|
|
|
Bach - Mass In B Minor
from: Harmonia Mundi (France)
: essential recording:This recording is, quite frankly, a marvel. In the opening bars of the Kyrie, where tradition dictates a powerful, agonized cry for mercy, Philippe Herreweghe offers a gentle, awestruck plea that took this listener's breath away. Extroverted movements like the Gloria, Et resurrexit, and Sanctus lack nothing in excitement; Qui tollis and Dona nobis pacem feel like fervent prayers. Herreweghe's luminous Collegium Vocale and skillful, sensitive instrumentalists make every gesture, large and small, seem exactly right. The soloists have attractive voices that blend ...
|
|
|
Rubinstein Collection, Vol. 45
from: RCA
: :Rubinstein's is not the only way to play Chopin. Ignaz Friedman, Cortot, Horowitz, Wild, Cherkassky, and others have given us Chopin performances of incredible artistry and individuality, but Rubinstein's more objective interpretive stance set the model for succeeding generations of Chopin players. This welcome reissue from RCA's monster set of the pianist's complete recordings helps explain why his Chopin is still revered. The 1959 version of the Ballades is memorable thanks to his big, bronze tone, subtle rubato, and ability to make the keyboard sing ...
|
|
|
William Byrd: The Complete Keyboard Music
from: Hyperion UK
: :Today, English composer William Byrd (1540-1623) is mostly remembered for his vocal works, but his keyboard output--a vast array of pavans, galliards, plainsong interpretations, preludes, and popular-song arrangements--is just as noteworthy. Indeed, as Byrd sought to find his voice in writing music for the (relatively) new instrumental genre, he employed experimentation, creativity, and virtuosity that still sound fresh today. This ambitious set features virtually all Byrd's keyboard music, performed by Davitt Maroney on a handful of replica instruments. Spread over seven CDs (and with a ...
|
|
|
Beethoven Collection: Symphonies Nos. 1-9, Complete Recording (Box Set)
from: Delta
: :Today, English composer William Byrd (1540-1623) is mostly remembered for his vocal works, but his keyboard output--a vast array of pavans, galliards, plainsong interpretations, preludes, and popular-song arrangements--is just as noteworthy. Indeed, as Byrd sought to find his voice in writing music for the (relatively) new instrumental genre, he employed experimentation, creativity, and virtuosity that still sound fresh today. This ambitious set features virtually all Byrd's keyboard music, performed by Davitt Maroney on a handful of replica instruments. Spread over seven CDs (and with a ...
|
|
|
Miklós Rózsa: A Centenary Celebration
from: Varese Sarabande
: :Today, English composer William Byrd (1540-1623) is mostly remembered for his vocal works, but his keyboard output--a vast array of pavans, galliards, plainsong interpretations, preludes, and popular-song arrangements--is just as noteworthy. Indeed, as Byrd sought to find his voice in writing music for the (relatively) new instrumental genre, he employed experimentation, creativity, and virtuosity that still sound fresh today. This ambitious set features virtually all Byrd's keyboard music, performed by Davitt Maroney on a handful of replica instruments. Spread over seven CDs (and with a ...
|
|
|
Dowland - The Collected Works / The Consort of Musicke, Rooley
: :Today, English composer William Byrd (1540-1623) is mostly remembered for his vocal works, but his keyboard output--a vast array of pavans, galliards, plainsong interpretations, preludes, and popular-song arrangements--is just as noteworthy. Indeed, as Byrd sought to find his voice in writing music for the (relatively) new instrumental genre, he employed experimentation, creativity, and virtuosity that still sound fresh today. This ambitious set features virtually all Byrd's keyboard music, performed by Davitt Maroney on a handful of replica instruments. Spread over seven CDs (and with a ...
|
|
|
Mercadante - Orazi e Curiazi / Miricioiu · Jerome · Michaels-Moore · A. Miles · Rhys-Davies · Nilon · PO · Parry
: :Today, English composer William Byrd (1540-1623) is mostly remembered for his vocal works, but his keyboard output--a vast array of pavans, galliards, plainsong interpretations, preludes, and popular-song arrangements--is just as noteworthy. Indeed, as Byrd sought to find his voice in writing music for the (relatively) new instrumental genre, he employed experimentation, creativity, and virtuosity that still sound fresh today. This ambitious set features virtually all Byrd's keyboard music, performed by Davitt Maroney on a handful of replica instruments. Spread over seven CDs (and with a ...
|
|
|
Vaughan Williams, The Complete Symphonies
from: EMI Classics
: :Adrian Boult's credentials in this repertoire are unassailable, and to have nearly all his stereo Vaughan Williams recordings for EMI so elegantly packaged and enticingly priced will be incentive enough for many a prospective purchaser. There's much to treasure here, not least those gently perceptive accounts of the first three symphonies, as well as the Fifth and the Ninth. All the same, the fires burned more brightly on Boult's earlier mono cycle for Decca, and there's some oddly listless orchestral playing to contend with in ...
|
|
|
Mozart: The Piano Concertos
: :Adrian Boult's credentials in this repertoire are unassailable, and to have nearly all his stereo Vaughan Williams recordings for EMI so elegantly packaged and enticingly priced will be incentive enough for many a prospective purchaser. There's much to treasure here, not least those gently perceptive accounts of the first three symphonies, as well as the Fifth and the Ninth. All the same, the fires burned more brightly on Boult's earlier mono cycle for Decca, and there's some oddly listless orchestral playing to contend with in ...
|
|
|
Beethoven: Piano Sonatas
from: EMI Classics
: :Dating from 1932-35, this was the first complete cycle of Beethoven's piano sonatas ever recorded. It has remained available almost continuously since it was first issued, a testimonial to the staying power of these legendary performances. Other pianists may have approached Beethoven with more secure technique, and there are certainly other conceptions of this music that deserve our attention. But the intellectual comprehension and--especially!--the intense emotional projection of Artur Schnabel's performances will remain treasures as long as listeners love Beethoven's music. Competing editions of these ...
|
|