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Roy Brown & New Orleans R&B


by: Roy Brown




The Best of the Vetco Years


by: Dave Evans and River Bendd


: :Dave Evans burst onto the Bluegrass scene in 1979 with the release of Dave Evans and River Bend quickly followed by Call Me Long Gone, both recorded for the small Cincinnati-based Vetco Records. Evans was known in southern Ohio as an ace banjo player for both Larry Sparks and The Boys From Indiana among others, but his first recordings on his own introduced a unique, powerful, and soulful voice that created an immediate buzz in the Bluegrass world. This new ...

Cool Cool Blues: The Classic Sides 1951-1954


by: Sonny Boy Williamson [II]


: :Dave Evans burst onto the Bluegrass scene in 1979 with the release of Dave Evans and River Bend quickly followed by Call Me Long Gone, both recorded for the small Cincinnati-based Vetco Records. Evans was known in southern Ohio as an ace banjo player for both Larry Sparks and The Boys From Indiana among others, but his first recordings on his own introduced a unique, powerful, and soulful voice that created an immediate buzz in the Bluegrass world. This new ...

Blues Guitar Legends


by: Various Artists


: :Dave Evans burst onto the Bluegrass scene in 1979 with the release of Dave Evans and River Bend quickly followed by Call Me Long Gone, both recorded for the small Cincinnati-based Vetco Records. Evans was known in southern Ohio as an ace banjo player for both Larry Sparks and The Boys From Indiana among others, but his first recordings on his own introduced a unique, powerful, and soulful voice that created an immediate buzz in the Bluegrass world. This new ...

The Vintage Years


by: B.B. King


:Album Description:106 tracks digitally re-mastered from the original acetates for the best sound ever! Compiled by John Broven, this brings together King's seminal recordings of the 50s & 60s for the Modern group. There are no less than 27 chart recordings, including four #1 R&B hits, seventeen top 10 R&B hits, & four top 100 hits. This Vintage Years box was put together with great care, and was not a rush job. Managing Director Roger Armstrong spent many months analyzing the ...

Singles Collection: The London Years


by: The Rolling Stones


: :The most comprehensive anthology of the Rolling Stones' prime early work collects every single from the beginning up through 1971, A- and B-sides. All the obvious hits are here ('Satisfaction,' 'Jumping Jack Flash,' 'Honky Tonk Women,' 'Brown Sugar') as well as several B-sides ('Stoned,' 'I Want to Be Loved,' 'I Don't Know Why AKA I Don't Know Why I Love You') not previously released on CD. But it's the unrelenting succession of great cuts that make this a landmark collection. No ...

All the Blues You Need: The Indigo 5th Anniversary Box Set


by: Various Artists


:Album Details:Three CD Box Set Celebrating Five Years of this Award Winning Blues Label. Blind Lemon Jefferson 'Matchbox Blues', Bessie Smith 'Nobody Knows', Robert Johnson 'i Believe I'll Dust My Broom' Dinah Washington 'my Lovin Papa' etc.

Bessie Smith: The Complete Recordings, Vol. 4


by: Bessie Smith


: essential recording:These recordings reaching from the height of Bessie Smith's fame into her decline in popularity are required listening, covering the years 1928 through 1931. Not only was her voice stronger than ever, but her control over the material was topnotch; she balanced on the fine line between seductive charm and overt sexuality with apparent ease. Some of her best material ever appears on volume 4 of this 5-volume set, including 'Standin' in the Rain Blues,' 'Empty Bed Blues' (speaking ...

The Complete Dinah Washington on Mercury, Vol. 1 (1946-1949)


by: Dinah Washington


: essential recording:These recordings reaching from the height of Bessie Smith's fame into her decline in popularity are required listening, covering the years 1928 through 1931. Not only was her voice stronger than ever, but her control over the material was topnotch; she balanced on the fine line between seductive charm and overt sexuality with apparent ease. Some of her best material ever appears on volume 4 of this 5-volume set, including 'Standin' in the Rain Blues,' 'Empty Bed Blues' (speaking ...

Swing Time! The Fabulous Big Band Era 1925-1955


by: Various Artists


: essential recording:These recordings reaching from the height of Bessie Smith's fame into her decline in popularity are required listening, covering the years 1928 through 1931. Not only was her voice stronger than ever, but her control over the material was topnotch; she balanced on the fine line between seductive charm and overt sexuality with apparent ease. Some of her best material ever appears on volume 4 of this 5-volume set, including 'Standin' in the Rain Blues,' 'Empty Bed Blues' (speaking ...



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We've covered in too much detail how it's some sort of "open season" on Vonage when it comes to VoIP patents. After dealing with ridiculous and expensive patent lawsuits from companies who failed to actually innovate in the same way Vonage did, the company was pressured by Wall Street to quickly settle the various patent lawsuits filed against the company. Of course, rather than settle matters, that simply opened the door for other companies to go searching through their patent portfolios to see if there was anything they could sue Vonage over. Indeed, following those settlements it didn't take long for AT&T to dig up a patent and sue -- which was quickly settled as well. Thought things were over? No such luck. Nortel just showed up last month to sue and it took all of about a week and a half for Vonage to settle that case as well.

The Nortel case is slightly different because Vonage actually already had a patent infringement lawsuit going against Nortel, but it wasn't really initiated by Vonage. Instead, it had been initiated by a patent holding firm that Vonage bought in 2006. The end result of the settlement doesn't involve money changing hands, but just a cross licensing agreement for the patents. So what's the big lesson that Vonage and others have learned from this? It's certainly got nothing to do with innovating. It's to hoard as many patents as possible so that you have your own nuclear stockpile for when someone else sues you. Want to know why the USPTO is overwhelmed? It's not because there aren't enough examiners (as some will claim) or that there aren't enough funds. It's because the way the system now works is that you are supposed to file patents on every tiny little advancement so you can use it to protect yourself against lawsuits from everyone else. That's not about innovation. It's about waste. In the meantime, since it's still open season at Vonage, who's going to be next? There are a ton of other patents in the VoIP space that can surely be used in a lawsuit, right?

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Small and light enough for a shirt pocket, Samsung's Helix YX-M1 is a one-stop audio entertainment center with an XM radio, a digital music player, and room for 50 hours of tunes, but it comes up short on battery life.

This raw work-flow application isn't the Holy Grail many hoped it would be, but Apple Aperture 1.5 could make life easier for photographers who need to cull, retouch, and output large numbers of photographs quickly and efficiently.






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