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Tchaikovsky: Swan Lake (complete ballet); Wolfgang Sawallisch; Philadelphia Orchestra
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Let Yourself Go
: :Kristin Chenoweth won a Tony for the supporting role of Sally Brown in the 1999 revival of You're a Good Man, Charlie Brown, made a memorably vampy Lily in the 1999 television film of Annie, and had an NBC sitcom created for her, Kristin! Now she grabs the spotlight in Let Yourself Go, her first solo recording. She mixes torchy standards ('My Funny Valentine,' 'How Long Has This Been Going On?') with Faith Prince-style sauciness ('If'), gets to show off her operatic and scat chops in the miniplay 'The Girl in ...
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The Mozart Effect - Music for Babies - Playtime to Sleepytime
from: Children's Group
: :The Mozart Effect - Music For Babies - Playtime To Sleepytime Cd
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Menotti: Amahl and the Night Visitors
: :Back in the days when the forces that controlled television actually cared about art, it was perfectly normal to see original plays and live musical performances right in your living room. In 1950, Menotti was commissioned to write an opera for television, and on Christmas Eve, 1951, Amahl and the Night Visitors was performed by the NBC Television Theater. This recording, under the composer's personal direction, was made a few days later, and it remains the definitive version, even though the sound is very dated and rough in places. This story ...
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Christmas Adagios
from: Decca
: :Back in the days when the forces that controlled television actually cared about art, it was perfectly normal to see original plays and live musical performances right in your living room. In 1950, Menotti was commissioned to write an opera for television, and on Christmas Eve, 1951, Amahl and the Night Visitors was performed by the NBC Television Theater. This recording, under the composer's personal direction, was made a few days later, and it remains the definitive version, even though the sound is very dated and rough in places. This story ...
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Vittorio
from: Decca
:Album Description:International recording artist Vittorio Grigolo arrives in the U.S. with a stunning self-titled debut album, Vittorio. Released on September 12, 2006, the album was one of the highest classical chart debuts ever for a new artist in the UK, landing him in the Top 10 alongside the likes of Andrea Bocelli. Now, this astounding collection of stirring ballads and powerful love songs establishes the 28-year-old as the next male crossover singer poised for stateside success.Born in Rome but raised in Arezzo, near Florence, Vittorio has developed a reputation as one ...
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Bizet: Carmen (complete opera) with Maria Callas, Nicolai Gedda, Georges Pretre, Paris Opera Orchestra
: essential recording:This recording was made near the end of Maria Callas's career. It is a role she never sang onstage, but it suited her almost perfectly, and she gives a deep, compelling performance on this recording. The mezzo-soprano tessitura was comfortable for her voice, and the role did not call for a pretty sound. Nor did the recording studio require the kind of huge vocal power expected in an opera house. And furthermore, the character of a strong-willed, capricious, sexually compelling woman who thinks exclusively of herself was close to ...
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Tchaikovsky: The Nutcracker (Complete); Swan Lake Suite
from: Artemis Records
: essential recording:This recording was made near the end of Maria Callas's career. It is a role she never sang onstage, but it suited her almost perfectly, and she gives a deep, compelling performance on this recording. The mezzo-soprano tessitura was comfortable for her voice, and the role did not call for a pretty sound. Nor did the recording studio require the kind of huge vocal power expected in an opera house. And furthermore, the character of a strong-willed, capricious, sexually compelling woman who thinks exclusively of herself was close to ...
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Eric Whitacre: The Complete A Cappella Works, 1991-2001
from: Arsis Records
: essential recording:This recording was made near the end of Maria Callas's career. It is a role she never sang onstage, but it suited her almost perfectly, and she gives a deep, compelling performance on this recording. The mezzo-soprano tessitura was comfortable for her voice, and the role did not call for a pretty sound. Nor did the recording studio require the kind of huge vocal power expected in an opera house. And furthermore, the character of a strong-willed, capricious, sexually compelling woman who thinks exclusively of herself was close to ...
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Bach: Violin Concertos
from: EMI Classics
: essential recording:This recording was made near the end of Maria Callas's career. It is a role she never sang onstage, but it suited her almost perfectly, and she gives a deep, compelling performance on this recording. The mezzo-soprano tessitura was comfortable for her voice, and the role did not call for a pretty sound. Nor did the recording studio require the kind of huge vocal power expected in an opera house. And furthermore, the character of a strong-willed, capricious, sexually compelling woman who thinks exclusively of herself was close to ...
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