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Gershwin: Porgy and Bess


by: George Gershwin, Simon Rattle, Hyacinth Nicholls, London Philharmonic Orchestra, Camellia Johnson, Maureen Braithwaite, Colenton Freeman, Alan Tilvern, Anne Fridal, Autris Paige, Barrington Coleman, Billy J. Mitchell, Blair Wilson, Bruce Hubbard, Curtis Watson, Cynthia Clarey, Cynthia Haymon, Damon Evans, Gregg Baker, Harolyn Blackwell, Johnny Worthy, Linda Thompson, Marietta Simpson, Mervin Wallace, Michael Forest, Paula Ingram, Raemond Martin, Ron Travis, Ted Maynard, Wayne Marshall, Willard White, William Johnson




Anything Goes (1988 Studio Cast) - Cole Porter


by: Cole Porter, Kim Criswell, Bruce Hubbard, Frederica von Stade, John McGlinn, London Symphony Orchestra


: :Along with Kiss Me, Kate, 1934's Anything Goes is usually thought to be Cole Porter's finest show. Even without a young belter named Ethel Merman as the lead, the show's parade of hits ('I Get a Kick Out of You,' 'All Through the Night,' 'You're the Top,' and 'Blow, Gabriel, Blow') would have secured it a place in Broadway's pantheon. This recording is the first one to use the original 1934 arrangements, painstakingly reconstructed with the help of one of the original arrangers, Hans Spialek, and it also includes three songs cut from ...

Copland: Appalachian Spring; El Salón México; Old American Songs; Fanfare for the Common Man


from: EMI Classics


: :Along with Kiss Me, Kate, 1934's Anything Goes is usually thought to be Cole Porter's finest show. Even without a young belter named Ethel Merman as the lead, the show's parade of hits ('I Get a Kick Out of You,' 'All Through the Night,' 'You're the Top,' and 'Blow, Gabriel, Blow') would have secured it a place in Broadway's pantheon. This recording is the first one to use the original 1934 arrangements, painstakingly reconstructed with the help of one of the original arrangers, Hans Spialek, and it also includes three songs cut from ...

Gershwin - Porgy and Bess / White · Haymon · Blackwell · Baker · LPO · Sir Simon Rattle


by: George Gershwin, Simon Rattle, Willard White, Cynthia Haymon, London Philharmonic Orcherstra, The Glyndebourne Chorus, Harolyn Blackwell, Michael Forest, Colenton Freeman, Damon Evans, Gregg Baker, Marietta Simpson


: essential recording:An uncut Porgy & Bess may well be too long in the theater. On CD, though, you can play one act at a time, letting Gershwin's wide-eyed, inexhaustibly inventive score run its course at leisure in the comforts of your rumpus room. Some listeners might find Sir Simon Rattle's tempos on the draggy side, but he's got Gershwin's syncopated idiom down cold. Similarly, the singers fuse Gershwin's prodigious musical demands with effortless, characterful diction more succesfully than in other recordings, abetted by engineering that is both atmospheric and richly detailed. Full ...

For You, for Me


from: EMI


: essential recording:An uncut Porgy & Bess may well be too long in the theater. On CD, though, you can play one act at a time, letting Gershwin's wide-eyed, inexhaustibly inventive score run its course at leisure in the comforts of your rumpus room. Some listeners might find Sir Simon Rattle's tempos on the draggy side, but he's got Gershwin's syncopated idiom down cold. Similarly, the singers fuse Gershwin's prodigious musical demands with effortless, characterful diction more succesfully than in other recordings, abetted by engineering that is both atmospheric and richly detailed. Full ...

Show Boat (1988 Studio Cast): Von Stade; Hubbard; Hadley; McGlinn


by: Frederica von Stade, Jerome Kern, Jerry Hadley, Bruce Hubbard, Teresa Stratas, David Garrison, Leslie Fyson, John McGlinn, London Sinfonietta


: :John McGlinn's sprawling, monumental three-CD set is about all the Show Boat any listener could ever ask for. In an obvious labor of love, McGlinn reconstructs the show as it ran on opening night, November 15, 1927, including every song, the original orchestrations, and all underscored dialogue. The most significant restoration is the dark choral number 'Mis'ry's Comin' Aroun',' as Show Boat's serious subject matter helped establish its place as the most important turning point in the history of American musical theater. McGlinn also adds an appendix that includes songs cut before opening ...

Kern & Hammerstein II: Show Boat - Frederica von Stade, Teresa Stratas, Jerry Hadley, Bruce Hubbard, John McGlinn, London Sinfonietta & Ambrosian Chorus


from: EMI Classics


: :John McGlinn's sprawling, monumental three-CD set is about all the Show Boat any listener could ever ask for. In an obvious labor of love, McGlinn reconstructs the show as it ran on opening night, November 15, 1927, including every song, the original orchestrations, and all underscored dialogue. The most significant restoration is the dark choral number 'Mis'ry's Comin' Aroun',' as Show Boat's serious subject matter helped establish its place as the most important turning point in the history of American musical theater. McGlinn also adds an appendix that includes songs cut before opening ...

Wigged Out


from: Whirly Bird


: :John McGlinn's sprawling, monumental three-CD set is about all the Show Boat any listener could ever ask for. In an obvious labor of love, McGlinn reconstructs the show as it ran on opening night, November 15, 1927, including every song, the original orchestrations, and all underscored dialogue. The most significant restoration is the dark choral number 'Mis'ry's Comin' Aroun',' as Show Boat's serious subject matter helped establish its place as the most important turning point in the history of American musical theater. McGlinn also adds an appendix that includes songs cut before opening ...

Great American Songwriters, Vol. 10


from: Angel Records


: :John McGlinn's sprawling, monumental three-CD set is about all the Show Boat any listener could ever ask for. In an obvious labor of love, McGlinn reconstructs the show as it ran on opening night, November 15, 1927, including every song, the original orchestrations, and all underscored dialogue. The most significant restoration is the dark choral number 'Mis'ry's Comin' Aroun',' as Show Boat's serious subject matter helped establish its place as the most important turning point in the history of American musical theater. McGlinn also adds an appendix that includes songs cut before opening ...

Gershwin: Porgy and Bess


from: Capitol


: :John McGlinn's sprawling, monumental three-CD set is about all the Show Boat any listener could ever ask for. In an obvious labor of love, McGlinn reconstructs the show as it ran on opening night, November 15, 1927, including every song, the original orchestrations, and all underscored dialogue. The most significant restoration is the dark choral number 'Mis'ry's Comin' Aroun',' as Show Boat's serious subject matter helped establish its place as the most important turning point in the history of American musical theater. McGlinn also adds an appendix that includes songs cut before opening ...



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