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The Original Jazz Masters Series, Vol. 2


by: Various Artists




The Capitol Years


by: Frank Sinatra


:Album Details:New UK 21 Disc Box Set.remastered With Bonus Tracks. Includes Exclusive 'Rare Sinatra'Disc Available Only in this Box.( A Must for Collectors!)

Self Portrait


by: Artie Shaw


: 's Best of 2001:As a clarinetist, he was one of the best, but as a bandleader and jazz innovator, Artie Shaw was peerless. In the various ensembles he led from 1936 to 1954, Shaw pushed swing jazz into new territory. He incorporated classical instrumentation into his arrangements and pretty much invented the genre of 'third stream jazz'; he ignored the color barrier by recording with Hot Lips Page in the late '20s and by touring with Billie Holiday; he created ...

Best of Broadside 1962-1988


by: Various Artists


:Album Description:The Best of Broadside, Anthems of the American Underground from the Pages of Broadside Magazine. 89 songs, including some never commercially released. Compiled and annotated by Jeff Place and Ronald D. Cohen. 5-CD boxed set. It was a small underground magazine smuggled out of a New York City housing project in a baby carriage, filled with new songs by artists who were too creative for the folkies and too radical for the establishment. Underground--yet Bob Dylan, Janis Ian, Rev. ...

The Bebop Years


by: Coleman Hawkins


:Album Description:Hawkins reached a new level of creativity during the 1940's. THis box-set focuses on those yeard, presenting the original master of the tenor sax in a wide variety of settings, including his encounters with young modernists like Dizzy Gillespie and Thelonious Monk. 88 tracks in all. Includes 56 page booklet containing the full Hawkins story, rare photographs and discography. 2000 release. 4 standard jewel cases housed together in a deluxe slipcase.

It's Easy to Remember


by: Bing Crosby


:Album Description:UK budget-price box-set with 99 tracks covering his movies, best sellers and more. Includes 36 page illustrated booklet. Standard jewel cases housed in a slipcase. 2001.

Blood on the Fields


by: Wynton Marsalis & the Lincoln Center Jazz Orchestra


: essential recording:Just as Charles Mingus owed a great debt to Duke Ellington, Blood on the Fields makes clear how much Wynton Marsalis owes to Mingus. Marsalis won the Pulitzer Prize for Blood in 1997, decades after Ellington should've won for any of two or three suite-length works, and it's clear this piece was worth it. The blats and instrumental slurs that ricochet into melodies are certainly Ellingtonian, but only when you consider that Mingus revised them with vigorous energy. ...

Big Band Fever


by: Various Artists


: essential recording:Just as Charles Mingus owed a great debt to Duke Ellington, Blood on the Fields makes clear how much Wynton Marsalis owes to Mingus. Marsalis won the Pulitzer Prize for Blood in 1997, decades after Ellington should've won for any of two or three suite-length works, and it's clear this piece was worth it. The blats and instrumental slurs that ricochet into melodies are certainly Ellingtonian, but only when you consider that Mingus revised them with vigorous energy. ...

Memories of You


by: Art Tatum


: essential recording:Just as Charles Mingus owed a great debt to Duke Ellington, Blood on the Fields makes clear how much Wynton Marsalis owes to Mingus. Marsalis won the Pulitzer Prize for Blood in 1997, decades after Ellington should've won for any of two or three suite-length works, and it's clear this piece was worth it. The blats and instrumental slurs that ricochet into melodies are certainly Ellingtonian, but only when you consider that Mingus revised them with vigorous energy. ...

Your Hit Parade


by: Various Artists


: essential recording:Just as Charles Mingus owed a great debt to Duke Ellington, Blood on the Fields makes clear how much Wynton Marsalis owes to Mingus. Marsalis won the Pulitzer Prize for Blood in 1997, decades after Ellington should've won for any of two or three suite-length works, and it's clear this piece was worth it. The blats and instrumental slurs that ricochet into melodies are certainly Ellingtonian, but only when you consider that Mingus revised them with vigorous energy. ...



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