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Sunset Boulevard (1993 Original London Cast)


by: Andrew Lloyd Webber, Michael Bauer, Daniel Benzali, Meredith Braun, Gerard Casey, Nicolas Colicos, Anita Louise Combe, Don Black, Christopher Hampton, Patti LuPone, Kevin Anderson


: :Certain moments in Sunset Boulevard may convince you that it's Andrew Lloyd Webber's most satisfying score. The dark opening theme recalls Franz Waxman, while throughout the lush strings perfectly evoke old Hollywood, occasionally broken by wonderfully jazzy interludes. The melodies of the two big songs, 'With One Look' and 'As if We Never Said Goodbye,' wind their way into your brain in the best Lloyd Webber way (even if the latter, Norma Desmond's ode to her fans, is a little too reminiscent of 'Don't Cry for Me, Argentina'), 'The Perfect Year' ...

Sunset Boulevard (1994 Los Angeles Cast)


by: Andrew Lloyd Webber, Don Black, Christopher Hampton


: :All the benefits of the London version of Sunset Boulevard are as enjoyable in the U.S. premiere version--the luscious melodies, the wonderful atmosphere, the compelling story line (adapted from the 1950 Billy Wilder film), the spectacular staircase. OK, you don't get the staircase on this CD, but you do get the later, more polished show that debuted in Los Angeles in 1994. And despite the oft-repeated themes and occasionally banal lyrics, it remains one of Andrew Lloyd Webber's more satisfying works. The most obvious difference between the two recordings, of course, ...

Sunset Boulevard (Original Canadian Cast Recording)


by: Andrew Lloyd Webber, Don Black, Christopher Hampton


:Album Details:The Canadian Cast Recording of the Popular Andrew Lloyd Webber Musical features the Talents of TV'S First Black Leading Lady Diahann Carroll in the Starring Role as Nora Desmond.

Beethoven: Symphonies Nos. 7 & 8


from: Sony


:Album Details:The Canadian Cast Recording of the Popular Andrew Lloyd Webber Musical features the Talents of TV'S First Black Leading Lady Diahann Carroll in the Starring Role as Nora Desmond.

Bach: Orchestral Suites 2 & 3, Goldberg Canons


from: Sony


:Album Details:The Canadian Cast Recording of the Popular Andrew Lloyd Webber Musical features the Talents of TV'S First Black Leading Lady Diahann Carroll in the Starring Role as Nora Desmond.

Fine and Dandy (2004 Studio Cast) (World Premiere Recording)


by: Kay Swift, Carolee Carmello, Gavin Creel, Andrea Burns, Mark Linn-Baker, John Pizzarelli, Ann Hampton Callaway, Jessica Molaskey


:Description:The classic 1930 musical comedy in its world premiere recording, featuring a 28-piece orchestra and a cast of Broadway and jazz greats. An amazing roster of talent including Carolee Carmello (Kiss Me Kate, Parade), Gavin Creel (Thoroughly Modern Millie), Mario Cantone (Assassins and TV's Sex & The City), Mark Linn-Baker (A Year With Frog and Toad and TV's Perfect Strangers) and Jennifer Laura Thompson (Urinetown, Footloose) # is joined by bestselling jazz artists Ann Hampton Callaway, John Pizzarelli and Jessica Molaskey, all in loving tribute to one of the few female ...

Hymns Through the Centuries 2


by: Recorded Sound, R. Osborne, J. Reilly Lewis, Cathedral Choral Society


:Description:The classic 1930 musical comedy in its world premiere recording, featuring a 28-piece orchestra and a cast of Broadway and jazz greats. An amazing roster of talent including Carolee Carmello (Kiss Me Kate, Parade), Gavin Creel (Thoroughly Modern Millie), Mario Cantone (Assassins and TV's Sex & The City), Mark Linn-Baker (A Year With Frog and Toad and TV's Perfect Strangers) and Jennifer Laura Thompson (Urinetown, Footloose) # is joined by bestselling jazz artists Ann Hampton Callaway, John Pizzarelli and Jessica Molaskey, all in loving tribute to one of the few female ...

Sunset Boulevard (1995 German Cast)


by: Andrew Lloyd Webber, Don Black, Christopher Hampton


:Description:The classic 1930 musical comedy in its world premiere recording, featuring a 28-piece orchestra and a cast of Broadway and jazz greats. An amazing roster of talent including Carolee Carmello (Kiss Me Kate, Parade), Gavin Creel (Thoroughly Modern Millie), Mario Cantone (Assassins and TV's Sex & The City), Mark Linn-Baker (A Year With Frog and Toad and TV's Perfect Strangers) and Jennifer Laura Thompson (Urinetown, Footloose) # is joined by bestselling jazz artists Ann Hampton Callaway, John Pizzarelli and Jessica Molaskey, all in loving tribute to one of the few female ...

Sunset Boulevard (1994 Los Angeles Cast)


by: Andrew Lloyd Webber, Don Black, Christopher Hampton


: :All the benefits of the London version of Sunset Boulevard are as enjoyable in the U.S. premiere version--the luscious melodies, the wonderful atmosphere, the compelling story line (adapted from the 1950 Billy Wilder film), the spectacular staircase. OK, you don't get the staircase on this CD, but you do get the later, more polished show that debuted in Los Angeles in 1994. And despite the oft-repeated themes and occasionally banal lyrics, it remains one of Andrew Lloyd Webber's more satisfying works. The most obvious difference between the two recordings, of course, ...

Dracula, The Musical: The Concept Recording (2006 Studio Cast)


by: Frank Wildhorn, Don Black, Christopher Hampton


: :All the benefits of the London version of Sunset Boulevard are as enjoyable in the U.S. premiere version--the luscious melodies, the wonderful atmosphere, the compelling story line (adapted from the 1950 Billy Wilder film), the spectacular staircase. OK, you don't get the staircase on this CD, but you do get the later, more polished show that debuted in Los Angeles in 1994. And despite the oft-repeated themes and occasionally banal lyrics, it remains one of Andrew Lloyd Webber's more satisfying works. The most obvious difference between the two recordings, of course, ...



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We've covered in too much detail how it's some sort of "open season" on Vonage when it comes to VoIP patents. After dealing with ridiculous and expensive patent lawsuits from companies who failed to actually innovate in the same way Vonage did, the company was pressured by Wall Street to quickly settle the various patent lawsuits filed against the company. Of course, rather than settle matters, that simply opened the door for other companies to go searching through their patent portfolios to see if there was anything they could sue Vonage over. Indeed, following those settlements it didn't take long for AT&T to dig up a patent and sue -- which was quickly settled as well. Thought things were over? No such luck. Nortel just showed up last month to sue and it took all of about a week and a half for Vonage to settle that case as well.

The Nortel case is slightly different because Vonage actually already had a patent infringement lawsuit going against Nortel, but it wasn't really initiated by Vonage. Instead, it had been initiated by a patent holding firm that Vonage bought in 2006. The end result of the settlement doesn't involve money changing hands, but just a cross licensing agreement for the patents. So what's the big lesson that Vonage and others have learned from this? It's certainly got nothing to do with innovating. It's to hoard as many patents as possible so that you have your own nuclear stockpile for when someone else sues you. Want to know why the USPTO is overwhelmed? It's not because there aren't enough examiners (as some will claim) or that there aren't enough funds. It's because the way the system now works is that you are supposed to file patents on every tiny little advancement so you can use it to protect yourself against lawsuits from everyone else. That's not about innovation. It's about waste. In the meantime, since it's still open season at Vonage, who's going to be next? There are a ton of other patents in the VoIP space that can surely be used in a lawsuit, right?

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Small and light enough for a shirt pocket, Samsung's Helix YX-M1 is a one-stop audio entertainment center with an XM radio, a digital music player, and room for 50 hours of tunes, but it comes up short on battery life.

This raw work-flow application isn't the Holy Grail many hoped it would be, but Apple Aperture 1.5 could make life easier for photographers who need to cull, retouch, and output large numbers of photographs quickly and efficiently.






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