Bestsellers > Classical Music > Historical Periods

Bach: The Art of Fugue


by: Johann Sebastian Bach, Emerson String Quartet




Pachelbel's Greatest Hit: Canon in D


from: RCA




Telemann:Tafelmusik (Complete) [Box Set]


from: Brilliant Classics




Beethoven - The Complete String Quartets / Alban Berg Quartet


by: Ludwig van Beethoven, Alban Berg Quartet, Gerhard Schulz, Hatto Beyerle, Thomas Kakuska, Valentin Erben Günther Pichler




The Essential Yo-Yo Ma


from: Sony


: : Here are three dozen pieces of music, all played by Yo-Yo Ma, culled from his extensive discography. Aside from the technical mastery and beautiful tone that are absolutes in all of his playing, one is dazzled by his curiosity and ability to adapt to so many forms and types of music. His Bach and Vivaldi are pellucid and played with non-sentimental crispness, his tango music gritty and rhythmically pungent, his jazz seemingly spontaneous, the 'Meditation' from Thais simply ravishing, 'Anything Goes' a romp, and the ...

Mozart for Relaxation


from: RCA


: : Here are three dozen pieces of music, all played by Yo-Yo Ma, culled from his extensive discography. Aside from the technical mastery and beautiful tone that are absolutes in all of his playing, one is dazzled by his curiosity and ability to adapt to so many forms and types of music. His Bach and Vivaldi are pellucid and played with non-sentimental crispness, his tango music gritty and rhythmically pungent, his jazz seemingly spontaneous, the 'Meditation' from Thais simply ravishing, 'Anything Goes' a romp, and the ...

Appassionato


from: SONY CLASSICS


: : Any new compilation CD starring Yo-Yo Ma is certain to please. This master of the cello takes the listener through so many types of music that the ear and mind never tire. The present selection is billed as a sort of 'musical autobiography,' and, indeed, it gives us a tour of Ma's musical life. The Silk Road Project is represented by Zhao's 'Swallow Song,' with its eerie, fascinating soundscape (specially re-recorded for this CD). We also accompany Ma on his excursions into the world of ...

Mr. Bach Comes to Call


by: Martin Lavut Karen/ Lavut, Walter Babiak, Toronto Boys' Choir


: :THE STORY: After the dramatic send off of his music into space aboard Voyager II, Mr. Bach drops in on a little girl at the piano -- along with his magic orchestra and choir. THE MUSIC: Over two dozen excerpts, including Jesu Joy of Man's Desiring, Brandenburg Concerto #5, Flute Sonatas and Badinerie, Air for the G-string, Goldberg Variations, paino minuets and preludes, organ music and choral Cantata #78.

Cecilia Bartoli - If You Love Me (Se tu m'ami ), 18th-Century Italian Songs


by: Alessandro Scarlatti, Antonio Caldara, Antonio Lotti, Antonio Cesti, Giovanni Paisiello, Anonymous, Benedetto Marcello, Giuseppe Giordani, Giulio Caccini, Alessandro Parisotti, Pietro Francesco Cavalli, Antonio Vivaldi, Giacomo Carissimi, Cecilia Bartoli, György Fischer


: :The 17th-century Italian art song repertory traditionally reserved for novice singers is given new life via Bartoli's artistry. With impeccable diction and evocative phrasing, she captures every innuendo of these simple, but passionate, pieces. No two repetitive phrases are alike; she chisels every line into a landscape of interpretive magnificence. Scarlatti's simple 'O Cessate di Piagarmi' becomes a testament of innocent pain and plaintiveness. Giordano's 'Caro Mio Ben' is transformed into a tender cry for love. All embellishments are imaginative and well executed. Accompaniment by György ...

Bizet: Carmen (complete opera) with Maria Callas, Nicolai Gedda, Georges Pretre, Paris Opera Orchestra


by: Georges Bizet, Maria Callas, Nicolai Gedda, Georges Prêtre, Orchestre de Théâtre National de l'Opéra de Paris, Choeurs René Duclos, Robert Massard, Jane Berbié, Andrea Guiot, Claude Cales


: essential recording:This recording was made near the end of Maria Callas's career. It is a role she never sang onstage, but it suited her almost perfectly, and she gives a deep, compelling performance on this recording. The mezzo-soprano tessitura was comfortable for her voice, and the role did not call for a pretty sound. Nor did the recording studio require the kind of huge vocal power expected in an opera house. And furthermore, the character of a strong-willed, capricious, sexually compelling woman who thinks exclusively ...



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