Certainly it must have been a daunting task for conductor Craig Jessop to step into the shoes of his mentor (indeed, Shaw's own previous account of the original German-language version ...

Bolling's Greatest Hits


by: Claude Bolling, Roger Huyssen


: :The death of choral legend Robert Shaw in early 1999 came just before he was to have embarked on a much-anticipated recording: an adaptation into English of Brahms's deathless masterpiece Ein Deutsches Requiem. The present disc is based on Shaw's adaptation of the King James text to Brahms's score, which the conductor was in the process of fine-tuning before he died. Certainly it must have been a daunting task for conductor Craig Jessop to step into the shoes of his mentor (indeed, Shaw's own previous account of the original German-language version ...

Officium


by: Anonymous, Czech Anonymous, Guillaume Dufay, Pierre de La Rue, Cristobal de Morales, Perotin, Sarum Chant, Hilliard Ensemble, Jan Garbarek


: :What is this music? Fundamentally, it's an exploration of what happens when an improvisatory instrumental voice (saxophone) is placed into the world of early vocal music--which has elements of both improvisation and formal structure. In reality, it's an adventure in which the four male voices of the Hilliard Ensemble travel the 14th- and 15th-century territory of Morales and Dufay, visit the 12th century of Perotin, and roam even earlier ages of plainchant, accompanied by the always sensitive and tasteful--and often astonishing--saxophone improvisations of jazz master Jan Garbarek. Sometimes, these new melodies ...

Cherubini: Requiem & Marche funèbre


from: Naxos


: :What is this music? Fundamentally, it's an exploration of what happens when an improvisatory instrumental voice (saxophone) is placed into the world of early vocal music--which has elements of both improvisation and formal structure. In reality, it's an adventure in which the four male voices of the Hilliard Ensemble travel the 14th- and 15th-century territory of Morales and Dufay, visit the 12th century of Perotin, and roam even earlier ages of plainchant, accompanied by the always sensitive and tasteful--and often astonishing--saxophone improvisations of jazz master Jan Garbarek. Sometimes, these new melodies ...

Jazz Sebastian Bach


from: Decca


: :What is this music? Fundamentally, it's an exploration of what happens when an improvisatory instrumental voice (saxophone) is placed into the world of early vocal music--which has elements of both improvisation and formal structure. In reality, it's an adventure in which the four male voices of the Hilliard Ensemble travel the 14th- and 15th-century territory of Morales and Dufay, visit the 12th century of Perotin, and roam even earlier ages of plainchant, accompanied by the always sensitive and tasteful--and often astonishing--saxophone improvisations of jazz master Jan Garbarek. Sometimes, these new melodies ...

Discover Early Music


from: Naxos


: :What is this music? Fundamentally, it's an exploration of what happens when an improvisatory instrumental voice (saxophone) is placed into the world of early vocal music--which has elements of both improvisation and formal structure. In reality, it's an adventure in which the four male voices of the Hilliard Ensemble travel the 14th- and 15th-century territory of Morales and Dufay, visit the 12th century of Perotin, and roam even earlier ages of plainchant, accompanied by the always sensitive and tasteful--and often astonishing--saxophone improvisations of jazz master Jan Garbarek. Sometimes, these new melodies ...



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